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Featured Photo Artist – Amanda Ollinik

Our Photo artist for the month, Amanda Ollinik, supplied almost all the featured photos used(except for two or three). She is as prolific as our poetry/fiction contributors, and very well take her talent seriously. We are grateful to her and her partner, Lydia, for making the month as photogenic as it can be. Continue reading “Featured Photo Artist – Amanda Ollinik”

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NOVEMBER 2018 Guest Editor Is PAUL HAWKINS!!! Theme: FACING UP TO THE FUTURE

Burning House Press are excited to welcome PAUL HAWKINS as our NOVEMBER guest editor! As of today Paul will take over editorship of Burning House Press online for the full month of November.

Submissions for Paul are open from today – 1st November and will remain open until 23rd November.

Paul’s Theme for the month is as follows

 

FACING UP TO THE FUTURE

Paul has introduced his theme for your guidance:

 

Facing up to the future

 

Please submit work of a future-facing, avant-garde nature that is singly or a combination of form(s): poetry, prose, visual artworks, collage, sound, photography, musical scores, architectural design, forms, maps, film, sketches, plans, short stories in which context dominates content.

 

for e.g.

 

the poetry of: space-junk, fake news, black ops, artificial intelligence,

the visual taste of global-warming, #metoo, rising-tides

the musical scent of Brexit, Trump, The Cloud

the sound map of: gentrification, water-shortage, anarchism

 

ENCOURAGED: work that is collaborative, radical, experimental, intersectional, across form(s) & across discipline(s).

Continue reading “NOVEMBER 2018 Guest Editor Is PAUL HAWKINS!!! Theme: FACING UP TO THE FUTURE”

BELONGING//RETURNING//RETREATING EDITION – SELECTED/CURATED/PRESENTED BY SEPTEMBER 2018 GUEST EDITOR RACHAEL DE MORAVIA

What a month! Burning House Press would like to thank September’s Guest Editor RACHAEL DE MORAVIA for selecting, curating and presenting an INCREDIBLE array of writing and art on the theme/s BELONGING//RETURNING//RETREATING – and for all of the endeavour and hard work that has gone into managing the high volume of contributions received over the month  –  and the wonderful way Rachael has engaged with, and encouraged, submitters to BHP – THANK YOU FOR EVERYTHING, RACHAEL!!!

Massive thank you also goes to everyone who contributed to Rachael’s theme/s and all who continue to send BHP your  writing and art – we are so happy and grateful that you entrust us with your work, thank you!!! xX

Here it is, the BELONGING//RETURNING//RETREATING EDITION – every selection in one place for you to read/peruse – enjoy!!! xX

Continue reading “BELONGING//RETURNING//RETREATING EDITION – SELECTED/CURATED/PRESENTED BY SEPTEMBER 2018 GUEST EDITOR RACHAEL DE MORAVIA”

// to the mirage makers guerrilla visionaries corpse whisperers apparition summoners //

p l e a s e  s h a r e  w i d e l y

 

\\thankyou\\

Continue reading “// to the mirage makers guerrilla visionaries corpse whisperers apparition summoners //”

Guest Editor For June Is James Pate!!! Theme is: LIMINAL SPACES

Burning House Press are excited to welcome JAMES PATE as our fifth guest editor! James will take over editorship of Burning House Press online for the full month of June – when he will then hand over the reins to our sixth guest editor for the month of July.

Submissions for James are open from today – 1st June and will remain open until 23rd June.

James’ Theme/s for the month are as follows

Liminal Spaces

 

 

James has introduced his theme for your guidance:

I’m fascinated by those spaces that are on the threshold between the interior and exterior, the conversational and the unnamable, the recognizable present and the intangible future. Please send work you feel might be too eccentric for other venues—writing with twilight-lit edges, photography that blends the particular with the anonymous, art that is charged with the radically other.

