I am a sample of millions, billions. I am this sample soaking in these vivid visions and complexities of minds lost at sea. These eyes gaze long and absent mindedly at nothing, and for moments on end, realize that everything is familiar and alien at once. These eyes, tormented by meaninglessness, seek that which they know not. What the hell are we doing here? Who are all these beings floating through these spaces? Once upon a hazy memory, home was a shape-shifting mask bent out of proportion. Once upon a memory blooming, home was the love of life, the love of this life. Continue reading “Strangers in Strange Spaces by Mercy Ananeh-Frempong”
Despite the distance we crash into each other repeatedly.
We spend a lot of our time typing messages. Talking over poor quality internet calls, across time zones that leave me exhausted, both of us wanting. A yearning that brings us closer but at a cost. Long nights of feeling alone while being together.
We hit and smash and spin out of control; never enough days and nights to find the balance that is there, tantalizingly out of reach, never out of sight. The wheels run straight for a while, but veer. We make it to the swamp. Though not the cemetery or the convent. Not this time. What we want is to run away into the woods. Continue reading “Spanish Moss by Eric Edwards”
We were in Paris, there was never enough money, and everything was expensive. I didn’t have much French then, but it was enough to get by, or I thought it was. Dorothy didn’t have any French at all, and from the outset she said that she wasn’t going to learn how to say anything beyond Oui. She was American, and I loved her, or I thought I did, then. Continue reading “Learning French in Paris by Damian Kelleher”
My clothes smelled of fried food — a stench without a clear origin. And the lights of the boulevard stabbed my eyes, bouncing off the glass in Pig’s taxi — the windows, the mirrors. Lights and the stench of fried food.
“I missed that…” I said.
“I asked if you tried virtual sex,” repeated Diego. Continue reading “To Return by Fernando Sdrigotti”
The silence that covers the Nevada desert on this reddish afternoon in 1951 can only be classified as geologic. Layers of stillness have accumulated like mineral strata, forming a desolate mountain range that raises across the wasteland. Even the sky is somewhat mineral: the thin creases of clouds make one think of streaks at the bottom of a blue deposit, the kind that yield only to the sun’s radiant picks. The air possesses an earth-colored quality that stings the eye and obliges ceremonial blinking; a ceremony that Doug Ferguson has practiced since 1947, when he crossed the anonymous doors of Lookout Mountain Studios for the first time to sign a contract and exchange a good salary for absolute secrecy. Continue reading “Bomb Nostalgic by Mauricio Montiel Figueiras”
Disjecta
A face glimpsed as if framed through a space between the lattice-work of a bench, a day-drinking bar on a shade-lined street of turn-of-the-century buildings, Mediterranean maybe, looking for what, lower lip pinned to upper, unsure, a question: a face glimpsed as if framed through a space between the lattice-work of a bench upon which one word was seen: nostalgie.
But back at the beginning: the station was blue. His face a ruin. Rain.
Someone had disappeared. Continue reading “Disjecta – Caesura – Membra, from ‘& The Little Light That Escaped (Vedute)’, by Alexander Booth”
Before I met Esther I lived only in rooms and rarely did I go outside them. Primarily I occupied one, the square room with the fermented red walls. The rough white windowsill failed to enliven the red-walled room, but with an ashtray, a flashlight, the white paint dabbed on glass like a lost animal’s track, the place approximated the idea of home.
I had a hot plate and would turn it on just to watch it glow. Continue reading “Pretty Secret by Derick Dupré”
Violet laughter shot into the room via the two-and-a-half-inch gap generously yielded by the suicide prevention windows in the award-winning, architect-designed, university halls I rather reluctantly found myself in. (I’ve always had a thing about Wisconsin.)
Hen nights, pissheads, ravers, and druggies ensconced outside the Co-Op. “Can you spare any change, love?” (How often you’d use the word transcend.)
Continue reading “Wisconsin by Sam Lou Talbot”
The Orange Line, Platform
Continue reading “The Orange Line: Collages by Wullae Wright”
Dispatch From an Altered State
this place is a contagion: I can’t
read here: only
despair: no time remains for new words: only old
obscenities: only enemies
are recognizable: their animus flares: their crabbed
hands pluck at my dis-ease: I lie
under heavy blankets, red raw railing—
Continue reading “Three poems by Jude Marr”
When I first visited my father J in Berkeley in the 70s, Jerry Brown was governor, and he gave a state address, in which he said “I was thinking about the problems we are facing so I decided to listen to whale sounds, which I will play you now.” I laughed with J and his second wife, but was uneasy. A Northeastern teenager surrounded by palm trees and a whale-sound-playing governor. Continue reading “Memoriam by Julia Lee Barclay-Morton”
Each eyelash severs me. One of them blinks and I am undone. I, whose mind leaps daily, o disciplined masochist, to the grief of parents who’ve lost children. I think of all those young eyes that will forever remain closed, never see their parents again, or be seen again, looked in the eye again by those who loved them. Continue reading “Shield by Matthew Jakubowski”
I would like to acknowledge the Boonwurrung and Wurundjeri people of the Kulin Nation, and pay respect to their Elders, past and present, and extend that respect to other Aboriginal people here today.
