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BURNING HOUSE PRESS

Not For Profit/For Prophecy

4 poems by Damon Hubbs


Olympia

Real love. Unsparing introspection

Oh, for heaven’s sake 

fucking ____________________  . 

  1. Jennifer
  2. You (& Jennifer) 
  3. Jack the Modernist
  4. Veronica, Ted, Sabalenka, Sailor Socialism
  5. the museum goers at The Frick, 

a poem for trapped things, the solar anus

the girl whose lips

are like 

the last helicopter 

out of Saigon

O lose the noise 

you’re going to be all right

go home, spoon the Hitachi     

blackmatter

Berkshire Hathaway

     Dear Cinnette, 

     did on you obtain cheap land, seek fortune, 

     join a religious community—

     I’m taking the kitchen sink approach 

            Where do the coordinates lead…

Delia Deetz died. 

The Lily Jean sank off the coast of Gloucester. 

The streets are draped in anti-drone nets. 

Today, when I was looking at the clouds 

I remembered how Leni Riefenstahl attached automatic cameras to balloons. 

     I want to fall in love 

     with a blind flower girl

     who mistakes me 

     for a millionaire. 


Even the Automobiles Here Seem to Be Ancient 

Dear Cinnette, I grew tired of the world 

at the Braintree split      

but there’s no shepherdess in sight

the ice floes on the Merrimack look like wounded angels

Dear Cinnette, the sun’s fixed stare expresses something beyond death

I’m letting my beard grow  

Let’s just say 

your period 

is the ultimate form of punctuation

Which one of your phone calls changed my life      fuck

     it

I’m raising a toast to Odin 

and the beauty of Japanese volcanoes

Last I heard you hitched a ride to Salt Lake     

O     Madonna 

        of the Trail— 

                          Dear Cinnette, Infinite Jest turned 30  

Sabalenka was penalized for a midpoint grunt

I saw a woman at Stop & Stop 

buying avocados 

like it’s 2010

I heard Thom bit off a prostitute’s toe in Prague

I’m high on benzos       godspark     

Dear Cinnette          Il faut être absolument modern

Did you know in 1955 

Friehofer’s still used horse drawn carts 

to deliver baked goods in Schenectady— 

Imagine if your whole job was putting cherries on cupcakes

Imagine if our midpoint grunt went on forever. 


Dobermann

If you said all I do is write love poems

     I’d say I’m solving the crisis of panty lines 

but that’s just another comedy 

for our conspiracy 

theory   

age

Again the snow is scatterbrained

millions of individual 

amens

and I’m thinking 

about the time 

we had sex at the Tate Modern

If you said it was like a love poem 

featuring Rouveyre’s car and several Soviet bikers

     I’d say 

look at the charm of the industrial streets.  

Fun is a steel bath in Mitteleuropa,  

your tongue like a menacing dobermann. 


MALMO

it feels very intimate, very private 

being an author and a character simultaneously

like a crowd of people 

at the beach 

screaming      shark!    Shark!

Quite unlike the Oulipians

who organize their internet novels 

by color

fake barn country 

the IKEA back catalogue. 

      Dear Cinnette, 

I prefer the dark arts 

“So we shall take the train here to MALMO

then get into the car 

and drive home to our house, 

and all the way I shall revel in, 

truly revel in”

how we used to smoke 

in bed on Sundays 

and read The Boston Globe

Akhmatova, Letters to a Young Poet, 

the cat purring like 

a bloom of chocolate, 

mirrors caressing the room 

and the sense of things 

careening

towards

a head

still a long 

way

     off

like a seizure 

on a boat 

in the middle of the sea


Damon Hubbs is a poet from New England. His latest collection, Bullet Pudding, is forthcoming from Roadside Press in 2026. Recent publications include Horror Sleaze Trash, Apocalypse Confidential, Be About It Press, Revolution John, The Literary Underground, RESSURECTION magazine, and others. His poems have been nominated for the Pushcart and Best of the Net. He is a poetry editor at Blood+Honey and The Argyle Literary Magazine. bluesky: @hubbsd.bsky.social

2 poems by Karina Longo


Symbiosis

The muffled sound of your
maple-infused voice stirred me;
it trapped me
in a vertiginous whirlwind of
fire and water.

What the hell is this—
this fighting that bends, never
breaks—starves, yet
illuminates.

You are the cement of
the sky; the sun casting
skin cancer and eternal glow,
the stars that count wishes
and blow to 

dust.

