Burning House Press are excited to welcome YANINA SPIZZIRRI as our SEPTEMBER 2019 guest editor! As of today YANINA will take over editorship of Burning House Press online for the full month of SEPTEMBER.
Submissions are open from today – 1st SEPTEMBER and will remain open until 23RD SEPTEMBER.
YANINA’S theme/s for the month are as follows
Continue reading “SEPTEMBER 2019 Guest Editor Is YANINA SPIZZIRRI!!! Theme: ALTERED STATES”
We bow our heads before dinner.
He prays; I recite the German
with a hushed voice—
not out of reverence,
but to soften the inevitable slips
from my English-led tongue.
*
When five sat at this table
we held our hands
in front of us Continue reading “So Be It, Amen – Lucas Wildner”
Responding to bubble threat.
Vehicle loaded.
Strapped beneath plates.
Moving out.
Location verification required.
East on… static zzzzzzzz
Repeat. Command. Repeat. zzzzzzzzz
East on… static zzz
Cavalry to command: Continue reading “Divine Intervention – Elancharan Gunasekaran”
Earth on the Ocean’s Back
Rain mists the poppy pins
of passersby outside. In a café,
standing couples rehash the cenotaph
service. Cognoscenti critique beans
and brewing machines while
espresso makers hiss. I remember
Mary Battle used to say dreams were false
from spring until saps fell, says an Irish voice
nearby. Continue reading “Earth On The Ocean’s Back, and Age Of Prophesy – Daniel Cowper”
Burning House Press are excited to welcome BOLA OPALEKE as our JANUARY 2019 guest editor! As of today Bola will take over editorship of Burning House Press online for the full month of January.
Submissions for Bola are open from today – 1st January and will remain open until 24th January. Continue reading “January 2019 Guest Editor Is BOLA OPALEKE!!! Theme/s: FAITH // FAITHLESSNESS // DIVINITY”
Hello Laura, thank you for taking the time to speak with me here on Burning House Press! I love the complex music of your work. What’s your relationship to sound and the oral tradition of poetry?
Always, in testament to its fundamentally oral heritage, sound has stood at the forefront of my work: that is, I have always tried to pay homage to the ancient verbal roots of poetry with an acute focus on just how moving sound can be. It is probably, in the words of Harold Bloom, my own anxiety of influence: the writers that haunt me the most are those who expand the malleable state of sound. There is no single prescriptive path which sound can take in poetry, and I think that appeals to the rebel in me. And I’ve studied it quite intensely really: I often apply scansion to Latin poetry to see the specific moments of gravity and levity which bring a line alive. And, of course, I always read my work out loud as I write: it may have one life on the page but it has another one aloud.
“the writers that haunt me the most are those who expand the malleable state of sound”
You had the chance to work at Dylan Thomas’s birthplace in Swansea. What was that like?
My summer there was the single most academic season of my young life. At first I’d planned to stay for a week or so, but that soon turned into a couple of months and I’m sure I learnt the equivalent of a whole degree in that time. I travelled from a small village in Carmarthen to Swansea each day, where I walked up the old hill of Cwmdonkin Drive and through the small black gate of number five which Dylan had pushed so many times. My time was largely spent reading, writing and researching his work. I wrote essays for The Dylan Thomas Society and saw a performance of Under Milk Wood. I drank in the pubs he drank in. I slept in his bedroom a night or two, with the old gas lamp still burning. I visited the boathouse in Laugharne which he shared with his wife, and even interviewed an old neighbour once. Yes, my broken old bookcase still models three rows of Dylan and always will. It was the summer to always remember. Continue reading “An Interview with Poet Laura Potts”
Burning House Press are proud/excited to announce our 2nd publication in 2018 will be the 1st poetry collection by the amazing Anna Wall. More details to follow shortly Xx
A woman needs a coat
And a hat
And a roof
A woman needs a friend
And an enemy Continue reading “3 Poems by Debra Watson”
Hello Florence! Thanks so much for agreeing to speak with me here on Burning House Press. I’m fascinated by your bio: you’re a PhD student in physics who also writes poetry. I’ve got to ask, why? What draws you to both physics and poetry?
Hi Amee! Thanks a lot for this opportunity. Oddly enough, the driving force was, & still is, the same in both cases: a thirst for equilibrium, the urge to build an extension upon my collage-like experience of the world; to challenge myself out of my comfort zone, towards areas left uncharted on my maps; to counterbalance an excess of centripetence; to overwrite certainties; to ride a Trojan horse within my own fortress, then to open the gates to cross-pollination.
