Not For Profit/For Prophecy



Two Aural Compositions by Sean Hogan


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Apocalypse Poems [Visual Poetry/Collage] by Jeremy P. Bushnell

apocalypse 1


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Artwork by Bobbi Lurie

many eyes altered state

M.R.I., 2019
Drawing on paper

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Pruina, Sleeping Soul by Jaisha Jansena

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Two visual poems by James Knight

These images are visual excerpts from Chimera, a cycle of visual poems exploring evolution.

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Owen Vince: after Brodsky

Head Disaster I and Head Disaster II – after Brodsky

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Artwork by Disgruntled Beast

Bloody Media
Traditional collage on paper using magazines and comics. Continue reading “Artwork by Disgruntled Beast”

Artwork by Falco Verholen

Weaker Sides fragment

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Two visual poems by Imogen Reid: overprinted pages from Samuel Beckett’s Company

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Collages by Sophie Herxheimer

Index card collage poems

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An excerpt from Decomposing Robert and two collages by David Spittle

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Shamanism for Success : How Communing With The Spirits Can Help You Climb The Corporate Ladder by Alex Stevens

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Carla Halpin: three collages

Inside Damien Hirst’s Head/2018/magazine paper

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E=mc2 by Kylie Supski & ReVerse Butcher

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Four visual poems by Richard Biddle

Ha I Know U

——- Continue reading “Four visual poems by Richard Biddle”

Three pages from An Invention by Brian Baker

An Invention p.20, 2019, ink and pastel on paper.

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Listen to the Voices: a Life in Three Spoons by Susan Omand

Artwork title: “Listen to the Voices: A Life in 3 Spoons”

Artist: Susan Omand

Date: 2019

Medium: Digital painting
Susan Omand is a Scottish artist who paints from scratch using a digital palette. She enjoys experimenting with strong shapes and colours and is often inspired by the everyday to create something strikingly different. See more of her work on her website at

New Street, between trains by Mary Frances


“I will make much of your voices, and so trouble you no further”


There you are love, where are you off to?


A beautiful part of the world that, you have a lovely time, send us a postcard

All right I will

You do

I will


but I did work hard very hard but there wasn’t enough time because it wasn’t the right questions I did a lot of practice questions and there was always characters but this time there wasn’t I knew a lot but none of my top questions were there and that’s what’s wrong with doing exams Continue reading “New Street, between trains by Mary Frances”

Atlanta – A Sonnet by Kristin Garth


Sometimes it takes a six-hour drive to meet
another villain to understand why
you became one, too. Girl he used to beat,
consensually, becomes the one you cry
to, discrete, IM introduction: “I know
what it feels like to be his orphan.” Week
commiserating online while you grow
more sure your tenure, little one, is done. Weak
enough to say yes when she suggests you
should take a holiday, Atlanta — there’s
sex clubs. She knows what looks like love — your view
opened door, her pompadour, dark suit,
stare before she zips you in an obscene dress —
feel what remains of his latest princess.

Kristin Garth is a Pushcart, Best of the Net & Rhysling nominated sonnet stalker from Pensacola.  Her sonnets have appeared in journals like Glass, Yes, Five: 2: One, Isacoustic* and many more.  She is the author of twelve books of poetry including Pink Plastic House (Maverick Duck Press), Candy Cigarette Womanchild Noir (The Hedgehog Poetry Press) and the forthcoming Flutter: Southern Gothic Fever Dream (TwistiT Press) and The Meadow (Apep Publications, 2020).  Follow her on Twitter:  (@lolaandjolie) and her website

Banner Image “Pink Bouquet” by Robert Frede Kenter. Tweets at @frede_kenter

Three Poems by Moira Saucer

The Red Shutters

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