 

Are there images and phrase that only grow more cryptic the more we think about them? Are there barely audible voices still waiting to be recorded? Alejandra Pizarnik’s poetry, Shirley Jackson’s novels, Sun Ra’s discography, Tarkovsky’s films, Beckett’s plays, Francis Bacon’s humanoid creatures, voices reading the Tarot heard in the static between radio stations, night gardens with metallic-seeming insects…mystic political tracts, literary realism haunted by sci-fi, Gothic verse imagining lunar vistas of paradisiac ruin…Please send work involving liminal spaces that question and invoke.

jamespatepic

 

James Pate is a poet and fiction writer. His books include The Fassbinder Diaries (Civil Coping Mechanisms), Flowers Among the Carrion: Essays on the Gothic in Contemporary Poetry (Action Books Salvo Series), and Speed of Life (Fahrenheit Press). He teaches creative writing at Shepherd University, in Shepherdstown, WV.

 

* * *

For submissions, James is looking for your poetry, short stories, flash fiction, prose poems, art, collage, painting, photography – as well as non-fiction submissions: essays, reviews, commentary, features, interviews – and all hybrids and cross-forms.

 

 

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: LIMINAL SPACES/POETRY

Poetry and Fiction
For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open from 1st June til 23rd June – and will reopen again on 1st July for our sixth guest editor.

BHP online is now in the capable hands of the amazing JAMES PATE – friends, send him your best!

Submissions Are Open!!! from 1st March – until 24th March – for our second guest editor Amee Nassrene Broumand!!!

Burning House Press are excited to welcome Amee Nassrene Broumand as our second guest editor! Amee will take over editorship of Burning House Press online for the full month of March – when she will then hand over the reins to our third guest editor for the month of April.

Submissions for Amee are open from today – 1st March and will remain open until 24th March.

Amee will be responding and publishing your submissions on a rolling basis during the month of March – and has chosen her themes for submissions!

Amee’s Themes are Masks // Transformations // Cosmos // Personal Myth.

Amee has introduced the themes herself for your guidance:

cosmostree.jpg

Wrestle with illusion, seek truth. See your various aspects as masks; consider their individual appearances & reflect upon why they’re shaped as they are. We all have masks; what are yours? Play with this idea, infuse it with mystery. Perhaps make yourself a new mask, one that taps into important yet hidden aspects of your life or mind. Create something that intrigues you, not as a product but as a catalyst for personal transformation. Make something magical; give yourself chills. Mark it with the fire that comes from grappling with your own consciousness. “We are made of star stuff.” –Carl Sagan. Create work inspired by astronomy or cosmology. Contemplate time & the universe & how it all began. Consider the origins of matter & your place in All This. Note the night sky, the turning earth, auroras, eclipses, & the solar system; contemplate nebulae where stars form over eons, contemplate supermassive black holes brooding like giant spiders in a great intergalactic web. Forge a connection to the vastness; create a personal myth that integrates your own mind / dreams / experiences / family / heritage / community / culture / local plants or animals or natural landmarks with the universe at large. Become a drop swimming in an ancient & sublime night. Astrophotography welcome!

GENERAL SUBMISSIONS: If you have work that doesn’t fall into any of these categories, submit it anyway! Hybrid, experimental, & highly imaginative work encouraged. My taste in all media is eclectic but tends towards the strange (in both subject & style). I love clarity, complexity, intelligence, genuineness, introspection, mystery, risk, & symbolism. If it’s too weird for the average literary journal, send it my way; if you walk to the beat of your own drum, I want to hear from you.

NOTE: I especially encourage submissions from women, POC, immigrants, members of the LGBTQ community, the neurodiverse, and other traditionally marginalized groups.

* * *

For submissions, Amee is looking for your poetry, short stories, flash fiction, prose poems, art, collage, painting, photography – as well as non-fiction submissions: essays, reviews, commentary, features, interviews.

 

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: MASKS/POETRY

Poetry and Fiction
For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open from 1st March til 24th March – and will reopen again on 1st April for our third guest editor.