How can one be the spit of
the smoker—
and the silver faucet that
cleans it?

Blinding fog that chokes
and shows the way;

I am a diver, not a seer.


Sylvia Plath Momentum

Blood-like fragments
in a silver sky—
I know it’s not true;
why, then, should I lie?

The water poisoned;
hellfire 
in my brain—
thoughts like ashes,
yet your smiles remain.

If you can’t see it,
will it destroy you?
I’m still surrounded by
roses, illusions,
boredom.

And love
keeps stuttering
the words of a slut,
embracing what pours
up out of the mud.

Clay for the unwise,
moulding the impure.
I talk to God, yet like

she said;
the sky is empty—

I taste iron.


Karina Longo is a neurodiverse Brazilian-Italian poet based in Milan. Her poetry has been featured or is forthcoming in Expat Press, Be About It Press, Resurrection Mag, Some Words, Dodo Eraser, Michigan City Review of Books, Prosetrics, and elsewhere. Karina was nominated for the Pushcart Prize.  Find her on X: @TheDarkestStar_



3 poems by Sean G. Meggeson

monument leaves

(upon reading Pasolini’s review of the Italian translation of Osip Mandelstam)

like the sun sets   in motion   a series 

of actions   let’s use the word ‘darkening’ 

let’s use the words ‘pre-emptive 

state terror’   Lord let’s remember 

mistake of merry Madelstam   

too late gives back kisses   lost love 

of cunt tortured beyond desire   

&attempts suicide after layering 

perfect moustache joke memorized   

perfect entropy eyes   speculumed   well 

‘wounded’ is the wrong word now  

‘monumented’ will have to do

so let’s go on knees   attempt  

to kiss a torso as tight 

as Pasolini’s 

countryside mannerisms 

as object impermanent  

as Lenin’s mother’s death 

an old wet rope   

a neck caressesd

a punchline 

a snap as dull as a string of musty poem words


hope quick 

hi   hey 

Boccaccio baby   swim

pool bottom 

end race   boy oh boy 

win ‘gain billiards 

with Wilson buds from age 

of buds   wooden rackets from age

of wonks   boozy-brilliant   &binge stories  

then &last night   like morning 

rumors   like body &night arcs 

&crossings like news 

stations really ending   no no

really ending wars

ending   hallelujah   

hey hey here   come literally  


sex w/ Bowie

whelmed by 

two colors

&soft eyes of brother Terry 

always with 

a suicide body—  

a sexy psyche— 

salivating schizoid functioning 

so Zurich friends

in those days wrote letters— 

not instructing so much

as blowing a self

well dressed to heaven

wind 

wild &caress  


Sean G. Meggeson is a poet and video/audio/spoken word artist, living in Toronto, Canada where he works as a psychoanalytic psychotherapist with his dog, Tao. He has been published in a range of journals and magazines, including Antiphonybethh, Die Leere Mitte Ice FloeVersion9Magazine and others. He won the League of Canadian Poets Spoken Word Award in 2024. Meggeson has published three chapbooks, Cosmic Crasher (Buttonhook, 2024), ta o/j, and soma synthesis (both from lippykookpoetry, 2025). Forthcoming: a full-length poetry collection, j: poems (primitive press, Toronto, 2026) and an EP of spoken word & soundscape tracks, The Capacity to Be Alone. Sean is poetry co-editor of Blood+Honey Literary Magazine

bluesky: @seangmeggeson.bsky.social

instagram: @sean_g_meggeson_poet



FEBRUARY 2026 Guest Editor Is Ingrid M. Calderón!!! Theme: LOVE & HATE

Burning House Press are excited to welcome Ingrid M. Calderón as the seventh BHP guest editor of our return series of special editions! As of today Ingrid will take over editorship of Burning House Press online for the month of February.

Submissions are open from today 1st February – and will remain open until 25th February.

Ingrid’s theme for the month is as follows

___

LOVE & HATE

___

Where does love end and hate begin? As an advocate of love in all its manifestations, I‘ve often found myself pondering and teetering on the soft umbilical cord of disillusionment when it comes to these emotions. I am not alone. Love & hate are siblings, —often share a room and define themselves by the company they keep. If needs remain unmet, what changes and how fast before combustion? If disappointment isn’t addressed, love and hate begin their resentful coexistence of two high volume breeds of circuitry.

All feelings at once please!

