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Imogen Reid completed a practice-based PhD at Chelsea College of Arts, her practice being writing. Her thesis focused on the ways in which film has been used by novelists as a resource to transform their writing practice, and on how the non-conventional writing techniques generated by film could, in turn, produce alternative forms of readability. Her work has appeared in Hotel Magazine, LossLit, Gorse Journal, Zeno Magazine, Elbow Room and The RIC Journal. She has a pamphlet with Gordian Projects. 

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