BHP online is now in the capable hands of the amazing Amee Nassrene Broumand– friends, send her your best!

 

Updates…

Coming soon for 2018 on BHP – guest editors/open submission calls/and books books books…

Storytelling: Interview with Rayji de Guia

Rayji_sketch1

How long have you been writing and drawing?

I’ve been drawing since even before I could remember. A funny story my mother told me was how she’d gone to the market when I was around four. An older cousin was babysitting me and my sisters. While she was away, my sisters, rambunctious as they were, accidentally toppled a cabinet over the bed. When my mother arrived home, I ran up to her with a drawing on a sheet of paper that clearly depicted the situation – she dropped her huge bags from her hands and was ready to bolt into the house until my cousin came out to assure her everything had been arranged back. I don’t remember this at all, but I never doubted it, given that I’ve always had the memory of drawing with me.

Continue reading “Storytelling: Interview with Rayji de Guia”

Conceptualising by PL Weng

Sketch being a rudimentary conceptualising part of an idea which will later will translated to a physical or visual final product/s at the end and Book is mainly a collection of these sketches or rudimentary ideas compiled into a bounded book or portfolio (which may be made out of a piece of chewing gum wrapper, a piece of fungal infested durian leaf, a low quality 60g yellowed paper from a 1970s memo pad, an odd piece of broken lego plastic, etc.)”

dav

Continue reading “Conceptualising by PL Weng”

Collage Logbooks: hiromi suzuki

“I make collages in small sketchbooks every night before I sleep.
I call them ‘collage logbooks.’
They are diaries and also the place of creation for
my art and visual poetry.” Continue reading “Collage Logbooks: hiromi suzuki”

Liz Zumin Interview

“Liz Zumin is an artist whose practice stems from an interest in contagion, suggestion and imitation. Through visual metaphor and physical experience she explores the duel between the isolated individual and the shared awareness of the group, the forming of relations, and how affect is transmitted between bodies and becomes enacted at a neurological, chemical and anatomical level.”

Earlier this year Liz Zumin answered some questions for BHP, an edited version of her interview was featured in The Arsonist magazine, which was published by Burning House Press a few months ago. We now make the full transcript of the interview available for BHP online.

 

Firstly, why make art?

I find it difficult to define and delineate what is art, perhaps because what art expresses and evokes is in part ineffable. I suppose that for me there has always been a fascination with the way that artists have the capacity to transform and alter things, to reverse the meaning of a sign, an object or a cultural form. For my part, I find that I am constantly collecting things; texts, fragments, images, ideas from all around, so in that sense, going back to the question why make art? It’s about sharing the way I experience the world and a way that I have of trying to make sense of it all. Continue reading “Liz Zumin Interview”

Visions Of Morandi

By Fredric Nord

I realize how this obsession has gone too far. I’m on a bus cutting through Stockholm, it’s a smug city but easy on the eyes. I’ve dressed up for this. I’m on my way to see Morandi at Artipelag, beautifully situated in the archipelago. My expectations are high, feeling a bit too happy for paintings, a bit nervous. I’ve seen so few of his works in real life, only once before, and they affected me so profoundly that the big painting next door, some ceiling job by some dude named Michelangelo, left me cold and meh. I seem to have something at stake here.
And for this text, I will be Don Quixote de la Costanza.

Continue reading “Visions Of Morandi”

‘Short Stories’ – Gabriel Feld

 

 

 

 

ShortStories_I-II

 

ShortStories_III-IV

 

Continue reading “‘Short Stories’ – Gabriel Feld”

diisonance – experimental/collaborative poetry project/performance – Bank Street Arts, Sheffield, 23rd June 2017

Continue reading “diisonance – experimental/collaborative poetry project/performance – Bank Street Arts, Sheffield, 23rd June 2017”

