A Woman Needs A Coat
A woman needs a coat
And a hat
And a roof
A woman needs a friend
And an enemy
And a lover that makes her blood run hot
And one to lay with peacefully
A woman needs air in the morning
And fire at night
A woman needs speed
And to dance in slow circles
With lipstick smeared across the back of her hand
And her hair undone
Or cropped short
Or pinned back
Or tight
A woman needs words like feathers
She needs sentences like knives
She needs to track the long guttural laugh
And utter the quick, sharp, gasp
A woman needs….
Ahhh
But maybe not all women,
Just I.
Black Eyed Sue
Black-eyed Sue
On her 4th Gin strut,
Realised
She went through life
with eyes half-shut.
Who knew that
Bacchus’ companion
was a panther?
Or that love
could be sucked
from pavement cracks
holding out for her to fall?
There was me and you and
Black-eyed Sue
You shot her a look
of such desire
That for a moment your
Eyes were handcuffed
to her arse.
But Black-eyed Sue
Whose eyes are blue
Remained oblivious.
There are times for words
and time for dancing
I wish we hadn’t all just
burst out laughing
and headed back up
that hip but unforgiving
Crouch End street.
As if the night was
just
ordinary.
Dark Magic
Weep for England
in this unsympathetic heat
Where cladded souls
cover buildings
in murderous sheets
A tower
That ignites
Like tissue on fire
Choking innocents
on cyanide fumes
as flames lick higher.
Ah, the crowd roars
what a trick!
First they hid that ugly building
And now
They have it rid!
Look at those magicians!
How elegantly done!
There were 300 residents, or more,
And now there are none.
They’ll not shed a tear, I bet
for the bodies they’ve let burn;
They’re huddled over their balance sheets
with their pens and their quills.
And it’s ever been thus
that the powerful
cook the books,
change the laws
and shelter crooks
Till all of England
and its monuments of stone
Rise up like conceited follies,
in marble, glass, steel, copper or bone
It’s all been built on the backs
of exploited labour
while masters and mistresses
dine on luxury and favour.
Marx explained it very well.
They pay you just enough to make sure you exist:
to eat, to shit, to work till you’re ill.
They’ve refined this system
With such precision
that you think
your debts, your freedoms;
that your needs
are your wants;
that your indoctrination
is an education
That you’re lucky to
be free
to accept a zero hrs contract
for life lived
Expendably
Aaah, let’s put our hands together
For this dark magician’s trick;
You put in the labour
they extract the wealth!
That building,
Why,
It’s a ten-million- pound funeral pyre!
The charcoal remains
The ash,
The fire
The rich hate the poor
And it’s ill-disguised
As we march towards barbarism
With blinders on our eyes
We’ve been sold into debt slavery
But think that we are free
Wedded to horror,
Yet act if we are players in some
Romantic comedy.
But the jokes
On us
And it has always been
When we think we are players
When we are just cogs
In a machine.
Are we content to be
Mere spectators
At this grim wedding?
Where money is the bride
And sorrow is the bedding
And the groom is greed
And the vows are the law
And the revellers feed themselves
On the flesh of the poor
And they feast and they feast, insatiable,
Always calling for
“MORE!”
How many bodies
Do the rich have to break
Before their appetites are sated
Till their bellies begin to ache?
How many piles
How many tears
How many broken minds
How many fears
That keep us awake
And leave us with nothing
Till all we have left
Are our hopes
And our chanting?
“Oh-oh, Jeremy Corbyn!”
How many times
Do we turn away
From those in power
Who will not listen
To what we have to say?
How much less do we have to have
Till we wake up and recognise
That 14% own most of wealth
And the riches
they have
Is because
We allow them the power,
And they use us
For entertainment,
Feeding us less than crumbs,
As our lives
They devour.
This grisly wedding has no end,
We are the feast,
Our flesh
Their gain.
From these sad truths
Our anger, our outrage,
Let’s us salvage our dreams
Demand social justice
Allow our hopes
to rise like a Phoenix
Let’s not be content
With faith and good intentions
For it’s a necromancer’s trick,
That sacrifices
the bodies of the poor
For the vanities
Of the rich.


Her 1-2-1 pop up Poetry Installation ‘TIME=MONEY” won a Brighton Fringe/Arts Council WINDOW award for most promising new company.
She has a one woman, audience collaborative show about dating called “Gimme, Gimme, Gimme More: LOVE!” and performs regularly at
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