I acknowledge that sovereignty has never been ceded and send a plea to you to continue to work within your communities to decolonise our political and educational systems, the media, the arts and our society at large. I urge you to move together towards establishing recognition, treaty, self-determination and rightful representation in the governance of this land. Continue reading “Charlotte Olayinka’s launch speech for Tony Messenger’s “Poems to be found in the desert””
Dementia
come to mind cloud
come to cloud mind – Marie Ponsot
& every now
& then,
i sit by her feet, on her porch
never ever talking.
& together,
we watch the soughing
heavens mutter, str-
etching their
cotton-silvers
in lulls & retorts
of
nearly went & nearly wait
– crossed & crossed all over.
Who is Panya the Poet and what does she do?
I am a writer, primarily, and an archivist. I mainly write poetry although I have written some children’s stories and I’m toying with a novel. I also run Nottingham Black Archive and as part of that, a Black Writers Network. It’s all about raising awareness, helping with professional development and showcasing local black talent through a range of different initiatives. Read a Black Author for example which happens in October and where people are invited to read together in Slab Square. I organised a poetry weekender for Windrush 70 featuring Kei Miller then looking do a Festival next year – not just poetry but MC’s, grime and singers because we’re network of all kinds of writers. I want to showcase the talent, because that’s just not happening. Continue reading “‘Some Things’ – A BURNING HOUSE PRESS interview with PANYA BANJOKO – by Trevor Wright”
I probably shouldn’t write this.
Reading Faulkner on a balcony in Melbourne. A cold morning, as they usually are. Yesterday read Joyce by the bay, feet bare, the sand chilly and soft as snow, thinking that maybe we will have kidney. We? Who is we? You are not here and, last I heard, you are afraid I will find someone else in these small days.
I sit on the balcony with a hot coffee and a story about a funeral. Baudelaire in the suitcase. In pain and I can’t concentrate, let me tell you why. I am on street level, rocking back in a dirty weatherproof chair. Messy empty bed in the room behind me. A woman stands in the sun across the road, hoody on, smoking a cigarette fussily and checking her phone. I shouldn’t write this because these are secrets I wouldn’t tell anyone. Continue reading “Faulkner on the Balcony by Tristan Foster”
There are familiar streets where I walk often. I know them as well as my home, yet every day I notice small differences – changes in the light or weather, a shift of angle, something dropped or spilled – and most days I take a few photos.
There are unfamiliar streets where I travel watchfully. I have a poor sense of direction and am easily lost. I look for small things – the colours of a poster, the shapes of a tree, a pattern of cracks in a wall – to mark my way. I take quick pictures to locate myself, as if leaving a trail of thread or a sprinkling of crumbs along the path.
Sometimes, from the corner of my eye, I see a shape or pattern and have a sense of how it might look reflected back on itself, as in a pool or mirror. When I get home I copy and flip the image and join the two together. The results are never quite what I expected – more strange and complex, they often have the look of characters from untold stories, misremembered folk tales, a lost tarot. Continue reading “Street Goddesses by Mary Frances”
Last of the Barbary Lions
ii.
There’s no Hippocratic Oath for vets;
in this world a man is what morals make him. I’m indentured to a thug
with a pocket full of mobile phones,
two weeks into a handshake pact of pills and powders.
I’ve been paid to wait, collude
in the plaza haze, my feet
kicking alleys of August wind.
Perched on a stool in Calle Melo’s limestone glower,
watching ocean and sea blur in the Strait.
I’m doling tablets to door knocks,
cutting chorizo with a necktie knife; listing
on a nightly lullaby of horse tranquillisers.
I breathe in the dry air, breath out
a stem of opioid desire
and settle at the bar,
petals in my mouth.
This is my last night swallowing broken Spanish,
feet on the solstice line
a half step ahead of winter shade.
The ferries from Morocco
are on endless loop, red hulls
split sky and sea.
Continue reading “Last of the Barbary Lions and other poems; a haibun sequence by Rico Craig”
Burning House Press are excited to welcome RACHAEL DE MORAVIA as our eighth guest editor! As of today Rachael will take over editorship of Burning House Press online for the full month of September.
Submissions for Rachael are open from today – 1st September and will remain open until 23rd September.
Rachael’s Theme/s for the month are as follows
BURNING HOUSE PRESS 