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July 2018 Guest Editor Is Lara Alonso Corona!!! Theme/s: BODIES (Ugly bodies — Queer bodies — Uncomfortable bodies — Bodies in summer)

Burning House Press are excited to welcome Lara Alonso Corona as our sixth guest editor! Lara will take over editorship of Burning House Press online for the full month of July.

Submissions for Lara are open from today – 1st July and will remain open until 24th July.

Lara’s Theme/s for the month are as follows

BODIES

(Ugly bodies — Queer bodies — Uncomfortable bodies — Bodies in summer)

Continue reading “July 2018 Guest Editor Is Lara Alonso Corona!!! Theme/s: BODIES (Ugly bodies — Queer bodies — Uncomfortable bodies — Bodies in summer)”

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Liminal Spaces – June 2018 Guest Editor James Pate

Liminal Spaces – June 2018 Guest Editor James Pate – here is the final edition of all selections curated by James Pate during the month of June 2018 for his theme of Liminal Spaces – thank you so much to James for all his hard work during the month and for the impeccable way he managed and curated his month’s editorship. To have been avid readers and fans of James’ writing – especially his essays during the days of the incredible and much-missed Montevidayo site – to have James collaborate on BHP for a month has been such a dream experience. Thanks, James! – and Thank You So Much to all who contributed such magic work to the theme – Here it is, June 2018 guest editor James Pate’s Liminal Spaces edition – enjoy! Continue reading “Liminal Spaces – June 2018 Guest Editor James Pate”

Guest Editor For June Is James Pate!!! Theme is: LIMINAL SPACES

Burning House Press are excited to welcome JAMES PATE as our fifth guest editor! James will take over editorship of Burning House Press online for the full month of June – when he will then hand over the reins to our sixth guest editor for the month of July.

Submissions for James are open from today – 1st June and will remain open until 23rd June.

James’ Theme/s for the month are as follows

Liminal Spaces

 

 

James has introduced his theme for your guidance:

I’m fascinated by those spaces that are on the threshold between the interior and exterior, the conversational and the unnamable, the recognizable present and the intangible future. Please send work you feel might be too eccentric for other venues—writing with twilight-lit edges, photography that blends the particular with the anonymous, art that is charged with the radically other.

 

Are there images and phrase that only grow more cryptic the more we think about them? Are there barely audible voices still waiting to be recorded? Alejandra Pizarnik’s poetry, Shirley Jackson’s novels, Sun Ra’s discography, Tarkovsky’s films, Beckett’s plays, Francis Bacon’s humanoid creatures, voices reading the Tarot heard in the static between radio stations, night gardens with metallic-seeming insects…mystic political tracts, literary realism haunted by sci-fi, Gothic verse imagining lunar vistas of paradisiac ruin…Please send work involving liminal spaces that question and invoke.

jamespatepic

 

James Pate is a poet and fiction writer. His books include The Fassbinder Diaries (Civil Coping Mechanisms), Flowers Among the Carrion: Essays on the Gothic in Contemporary Poetry (Action Books Salvo Series), and Speed of Life (Fahrenheit Press). He teaches creative writing at Shepherd University, in Shepherdstown, WV.

 

* * *

For submissions, James is looking for your poetry, short stories, flash fiction, prose poems, art, collage, painting, photography – as well as non-fiction submissions: essays, reviews, commentary, features, interviews – and all hybrids and cross-forms.

 

 

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: LIMINAL SPACES/POETRY

Poetry and Fiction
For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open from 1st June til 23rd June – and will reopen again on 1st July for our sixth guest editor.

BHP online is now in the capable hands of the amazing JAMES PATE – friends, send him your best!

MAY’S GUEST EDITOR FOR BHP ONLINE IS KARISSA LANG!!!!

Burning House Press are excited to welcome KARISSA LANG as our fourth guest editor! Karissa will take over editorship of Burning House Press online for the full month of May – when she will then hand over the reins to our fifth guest editor for the month of June.

Submissions for Karissa are open from today – 1st May and will remain open until 24th May.

Karissa’s Theme/s for the month are as follows

Identity:

Crisis • Creation • Multiplicity • Singularity

Continue reading “MAY’S GUEST EDITOR FOR BHP ONLINE IS KARISSA LANG!!!!”

