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DECEMBER 2025 Guest Editor Is MATTHEW KINLIN!!! Theme: My Heart Is Empty: Responses to The Life and Work of Nico

Burning House Press are excited to welcome Matthew Kinlin as the fifth BHP guest editor of our return series of special editions! As of today Matt will take over editorship of Burning House Press online for the month of December.

Submissions are open from today 1st December – and will remain open until 21st DECEMBER.

Matt’s theme for the month is as follows

My Heart Is Empty: Responses to The Life and Work of Nico

Matthew Kinlin lives and writes in Glasgow. His published workst include Teenage Hallucination (Orbis Tertius Press, 2021); Curse Red, Curse Blue, Curse Green (Sweat Drenched Press, 2021); The Glass Abattoir (D.F.L. Lit, 2023); Songs of Xanthina (Broken Sleep Books, 2023); Psycho Viridian (Broken Sleep Books, 2024) and So Tender a Killer (Filthy Loot, 2025). Instagram: @obscene_mirror.

——

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: NICO/POETRY

Poetry and Fiction

For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Virtual Reality/ 3D Artworks

For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open until 21st December – and will reopen again on 1st January 2026/for new theme/new editor/s.

BHP online is now in the capable hands of the amazing Matthew Kinlin – friends, arsonistas, send our December 2025 guest editor your magic!

NOVEMBER 2025 Guest Editor Is C.C. O’HANLON!!! THEME/S: JOURNEYS

Burning House Press are excited to welcome C.C. O’HANLON as the fifth BHP guest editor of our return series of special editions! As of today C.C. will take over editorship of Burning House Press online for the month of November.

Submissions are open from today 1st November – and will remain open until 25TH November.

C.C.’s theme for the month is as follows

—JOURNEYS

~~~

JOURNEYS: Physical, Psychological, and Imaginary, embracing words and images, in all forms, as well as complexity, resisting the superficial, algorithmic narratives of social media.