Ache. Want. Lust. Desire. Hate. Hostile. Loathe. Thirst. Hunger. Disgust. Violence.

I invite you to send poetries, hallucinations, uncomfortable journal entries and artworks pulled from the depths of where love & hate live inside you.

Ingrid is a poet, seer, collagist and the solitary editor of Resurrection magazine. She resides in Los Angeles, CA

___

  • SUBMISSION GUIDELINES
    • All submissions should be sent as .doc or .docx attachments to guesteditorbhp@gmail.com. No cover letter is necessary but please include a short third-person bio and (optional) photo of yourself for potential print with your submission. You may also consider including social media usernames, especially if you’re on Bluesky/Instagram– I want to promote your work!
    • Please state the theme and form of your submission in the subject of the email. For example: LOVE&HATE/FICTION
    • Submissions are open until 25th February and will reopen again on 1st March 2026 for a new theme/new editor/s.

    • Poetry and Fiction
      For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

    • Art
      Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

    • Virtual Reality/ 3D Artworks
      For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

    • Non-fiction
      Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

_______

BHP online is now in the capable hands of the amazing Ingrid M. Calderón – friends, arsonistas, send our February 2026 guest editor your magic!

ULTRAVIOLET: Table of Discontents

An issue replete with luscious adjectives and flights of form

Continue reading “ULTRAVIOLET: Table of Discontents”

Two poems 🍞🥖 by Sennah Yee

… sunny-side-up quail eggs on tiny slices of rock-hard baguette…

Continue reading “Two poems 🍞🥖 by Sennah Yee”

I’ll Be With You Soon by Jacob Wiebe

Words spoken through blood-wetted lips, old words older than old stars rolling cold and heavy across the calloused skein of the sky to ends unknown, to wherever stars go, wherever they end, or so she had been told. 

Continue reading “I’ll Be With You Soon by Jacob Wiebe”

The dishes are clean, the sun is set by Fan Wu


I am going back to the beginning place before sun and sky and sea, before the slit discloses difference, before the shock of time abides…

Continue reading “The dishes are clean, the sun is set by Fan Wu”

Excerpts from The Torture Garden by Octave Mirbeau & Pornographia by Jean-Baptiste Del Amo

… life itself, the perfect composition of flesh elevated into a cathedral of fluids and organs, into a little god of misery.

Continue reading “Excerpts from The Torture Garden by Octave Mirbeau & Pornographia by Jean-Baptiste Del Amo”

Two micros and a translation by Line Stockford

Serpent is truth, and so despised. No flattery, no eyelashes, no need, take what you will.

Continue reading “Two micros and a translation by Line Stockford”

Two micros by Stevie Aechelimi Spikes

biting the inside of my mouth i am more gum than smile, because even on the internet i don’t know how to say no in the breathless space of a text message

Continue reading “Two micros by Stevie Aechelimi Spikes”

Prism 1 & 2 by Kenneth M Cale

ciphers small
upon a plinth

Continue reading “Prism 1 & 2 by Kenneth M Cale”

Excerpt from The Book of Khalid by Ameen Rihani

… the Soul of a philosopher, poet and criminal. I am all three, I swear…

Continue reading “Excerpt from The Book of Khalid by Ameen Rihani”

transmogrification by Sara Campos-Silvius

I will be something utterly, gloriously new…

Continue reading “transmogrification by Sara Campos-Silvius”

Two photo shoots by Madison Rexx

Continue reading “Two photo shoots by Madison Rexx”

Excerpt from Christ by Sadakichi Hartmann

Thought and feeling are forgotten, only the body lives!

Continue reading “Excerpt from Christ by Sadakichi Hartmann”

Holy Water (Overflow) by Colin Campbell Robinson and Paul Hawkins

We slip out into the night-bar, drink beyond satiety; fall in the
street of inequality, the place we live.

Continue reading “Holy Water (Overflow) by Colin Campbell Robinson and Paul Hawkins”

At the Carnival by Anne Spencer

For you—who amid the malodorous
Mechanics of this unlovely thing,
Are darling of spirit and form.

Continue reading “At the Carnival by Anne Spencer”

Crown of Thorns by Alice M.

… when she kneeled at the altar, we saw blood fall, not blood I whispered not blood at all, but purple blackberries, bouncing fat on the stone

Continue reading “Crown of Thorns by Alice M.”

Five Illustrations by Jacob Wiebe

Continue reading “Five Illustrations by Jacob Wiebe”

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