Submissions Are Open!!! from 1st April – until 23rd April – for our third guest editor C.C. O’HANLON!!!

Burning House Press are excited to welcome C.C. O’HANLON as our third guest editor! C.C. will take over editorship of Burning House Press online for the full month of April – when he will then hand over the reins to our fourth guest editor for the month of May.

Submissions for C.C. are open from today – 1st April and will remain open until 23rd April.

C.C. will be responding and publishing your submissions on a rolling basis during the month of April – and has chosen his themes for submissions!

C.C.’s Themes are

Place: Movement, Escape, Exploration, Architecture.

C.C. has introduced the themes himself for your guidance:

“The act of journeying contributes to a sense of physical and mental well-being, while the monotony of prolonged settlement or regular work weaves patterns in the brain that engender fatigue and a sense of personal inadequacy…”

– Bruce Chatwin, from Nomad Invasions

Overall, I’m not looking to reassure, but rather, to some extent, to unsettle.

For submissions, C.C. is looking for your poetry, short stories, flash fiction, prose poems, art, collage, painting, photography – as well as non-fiction submissions: essays, reviews, commentary, features, interviews.

 

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: ARCHITECTURE/POETRY

Poetry and Fiction
For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open from 1st March til 24th March – and will reopen again on 1st April for our third guest editor.

BHP online is now in the capable hands of the amazing C.C. O’HANLON – Friends, send him your best!

 

C.C. PIC

 

C.C. O’Hanlon is a relentless traveller, polymath and occasional diarist. His work has been featured in numerous publications, including The New York Times, Ernest, Minor Literatures and The Learned Pig. It has also been included in several anthologies and ‘best of…’ collections. Born in Sydney, and raised nearly everywhere else, he has lived for the past five years in Berlin. He is now en route to somewhere else.

An Interview with Poet Laura Potts

by Amee Nassrene Broumand

 

Hello Laura, thank you for taking the time to speak with me here on Burning House Press! I love the complex music of your work. What’s your relationship to sound and the oral tradition of poetry?

Always, in testament to its fundamentally oral heritage, sound has stood at the forefront of my work: that is, I have always tried to pay homage to the ancient verbal roots of poetry with an acute focus on just how moving sound can be. It is probably, in the words of Harold Bloom, my own anxiety of influence: the writers that haunt me the most are those who expand the malleable state of sound. There is no single prescriptive path which sound can take in poetry, and I think that appeals to the rebel in me. And I’ve studied it quite intensely really: I often apply scansion to Latin poetry to see the specific moments of gravity and levity which bring a line alive. And, of course, I always read my work out loud as I write: it may have one life on the page but it has another one aloud.

“the writers that haunt me the most are those who expand the malleable state of sound”

You had the chance to work at Dylan Thomas’s birthplace in Swansea. What was that like?

My summer there was the single most academic season of my young life. At first I’d planned to stay for a week or so, but that soon turned into a couple of months and I’m sure I learnt the equivalent of a whole degree in that time. I travelled from a small village in Carmarthen to Swansea each day, where I walked up the old hill of Cwmdonkin Drive and through the small black gate of number five which Dylan had pushed so many times. My time was largely spent reading, writing and researching his work. I wrote essays for The Dylan Thomas Society and saw a performance of Under Milk Wood. I drank in the pubs he drank in. I slept in his bedroom a night or two, with the old gas lamp still burning. I visited the boathouse in Laugharne which he shared with his wife, and even interviewed an old neighbour once. Yes, my broken old bookcase still models three rows of Dylan and always will. It was the summer to always remember. Continue reading “An Interview with Poet Laura Potts”

Submissions Are Open!!! from 1st March – until 24th March – for our second guest editor Amee Nassrene Broumand!!!

Burning House Press are excited to welcome Amee Nassrene Broumand as our second guest editor! Amee will take over editorship of Burning House Press online for the full month of March – when she will then hand over the reins to our third guest editor for the month of April.

Submissions for Amee are open from today – 1st March and will remain open until 24th March.

Amee will be responding and publishing your submissions on a rolling basis during the month of March – and has chosen her themes for submissions!

Amee’s Themes are Masks // Transformations // Cosmos // Personal Myth.