The Arsonist Magazine Launch Party Thursday 22nd June 2017 @ The Chameleon Arts Cafe Nottingham (- in pictures words and film)

arsonistlaunch22.6.1711arsonistlaunch22.6.1717arsonistlaunch22.6.1716arsonistlaunch22.6.1715arsonistlaunch22.6.1710 Continue reading “The Arsonist Magazine Launch Party Thursday 22nd June 2017 @ The Chameleon Arts Cafe Nottingham (- in pictures words and film)”

Arsonist Magazine Contributor stephanie roberts Reads Her Poem ‘Catawampus’

With one of the poems that opens Edition 01 of The Arsonist Magazine here is the incredible Canadian poet and artist stephanie roberts reading ‘Catawampus’!

The Arsonist Magazine Editon 01 Now Available For Purchase!!!

The Arsonist Magazine Edition 01 – available to purchase here

Image of The Arsonist Magazine Edition 01
Flammable materials from 32 incandescent international poets writers artists and photographers.

Featuring the best poetry, flash fiction, photography, art, interviews and features from around the world, including the UK, Japan, Canada, USA, Malaysia, India, Philippines, Sweden:

stephanie roberts – Saquina Karla C. Guiam – Penny Goring – Adrianna Robertson – Anneghem Wall – Dawn Fredericks – badpoem – Dean Lilleyman – Antony Owen – Aina Izzah – Bruno Neiva – Paul Hawkins – Keith Ford – Joseph Ridgwell – Dhiyanah Hassan – C. R. Resetarits – Rob True – Sophie Pitchford – Jamie Thrasivoulou – Martin Appleby – Liz Zumin – Siddharth Dasgupta – Ben Williams – Caitlin Meredith – Adam Steiner – Jim Gibson – V.M. – Fredric Nord – Mark Goodwin – Hiromi Suzuki – Trevor Wright – Howie Good

The Arsonist Magazine Edition 01 is a 92 page full colour/b&w matt/gloss perfect-bound A5 magazine (this is a limited edition and, being the inaugural print publication from Burning House Press, is sure to be a collectible item)

 

The Arsonist Magazine Edition 01 – available to purchase here

 

Arsonist Contents Page

LAUNCH EVENT FOR THE ARSONIST MAGAZINE EDITION 01

The Arsonist Magazine Edition 01 will be officially launched on Thursday 22nd June at Nottingham’s Chameleon Arts Cafe!

The magazine has been printed, is looking fantastic, and will soon be available from our online shop.

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The launch event is free entry, and will feature an open mic, and readings by contributors from the magazine, headlined by Derby’s finest, Jamie Thrasivoulou!

Really hope to see you there – copies of the Arsonist will be available for purchase on the night – see you there! XX

The Best Of A Bad Situation – Jamie Thrasivoulou

The Best Of A Bad Situation – by Jamie Thrasivoulou

– poetry collection published by Silhouette Press

Jamie Thrasivoulou has seen the zeitgeist and, to be honest, he’s disgusted. These poems are translators of tarmac, asphalt whisperers, mediators of a sonic correspondence between broken hearts and broken promises, busted causeways and lost causes, high hopes fallen down and low-roads taken up. One of the greatest sights in contemporary poetry is to witness Jamie Thrasivoulou explode these poems on an unsuspecting audience. Let’s call it the truth, let’s call it word and testimony, let’s call it the salvo and the salve, let’s call it what it is. ‘The Best Of A Bad Situation’ is the most urgent, vital collection of poetry you will read all year. This is gonna hurt you much more than it will Jamie, but it’s a word-surgery that the body and mind require. Don’t thank the man, he doesn’t want nor need it. Just buy this book, read it, imbibe it’s blood-spirit and turn your life over to the justice and insistences of its restorative frequencies.

– Miggy Angel, author of ‘Grime Kerbstone Psalms’

Continue reading “The Best Of A Bad Situation – Jamie Thrasivoulou”

The Arsonist Magazine – Coming Soon

The Arsonist Magazine edition 01 – featuring flammable materials from 30 international writers artists photographers – Coming Soon

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