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BURNING HOUSE PRESS

Not For Profit/For Prophecy

Fernando Sdrigotti: In Conversation with C.C. O’Hanlon

“…I miss the possibility of Buenos Aires. And by missing its possibility I can miss my own hometown without the uncomfortable bits, without all the impossibilities, the proximities, the complexities and familiarities. The parts that can hurt.”

Fernando Sdrigotti is a writer, editor and occasional translator. Born in Rosario, Argentina, in 1977, he was expelled by the economic crash of 2001. He lived in Dublin and Paris before settling in London in the early noughties. Continue reading “Fernando Sdrigotti: In Conversation with C.C. O’Hanlon”

Objects In Mirror Are Closer Than They Appear, Four Poems by Sam Lou Talbot

Why Would I Fantasise?
I am not a philosopher.
You came to me in a dream.
Already, I digress.
Subject + verb + object (direct).
You and your syntax.
You are a verb that requires many objects.

I . Want. To. Break. That. Continue reading “Objects In Mirror Are Closer Than They Appear, Four Poems by Sam Lou Talbot”

Meeting Robert Graves by Larry Buttrose

In 1976, Larry Buttrose, an Australian playwright and poet, journeyed to Deya, on the Spanish island of Majorca, to seek out the then 81-year-old British poet, author and classicist, Robert Graves, renowned for his historical novels, notably I, Claudius and Claudius The God, a memoir, Goodbye To All That, and a ‘speculative study of poetic inspiration’, The White Goddess.

I stepped out onto the steep cobbled street outside the Villa Verde. I had arrived at the hostel’s door in the wilting afternoon heat of the day before, after having taken the overnight ferry from Barcelona, and the bus up from Palma, along with the locals in breeches and headscarves carrying bound, clucking chickens on their laps. Continue reading “Meeting Robert Graves by Larry Buttrose”

Under A Wave Off Kanagawa by William Doreski

A mural of a massive wave

painted on a concrete wall

can’t provoke a disaster,

 

can it? Fenced off so no one

can smut it with graffiti,

this careful reproduction

 

Continue reading “Under A Wave Off Kanagawa by William Doreski”

The Catskills Dream by Anna Louise Simpson

I started work on The Catskills Dream series after creating the first collage – The Catskills Visitor.

I’d visited New York several times but on one visit, I became intrigued by an area well to the north of it, known as the Catskills. I didn’t go there but I began to research it: stories of the old Borscht Belt, the summer circuit for Jewish entertainers, abandoned hotels and motels, retired lives, old secrets, broken promises.
Continue reading “The Catskills Dream by Anna Louise Simpson”

In Dudley by R.M. Francis

Mayfield Road

I wander Dudley streets – old canals and factories. All faces are sad now. I take a road I’ve never been down before. Continue reading “In Dudley by R.M. Francis”

Writing A Winter Sunset by Oliver Cable

15:20 backlit wisps and railroad tracks in the sky. flashes of starlings’ wingtips. I look at the river too long, and now see it every time I blink. Continue reading “Writing A Winter Sunset by Oliver Cable”

Static In The Bones by Amy Kinsman

some nights i, molested by some

morbid desire, stand before my mirror

and examine myself: my chest, my breasts,

 

two halves divorced, barren land between.

Continue reading “Static In The Bones by Amy Kinsman”

Peach On The Beach by Kate Feld

Isn’t every fruit soft, if you wait? In small bodies the time is softly passing. Peach had a twilight air. It wore a yellow curling-up sticker that read ‘gog de magog’ in black print (something from The Bible I think) with a picture of a purple desert tree and ‘the fruit of paradise’ in tiny print across the top and ‘paradiesisches obst’ along the bottom. Continue reading “Peach On The Beach by Kate Feld”

Badlands by Betsy Housten

We arrived in a thunderstorm: lightning fingers shot down, pinning horizon
to dark highway. Then the low rumble. Taut Dakota midnight. For weeks

you’d made me promise to avoid photos, insisting I see firsthand the slopes
of ancient clay rising from the prairie. Rain fought the roof of our rental; Continue reading “Badlands by Betsy Housten”

Tom Jeffreys: In Conversation with C.C. O’Hanlon

Tom Jeffreys is an English author, critic, and editor. He is also, in his own words, “a reluctant traveller”.

In 2013, he was made redundant just as he and his wife – artist and writer Crystal Bennes – had to leave their flat in east London. They travelled for six months in South America, then lived for two years in Helsinki, where Crystal completed a masters’ degree in fine art. There was a year in Paris after that. Now they’re in Edinburgh. Continue reading “Tom Jeffreys: In Conversation with C.C. O’Hanlon”

Nothing Dries Sooner Than A Tear* by Joanna Pickering

Marrakesh, Old Town

Everyone seemed to have rotten, black, and missing front teeth. They were friendly and kept smiling and that’s how I saw they mostly had rotten, black and missing front teeth.