Amee has introduced the themes herself for your guidance:

cosmostree.jpg

Wrestle with illusion, seek truth. See your various aspects as masks; consider their individual appearances & reflect upon why they’re shaped as they are. We all have masks; what are yours? Play with this idea, infuse it with mystery. Perhaps make yourself a new mask, one that taps into important yet hidden aspects of your life or mind. Create something that intrigues you, not as a product but as a catalyst for personal transformation. Make something magical; give yourself chills. Mark it with the fire that comes from grappling with your own consciousness. “We are made of star stuff.” –Carl Sagan. Create work inspired by astronomy or cosmology. Contemplate time & the universe & how it all began. Consider the origins of matter & your place in All This. Note the night sky, the turning earth, auroras, eclipses, & the solar system; contemplate nebulae where stars form over eons, contemplate supermassive black holes brooding like giant spiders in a great intergalactic web. Forge a connection to the vastness; create a personal myth that integrates your own mind / dreams / experiences / family / heritage / community / culture / local plants or animals or natural landmarks with the universe at large. Become a drop swimming in an ancient & sublime night. Astrophotography welcome!

GENERAL SUBMISSIONS: If you have work that doesn’t fall into any of these categories, submit it anyway! Hybrid, experimental, & highly imaginative work encouraged. My taste in all media is eclectic but tends towards the strange (in both subject & style). I love clarity, complexity, intelligence, genuineness, introspection, mystery, risk, & symbolism. If it’s too weird for the average literary journal, send it my way; if you walk to the beat of your own drum, I want to hear from you.

NOTE: I especially encourage submissions from women, POC, immigrants, members of the LGBTQ community, the neurodiverse, and other traditionally marginalized groups.

* * *

For submissions, Amee is looking for your poetry, short stories, flash fiction, prose poems, art, collage, painting, photography – as well as non-fiction submissions: essays, reviews, commentary, features, interviews.

 

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: MASKS/POETRY

Poetry and Fiction
For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open from 1st March til 24th March – and will reopen again on 1st April for our third guest editor.

BHP online is now in the capable hands of the amazing Amee Nassrene Broumand– friends, send her your best!

 

Florence Lenaers – BHP Guest Editor February 2018

And… that’s a wrap! Florence’s month as guest editor of Burning House Press online finishes today, and she has presented her final selected pieces on the site.

We would like to thank every single person who took the time and had the faith and trust to submit your work to Burning House Press – we appreciate every single piece of work sent to us and all who take the time to engage with our submission calls.

And, we want to say a massive thank you to Florence Lenaers – for choosing the three fantastic themes of Languages // Letters // Lists – which inspired so many wonderful responses – and also for the incredible way she has selected, curated and presented the work, and the impeccable way she has dealt with the general tasks and interactions of her editorship – we are sure that all who engaged with Florence through the submission process can testify to her approach.

THANK YOU SO MUCH, FLORENCE!

Now, the keys and the reins of BHP online are handed over to our second guest editor, who will take over for the month of March…

 

 

 

 

Gena’s Birthday Song // Песенка крокодила Гены by Lauren Dostal

Alligator punches out at five, grabs his hat, ready to go. ( Я крокодил )
He plays the accordion– // гармо́н
Such a shame, such a shame!
Balloons, streamers, the kinds of things worth celebrating
Only once
Once a year
His birthday.
K sozhalyen’yoo. // К сожаленью Continue reading “Gena’s Birthday Song // Песенка крокодила Гены by Lauren Dostal”

Wolfspeak by Lara Alonso Corona

for Daniela Cascella

Last August, in one of his habitual Sunday trips to the flea market my father found an old dictionary of Bable – Bable being the dialect of our region Asturias. Unlike the Basque or the Catalonian, we didn’t have a strong independence movement to help preserve the mountain languages, and by the time I was born most of it was lost. We are getting it back little by little. But how do you recover sounds no one has heard in generations?

Like this: my father started taking pictures of the dictionary, and sending them to me, one page per day. He intends to do this until he runs out of pages, until he runs out of words to recover.

I should have started like this: I apologize for my accent. (I always do) Continue reading “Wolfspeak by Lara Alonso Corona”

Bóthar by Daniel P Callanan & Colm McAuliffe

Continue reading “Bóthar by Daniel P Callanan & Colm McAuliffe”

On Personal Transformation

by Amee Nassrene Broumand

 

This isn’t an essay. It started life as an essay but then it began to twist & bristle & sprout distinctly unessaylike appendages.