“my favourite places to roam are borderlands”
Continue reading “An Interview with Physicist and Poet Florence Lenaers”
I sang to my Father
on his deathbed.
He had not spoken a word
in days, cancer-ridden,
organs collapsing, high on morphine,
but I knew he could still hear me. Continue reading “2 Poems by Scott Thomas Outlar”
The city was Boise, Idaho. The year was 1995. I was 17 and taking photography classes at Boise State University. While hovering over trays of chemicals in the darkroom one afternoon, I wound up having a three-hour-long conversation with one of my classmates, a gifted artist named Ronny Joe Grooms. Flash forward to 2017. I message my friend Ronny Joe – who goes professionally by the name of Narayan St. Jude – and ask him to join me in photographic conversation for Burning House Press.
He agrees. Continue reading “A Conversation in Photographs with Narayan St. Jude”
The Arsonist Magazine Edition 01 – available to purchase here
Featuring the best poetry, flash fiction, photography, art, interviews and features from around the world, including the UK, Japan, Canada, USA, Malaysia, India, Philippines, Sweden:
stephanie roberts – Saquina Karla C. Guiam – Penny Goring – Adrianna Robertson – Anneghem Wall – Dawn Fredericks – badpoem – Dean Lilleyman – Antony Owen – Aina Izzah – Bruno Neiva – Paul Hawkins – Keith Ford – Joseph Ridgwell – Dhiyanah Hassan – C. R. Resetarits – Rob True – Sophie Pitchford – Jamie Thrasivoulou – Martin Appleby – Liz Zumin – Siddharth Dasgupta – Ben Williams – Caitlin Meredith – Adam Steiner – Jim Gibson – V.M. – Fredric Nord – Mark Goodwin – Hiromi Suzuki – Trevor Wright – Howie Good
The Arsonist Magazine Edition 01 is a 92 page full colour/b&w matt/gloss perfect-bound A5 magazine (this is a limited edition and, being the inaugural print publication from Burning House Press, is sure to be a collectible item)
The Arsonist Magazine Edition 01 – available to purchase here
The Arsonist Magazine Edition 01 will be officially launched on Thursday 22nd June at Nottingham’s Chameleon Arts Cafe!
The magazine has been printed, is looking fantastic, and will soon be available from our online shop.
The launch event is free entry, and will feature an open mic, and readings by contributors from the magazine, headlined by Derby’s finest, Jamie Thrasivoulou!
Really hope to see you there – copies of the Arsonist will be available for purchase on the night – see you there! XX
Our girls walk with their hands in their pockets. Arms over bellies.
Slip through this city.
Stay soft, our girls are told. Stay quiet.
Our girls who drop their chins and gazes as they pass your boys.
Your boys who smile like they’ve never known sadness. Continue reading “‘Hush’ by Kate Berwanger”
Your hair—slicked flame spikes. You built this blaze
beside the shoals to mirror their brash shine.
Scavenging downed wood along the water’s edge,
collecting branches up the pass— sunshine’s spring splurge—
our daughters found tangled nests— driftwood globes—
balled stakes, stems, moss and trash—fuel for fire shine. Continue reading “5 Poems by Laura Secord”
An Interview with Poet Farah Ghafoor
by Amee Nassrene Broumand
Farah, welcome! Thanks for speaking to me here on Burning House Press. You’re seventeen and not only an accomplished poet, but also the editor-in-chief of Sugar Rascals, your own literary journal for teens. What is it about poetry that calls to you? What role does it play in your life?
Thanks for having me!
Poetry has always been the perfect outlet for my joy, anger, sorrow, and opinions. It means that I can come home after a long day, usually tired, and turn my emotions into something beautiful, something that other people can enjoy and connect with. A relief from the tedious busyness of life, reading and writing poetry forces me to slow down, spend some time in other people’s brains, and relish in the incredible complexities of language. Though it’s occasionally a little draining, if I don’t write for a week, I start to suffocate with words.
The adventure of poetry really calls to me, too. I love the tough questions, defensive answers, confessions, secrets, glorifications, histories, judgments, and other elements that poems can present in a condensed form. I love how you can control this kind of adventure. I love how you can use language to its limit. I love how this kind of raw, pristine communication is of endless potential. And I love how a poem can truly be anything.
Continue reading “An Interview with Poet Farah Ghafoor” →
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