~~~

Photo by Given Rozell.

~~~

A self-described ‘vagabond, diarist, and wreck’, C.C. O’Hanlon’s fragmentary memoirs have been published in various anthologies, including Best Australian Essays 2005 and Best Australian Stories 2004 (both published by Black Inc, Australia), A Revealed Life: Australian Writers And Their Journeys In Memoir (ABC Books, Australia), The Odysseum: Strange Journeys That Obliterated Convention (John Murray, U.K.), Zahir: Desire & Eclipse (Zeno Press, U.K.), and Dark Ocean (Dark Mountain Project, U.K.). A founding features editor of Harper’ Bazaar Australia in the late ’80s, his mainstream journalism and images have appeared in The New York TimesThe Sydney Morning HeraldVarietyTravel & Leisure, the Australian editions of Vogue and Harper’s Bazaar and scores of other newspapers and magazines.

He now lives a nomadic life with his American wife of 38 years aboard a small, sea-worn old sailboat named Wrack in the southern Mediterranean. They have three adult children.

_______

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: JOURNEYS/POETRY

Poetry and Fiction

For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Virtual Reality/ 3D Artworks

For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open until 25th November – and will reopen again on 1st DECEMBER 2025/for new theme/new editor/s.

BHP online is now in the capable hands of the amazing C.C. – friends, arsonistas, send our NOVEMBER 2025 guest editor your magic!

SEPTEMBER 2025 Guest Editor Is Alexander Booth!!! THEME/S: LANDSCAPE // LABYRINTH

Burning House Press are excited to welcome Alexander Booth as the fourth BHP guest editor of our return series of special editions! As of today Alexander will take over editorship of Burning House Press online for the month of September.

Submissions are open from today 1st September – and will remain open until 25TH SEPTEMBER.

Alexander’s theme/s for the month are as follows

—LANDSCAPE

LABYRINTH—

Black Square and Red Square by Kazmir Malevich

_____

LANDSCAPE // LABYRINTH

*

When the painter’s friends, however, looked around for the painter, they saw that he was gone—that he was in the picture. There, he followed the little path that led to the door, paused before it quite still, turned, smiled, and disappeared through the narrow opening. 

–        Walter Benjamin, Berlin Childhood around 1900 (trans. Howard Eiland)

*

Each one of us, then, should speak of his roads, his crossroads, his roadside benches; each one of us should make a surveyor’s map of his lost fields and meadows. 

           Gaston Bachelard (trans. Maria Jolas)

*

“Though Minos blocks escape by land or water,”

Daedalus said, “surely the sky is open,

And that’s the way we’ll go. Minos’ dominion

Does not include the air.”

–        Ovid, Metamorphosis (trans. Rolfe Humphries)

_____

Alexander Booth is a poet, translator, collage artist and printmaker who lives in Berlin. Recent translations include books by Friederike Mayröcker, Alexander Kluge, Gerhard Rühm, and a new translation of Ludwig Wittgenstein’s Tractatus Logico-Philosophicus. His collection of poems Triptych was published in 2021 and Kantor in 2023.

__________

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: LANDSCAPE/POETRY Or LABYRINTH/FICTION

Poetry and Fiction

For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Virtual Reality/ 3D Artworks

For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open until 25th SEPTEMBER – and will reopen again on 1st OCTOBER 2025/for new theme/new editor/s.

BHP online is now in the capable hands of the amazing Alexander Booth – friends, arsonistas, send our SEPTEMBER 2025 guest editor your magic!

AUGUST 2025 Guest Editor Is stephanie roberts!!! THEME: Better Than It Looks

Burning House Press are excited to welcome stephanie roberts as the third BHP guest editor of our return series of special editions! As of today stephanie will take over editorship of Burning House Press online for the month of AUGUST.

Submissions are open from today 1st August – and will remain open until 25TH AUGUST.

stephanie’s theme for the month is as follows

—BETTER THAN IT LOOKS—

________

stephanie roberts is the prize-winning, Canadian author of the poetry collection UNMET (Biblioasis Books, April 2025). The poet Lisa Russ Spaar, writing for the Adroit Review, said, “One emerges from the agile linguistic theatrics of this book [UNMET] feeling requited, met, seen, and inspired—a sensation that moves from writer to reader. From daring to darling.” Her debut collection rushes from the river disappointment (McGill-Queen’s University Press, May 2020) was an A.M. Klein Poetry Prize finalist. Widely featured in periodicals and anthologies in the U.S., Canada, and Europe such as Poetry Magazine, Atlanta Review, Event Magazine, New York Quarterly Books, Verse Daily, Crannóg (Ireland), and The Stockholm Review of Literature, she is the winner of The Sixty-Four: Best Poets of 2018 (Black Mountain Press). www.oceansandfire.com

stephanie roberts lives in Beauharnois Québec. The author of UNMET (Biblioasis Books, April 2025) and rushes from the river disappointment (MQUP, 2020) an A.M. Klein Poetry Prize finalist, she is a 2025 Canada Council for the Arts grant recipient and the winner of The Sixty-Four: Best Poets of 2018 (Black Mountain Press). www.oceansandfire.com