I couldn’t see a lot of the women’s teeth, only their eyes, and often not even. There were many women dressed from head to ankle, in long black fabrics, with layer upon layer covering skin, hands, hair, and some that covered the eyes, and with only a marginally thinner veil, so that everything was hidden, nothing to determine soul, being, nor Continue reading “Nothing Dries Sooner Than A Tear* by Joanna Pickering”

Waiting For The Ocean by hiromi suzuki

On the vast land of a hospital in Tokyo, there is a pond filled with plenty of water. Water springs up not only in the pond, but here and there. It is the source of a river. The underground water passes through the downtown of Tokyo and flows into Tokyo Bay. No one knows this is a water land and I’m dreaming of the ocean through the vapor. Continue reading “Waiting For The Ocean by hiromi suzuki”

Wonderment by Tara Lynn Hawk

Once young

The land meant everything

Patches of green and brown

Wild things and half wild critters

Cross our path

As we made our way along

Collecting small mysteries Continue reading “Wonderment by Tara Lynn Hawk”

Chainsaw Demolition Waltz by Tara Lynn Hawk

You claim to make a new life

Then proceeded to backtrack

As you stay deep inside your edwardian

cottage of decay and old newspapers Continue reading “Chainsaw Demolition Waltz by Tara Lynn Hawk”

Submissions Are Open!!! from 1st April – until 23rd April – for our third guest editor C.C. O’HANLON!!!

Burning House Press are excited to welcome C.C. O’HANLON as our third guest editor! C.C. will take over editorship of Burning House Press online for the full month of April – when he will then hand over the reins to our fourth guest editor for the month of May.

Submissions for C.C. are open from today – 1st April and will remain open until 23rd April.

C.C. will be responding and publishing your submissions on a rolling basis during the month of April – and has chosen his themes for submissions!

C.C.’s Themes are

Place: Movement, Escape, Exploration, Architecture.

C.C. has introduced the themes himself for your guidance:

“The act of journeying contributes to a sense of physical and mental well-being, while the monotony of prolonged settlement or regular work weaves patterns in the brain that engender fatigue and a sense of personal inadequacy…”

– Bruce Chatwin, from Nomad Invasions

Overall, I’m not looking to reassure, but rather, to some extent, to unsettle.

For submissions, C.C. is looking for your poetry, short stories, flash fiction, prose poems, art, collage, painting, photography – as well as non-fiction submissions: essays, reviews, commentary, features, interviews.

 

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: ARCHITECTURE/POETRY

Poetry and Fiction
For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open from 1st March til 24th March – and will reopen again on 1st April for our third guest editor.

BHP online is now in the capable hands of the amazing C.C. O’HANLON – Friends, send him your best!

 

C.C. PIC

 

C.C. O’Hanlon is a relentless traveller, polymath and occasional diarist. His work has been featured in numerous publications, including The New York Times, Ernest, Minor Literatures and The Learned Pig. It has also been included in several anthologies and ‘best of…’ collections. Born in Sydney, and raised nearly everywhere else, he has lived for the past five years in Berlin. He is now en route to somewhere else.

Masks, Transformations, Cosmos, & Personal Myth

March 2018

Guest Editor: Amee Nassrene Broumand

 

4 March

 

Professional Mermaid by Megan Dunn

After the 10th Date by Sam Frost

gibbous moon waxing by Lewis Ellingham

Three Poems by Jared A. Carnie

Charon’s Amusement Arcade by BR Williams

 

 

10 March

 

Three Poems by Laura Potts

Plastic Eggs by C.B. Auder

Night Photos of Newstead Village & a Poem by Sophie Pitchford*

L’Idole by Laura Izabela

Two Poems by Annette Skade

A Bacon Sandwich by Jim Gibson

Solitaire by Attracta Fahy

 

 

17 March

 

Three Poems by Ivan de Monbrison

Forgotten Astronaut by Spangle McQueen

What Else Can I Do? by Rob True

How to Tell Men Apart by Breslin White

Invitation To Move On by Jonathan Humble

Two Poems by Kate Garrett

Stealing Sleipnir by Alison Lock

The Transformation by Emma McKervey

 

 

24 March

 

Three Poems by Samuel J Fox

Sing a Song of Ever Changing Perception by Michelle Diaz

Photographs of Bristol & a Poem by Jason Jackson*

When Food Goes Bad by Kelly Froh

Two Poems by Anna Wall

7yrs bad luck by Richard Biddle

Jack by Gene Farmer

 

 

30 March

 

