by Amee Nassrene Broumand
ANB: Autumn begins to pulse from leaf to flavescent leaf, beading—here and there—into cardioid splashes of pomegranate. The hum of the forest alters. Over the hills, in a dilapidated garden choked with honeysuckle vines gone wrong, sunbeams curve down upon a mud-eaten shoe. In places such as these, even saints grow timid.
EC: Currents of light and wind thread a passage. I trail my hands through the leaves, and they come away doused in bergamot, verbena, thyme, traces of care still scattered in this tangled place, death not reversed but charmed into a feral green. I crush rosemary needles between my teeth, think how I must have gone wild too early, trying to possess some other shape. The wind pushes me like a weathervane through the bramble, up to the hollow brink where a house once stood. A granite threshold left sunk in the ground marks where ghosts should step. How can it be the only things that seem real to me now are ruins. Continue reading “An Experimental Conversation with Writer Erin Calabria”



‘Our survival deserves a dirty prayer praising our divine faults and everlasting selves.’ – Rachel McKibbens Interview for Burning House Press
On the release of her latest poetry collection – blud – Adrianna Robertson interviewed Rachel McKibbens for Burning House Press.
I first contacted Rachel McKibbens because I had been—as I often am—considering what it means to write about mental illness. I wanted to have more conversation about why it matters to write poems about mental health, how it factors into one’s identity as a human and a writer, and what it is to attempt to put the experience of it into words. At the same time, I was reading more and more of Rachel’s work (I picked up Pink Elephant and couldn’t put it down) and I felt like I had to tell someone—or as many people as possible, that these poems were opening a door. The new poems in blud left me with that same breathless feeling. Again, I found myself reading them aloud, handing them to friends and my students. Yet, when I sat down to type my questions for this interview, I knew it was impossible to say all I wanted to say—how to describe all that these poems bring forth in me: sorrow, heartbreak, awe, kinship…and always surprise. Finally, I settled on some questions and what follows are Rachel’s eloquent and evocative answers, though they would have been this regardless of what I had asked. And, perhaps more important than any perfect word I could come up with to describe this collection, is this: we need these poems and I am so grateful to Rachel for writing them.
Continue reading “‘Our survival deserves a dirty prayer praising our divine faults and everlasting selves.’ – Rachel McKibbens Interview for Burning House Press” →
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