my god is
imperfect, a perfect image for me.
humbled by its mistakes.
my god is a mistake.
a wrong answer,
differently abled.
its winters often in spring.
its summers sometime in autumn. Continue reading “my god is – Paul Brookes”
Vomiting in a cubicle space was definitely unpalatable and embarrassing. It was a repeated incident, despite the last projection occurring eight months ago. My boss remembered, so when I waddled up to her in my pencil skirt and tights, unaware that I would be moaning, convulsing, and caught under covers a week earlier than expected (and not on a fortunate weekend, mind you), she nodded for me to go, reminding me, “You’ve got sick leave.” Continue reading “Forever, The Little Girl – Kristine Brown”
Earth on the Ocean’s Back
Rain mists the poppy pins
of passersby outside. In a café,
standing couples rehash the cenotaph
service. Cognoscenti critique beans
and brewing machines while
espresso makers hiss. I remember
Mary Battle used to say dreams were false
from spring until saps fell, says an Irish voice
nearby. Continue reading “Earth On The Ocean’s Back, and Age Of Prophesy – Daniel Cowper”
February 2018 – Languages/Letters/Lists – Florence Lenaers
March 2018 – Masks/Transformations/Cosmos/Personal Myth – Amee Nassrene Broumand
April 2018 – Place: Movement, Escape, Exploration, Architecture – C.C. O’Hanlon
May 2018 – Identity: Crisis, Creation, Multiplicity, Singularity – Karissa Lang
June 2018 – Liminal Spaces – James Pate
July 2018 – Bodies – Lara Alonso Corona
August 2018 – Non-NonFiction – John Trefry
September 2018 – Belonging/Returning/Retreating – Rachael De Moravia
October 2018 – Gender & Revolution – She Speaks UK
November 2018 – Facing Up To The Future – Paul Hawkins
December 2018 – Doors – Jaisha Jansena
* * * * * Continue reading “2018… That’s A Wrap! – BHP///A Year In Guest Editors”

Her hands
down by her sides
Also her drink of choice
and how she speaks to
the bartender
Her subtle, slow
I’ve got all day
burn
Continue reading “Judith Taylor: Cinderella upon Remembering Bruno”

This is not a violin, it is a doorway. I know this, because I read a lot. My notes and references are usually very detailed breadcrumb paths. But, as Brion Gysin said, the mice can get into the larder of language (and I add to his point, memory). And, well… I have no control over legions of mice.
“This is is not a violin, it is a doorway.”
Continue reading “ReVerse Butcher: This is not a violin, it is a doorway”
Ash and Stardust was a monthly column by energy worker and artist/writer DHIYANAH HASSAN exploring the intersections of tarot with healing and creativity. You can read the full series here.
When I started this column in January 2018, I was still calling myself a tarot noob. I confess I didn’t thoroughly believed it but lacked the confidence to openly claim myself as a card reader without having gone through some kind of an initiation period.
Who I am now is so far traveled from the person I was at the beginning of 2018. This was my Saturn Return year and it was so full of magic – this was my first happy year, ever! Connecting to the healing tools that I accepted as available to me really went a long way in teaching me what my happiness could look like. And I took it, ran with it, and trusted in everything I am that is strong and soft and beautiful.
During the span of this year, I received confirmation after confirmation at each level of release and growth I experienced once I committed – not just mentally but also physically, emotionally, and spiritually – to my chosen intentions to heal, to love, to have fun. I know now that writing Ash and Stardust as a monthly column was a sort of initiation I designed for myself to activate within me what I thought I was running low on – the ability to trust myself.
I’m writing this now, already at home in my new wilderness, on the eve of the new year cycle. I’m writing this as the last post of Ash and Stardust on Burning House Press.

We laugh like newlyweds
as you carry me over the threshold
into a house rife with the spirits
of former tenants-
a lonely caretaker, a childless couple,
a single mother-
their DNA peeling off the walls
like chipped paint.

Tachypsychia. The word we use for defining the neurological condition which alters our perception of time. Time lengthening, time moving slower, time contracting. A blurred vision of time as response to a traumatic event. Time as a collection of unrelated passages. Time as red lines on the temptation to exist. Time as well-captured intentions, the same throughout all journeys. Every inked reflection, a paradise lost. Continue reading “Christina Tudor-Sideri: PASSING THROUGH THE HOME OF THE DYING”