Two Pieces by Erin Calabria

genesis by Clark Chatlain

Baroclinic Instability by katillac tweed

A Catalogue of Small Shatterings by Makensi Ceriani

Bear off a Leash by Stephen Lightbown

Photographs of New Orleans by Julia Skop*

Two Poems by Kate Dlugosz

Interminatus by Cory Willingham

The Boyfriend Pinch by Christopher John Eggett

Dissociation in a Museum Café by Belinda Rimmer

Two Poems by Soodabeh Saeidnia

The Linen Man Suite by Lorie Broumand

An Interview with Poet Laura Potts by Amee Nassrene Broumand*

 

 

 

Featured Image: Solar Eclipse from Salem, Oregon 2017 by Amee Nassrene Broumand

Individual featured images by Amee Nassrene Broumand unless marked with an asterisk

An Interview with Poet Laura Potts

by Amee Nassrene Broumand

 

Hello Laura, thank you for taking the time to speak with me here on Burning House Press! I love the complex music of your work. What’s your relationship to sound and the oral tradition of poetry?

Always, in testament to its fundamentally oral heritage, sound has stood at the forefront of my work: that is, I have always tried to pay homage to the ancient verbal roots of poetry with an acute focus on just how moving sound can be. It is probably, in the words of Harold Bloom, my own anxiety of influence: the writers that haunt me the most are those who expand the malleable state of sound. There is no single prescriptive path which sound can take in poetry, and I think that appeals to the rebel in me. And I’ve studied it quite intensely really: I often apply scansion to Latin poetry to see the specific moments of gravity and levity which bring a line alive. And, of course, I always read my work out loud as I write: it may have one life on the page but it has another one aloud.

“the writers that haunt me the most are those who expand the malleable state of sound”

You had the chance to work at Dylan Thomas’s birthplace in Swansea. What was that like?

My summer there was the single most academic season of my young life. At first I’d planned to stay for a week or so, but that soon turned into a couple of months and I’m sure I learnt the equivalent of a whole degree in that time. I travelled from a small village in Carmarthen to Swansea each day, where I walked up the old hill of Cwmdonkin Drive and through the small black gate of number five which Dylan had pushed so many times. My time was largely spent reading, writing and researching his work. I wrote essays for The Dylan Thomas Society and saw a performance of Under Milk Wood. I drank in the pubs he drank in. I slept in his bedroom a night or two, with the old gas lamp still burning. I visited the boathouse in Laugharne which he shared with his wife, and even interviewed an old neighbour once. Yes, my broken old bookcase still models three rows of Dylan and always will. It was the summer to always remember. Continue reading “An Interview with Poet Laura Potts”

The Linen Man Suite by Lorie Broumand

The Sale

 

The linen man was having a sale. The townspeople got up early to buy linens.

The linen man had boasted of his sale for seven years, and the townspeople were driven by a rabid impatience. They’d pressured him to hold it now, and then now, and so on.

On the day of the sale, the town was caught up in a colossal heat. It was uncommon, so early in the summer, and the townspeople swung their limbs in wretchedness. Henny and Ida claimed the temperature had increased daily as the sale neared.

Others noticed this, too; worse, the air took on a density that smelled of flowers. It was clear from the smell these flowers had flourished in the heat, grown large in it, and died. The townspeople chose not to say anything, as it was unpleasant in a variety of ways. They held handkerchiefs over their faces as they walked to the linen sale.

The sun hadn’t come up yet, and all but one of the streetlights along the linen man’s street had gone out. It was too hot to fix them, so no one had, and the solitary light turned the air an uncomfortable green.

“There’s something linen-like about that shade of green,” said Mrs. R.

“It’s not the shade of green you’re noticing, it’s that machine sound,” said Mr. L.

“It’s the smell,” said Ms. X, “which is clearly linen in nature.”

Mr. L and Ms. X were notoriously confident about the superiority of their perceptions.

Townspeople streamed into the linen man’s street. The machine sound was very loud there, and a large object shook under a piece of plastic.

Near the object was a crate of cubes.

The townspeople needed dishcloths, bedclothes, curtains, and shirts. But they saw none of this—merely the cubes, and the density in the air.

Mrs. R drew a line through the air, an involuntary motion.

“Linen sale,” called the linen man. He ushered the townspeople with his hands.

 

 

Continue reading “The Linen Man Suite by Lorie Broumand”

Two Poems by Soodabeh Saeidnia

Punctuality

 

This

This is

This isn’t

This isn’t a

This isn’t a nice

This isn’t a nice, cool

This isn’t a nice, cool dream

This isn’t a cool dream

This isn’t a dream

of a sunny day in

a Cimmerian

night

This may

This may be

This may be even

This may be even worse

This may be even worse than

This may be even worse than a nightmare

This may not be worse than

This may be the worst

This is the worst

ever

the worst ever monster

the worst ever monstrous

the worst ever monstrous, cool

the worst ever monster, nice, cool

dream, which turned into a

nightmare, since we

didn’t wake up

on time Continue reading “Two Poems by Soodabeh Saeidnia”

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