The eyestalks struck me by surprise.

Perhaps it’s an insect or some sort of strange crustacean.

* * * * *

Imagine you find a giant handbag bleating in the corner like a lost lamb. You take it & shake its contents out onto the table.

What do you find?

Take a minute to think about this.

* * * * * Continue reading “On Personal Transformation”

Excavations #3 by James Pate

It would otherwise not have been the oaks
In their flat field of shadow

With neon stars between their arches
Blinking. Everyone was alive

Then, in their various guises, even as fewer
Of us feasted at the table, and the figures

Moving through burgundy rooms in
The film we remembered

Grew more gaunt and porous. Mostly
We dealt with languages Continue reading “Excavations #3 by James Pate”

Three poems by Jaclyn Piudik

SKIN

1 —

Everything has a skin:

my parents’ sectional sofa had its plastic slipcover
that stuck to summer-thighs leaving deep, clammy crevasses

prunes that float to the top of the compote
boiled milk, roasted chicken

and what remained of me

________  pictorial, dégagé
________________________________accepting the flow
_________________________________________________________of
________________________________________________________________water on the wrist.

Continue reading “Three poems by Jaclyn Piudik”

Two poems by Aysar Ghassan

 

Aspects of Dan

Dan. Danzel Washington. The Blue Danube. A dan of iniquity. The Great Fire of Londan. First dan black belt. Obi-Dan Kenobi. Javier Bardan. South Sudan. Dancing the dan-dan. Lapdan souchong. The bank of mum and dan. Muscle, bone and joint pain caused by mild dangue fever. Will.I.Dan. Danber Gascoigne. Underground, overground, wombling free, the Wombles of Wimbledan Common are we. Dan! Dan! Continue reading “Two poems by Aysar Ghassan”

List Poem: To Do by Hazel Warren

Wash Up
Clean House
Sort life
Phone Dad
Smile for no reason
Run for no reason
Commit small act of treason
Question your beliefs
Believe your answers
Listen
Listen to your heart
Fall in love
Fall in the sea
Fall to your knees
Scream
Louder
Stop. Continue reading “List Poem: To Do by Hazel Warren”

With Nina Simone by Robert Frederic Kenter

Techno concertos
Hillbilly rave
Ardent pianism
Televisual monikers
We wait for no one
Red piano
White piano
Richter’s later years
Travelling Siberia
With Chopin etudes
With Prokofiev sonatas
John Cage, Nam June Paik
The Soho loft scene
Hip Hop on 2nd Street
ABCD Alphabet City
Rap jump blues Chattanooga
Choo-choo. Continue reading “With Nina Simone by Robert Frederic Kenter”

Two poems by Anna Cathenka

the food of moth larvae

sallow and willow / apple trees / poplar / potato leaves / Duke of Argyll’s tea rose / honeysuckle, sweet tobacco plants and petunias / privet, lilac and ash / pine needles / bedstraw / grapevine, fuchsias, dock and antirrhinum / greater willow-herb or fireweed / flowers of bugle / flowers of valerian / birch and
alder / beech, oak and other trees Continue reading “Two poems by Anna Cathenka”

Exhibition Labels from the Unreal Museum by Jessie Lynn McMains

A Pre-Mature Excavation, 1994
Dirt and shovels. No. Bells. Who wants to know?

Dyke, They Called Her, 1995
Pale girl, shoulderbladed angel / angled wrong, hair shorn.

Me?, 2017
They call me Slick. Like the snick of a switchblade.

Choose Your Weapon, 2004
Knife. Or baseball bat.

Continue reading “Exhibition Labels from the Unreal Museum by Jessie Lynn McMains”

Poetry Letters by Dan Dorman

Speech always moves.

When a person speaks they drive lung fulls of air through disruptive muscles that vibrate the flowing air before it moves in an open space. Language on a page, however, is generally static.

Meaning, most people would have us read against the text rather than into it.

Because letters in English are only phonetic signifiers, which in no consistent way relate to their sounds, neither speech (an object in the all-being type of way) or the object to which they refer, written language actually doesn’t say a thing. Usually… Continue reading “Poetry Letters by Dan Dorman”

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