stephanie

linktr.ee/ringtales

__________

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: BETTER THAN IT LOOKS/POETRY

Poetry and Fiction

For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Virtual Reality/ 3D Artworks

For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open until 25th AUGUST – and will reopen again on 1st SEPTEMBER 2025/for new theme/new editor/s.

BHP online is now in the capable hands of the amazing stephanie roberts– friends, arsonistas, send our AUGUST 2025 guest editor your magic!

JULY 2025 Guest Editor Is M. Forajter!!! THEME: ART & ANNIHILATION: contemporary gothic writing in the Anthropocene

Burning House Press are excited to welcome M. FORAJTER as the second BHP guest editor of our return series of special editions! As of today M. will take over editorship of Burning House Press online for the month of JULY.

Submissions are open from today – and will remain open until 25TH JULY.

M.’s theme for the month is as follows

—ART & ANNIHILATION: contemporary gothic writing in the Anthropocene—

ART & ANNIHILATION: contemporary gothic writing in the Anthropocene

“The energy of the poem penetrates and re-penetrates the rotting native land with ghosts, junk, corpses, skin, denigrating terms, and denigrated materials in order to engender a counternativity, an occult rebirth as ghostly reanimation. In this way the poet incestually forces his own rebirth, not as a liberated man but as a kind of infernal, spectral double, a production of the text: “And behold here I am!” -Joyelle McSweeney, The Necropastoral: Poetry, Media, Occults

BRAND NEW CHERRY FLAVOR! + microplastics + dandelion +  flawed pearl + fruit punch + The Relic + baroque + “when does a meadow stop being a meadow” + jackalope + bowl of teeth + i am sad, so sad + a ceaseless keening + still skeptical + lilac + Lizzie Borden took an axe + Joan of Arc : : Gilles De Rais + “search at the dump concluded today with” + tiger pelts + je me lance + the biologist + dense + decadent + nonpotable + “ob-scene[…] their filthy beauty” + disposable + “the pastoral, like the occult, has always been a fraud” + heavy water + contamination readouts + bonsai tree + shotgun +  “no conclusive evidence of substantial impact on wildlife” +  wild boar + many wolves + pine + “life finds a way!” + slight asymmetric measurements + “don’t drink milk or eat tomatoes” + MELODY,   GLOUCESTER + sunflower  remediation +  fortitude + end of the world + gross body + ecological anxiety +  HUMANS,         HUMANS,         HUMANS.

Contemporary ecological concerns are often countered with talk about environmental justice.  What does justice mean to a corpse? I’ve read too many books where hapless environmentalist do-gooders try to sell me the silver lining in mass extinction and planetary collapse. Some people are very excited about the possibilities in fungus. Some people are vegetarians. Some people make art. Autoerotic asphyxiation takes many forms.

Send me decadent poetry peddling vegetal, venial filth; fiction that is more sensation than sense; writing with mutated romantic hearts; visual art both florid and tortured. Send me your most purple perfume reviews & pimple pops, your psycho killer love letters, your apocalypse day planner. Tell me what credit cards you ate for lunch yesterday; your most recent sperm count. I want a lush gothic novel written by a half-imploded billionaire at the bottom of the sea; I want Melancholia & Flannery O’Connor & Lara Glenum & Only Lovers Left Alive.

Good luck.

____________

M. Forajter is the author of Interrogating the Eye (Schism Neurotics, 2022), a poetry-essay on the poetics of looking/the gaze and the ecstasy of art making. Her work focuses on experimental poetics, the gothic, and the effects of the Anthropocene on non-human ecology. She really likes Nirvana, werewolves, and medieval art.

__________

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: ART & ANNIHILATION/POETRY

Poetry and Fiction

For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Virtual Reality/ 3D Artworks

For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open until 25th JULY – and will reopen again on 1st AUGUST 2025/for new theme/new editor/s.

BHP online is now in the capable hands of the amazing M. FORAJTER– friends, arsonistas, send our JULY 2025 guest editor your magic!

Womannotated – Crow Castle

August 9th, 2020

Crow Castle

Each maiden slumbers in her childhood bed.

Crow collects a lock from each, twines a nest

with garden twigs, hair ribbons azure, red—

sufficient room for one without a guest. Continue reading “Womannotated – Crow Castle”

Womannotated – An Ancestral Love of Boyish Bees (Flutter: Southern Gothic Fever Dream)

An Ancestral Love of Boyish Bees

He recognizes painted eyes like green
irises mythologized over a decade and
a half ago — the speckled girl, sixteen,
he used to know — acquainted, where you stand
in her place, in your hand replica, bisque,
familiar face, unblemished cheeks, unbloomed
by his demonic lips. Lunar eclipse Continue reading “Womannotated – An Ancestral Love of Boyish Bees (Flutter: Southern Gothic Fever Dream)”

INCOMPLETENESS EDITION MAY 2019 GUEST EDITED/CURATED BY PETERO KALULE

INCOMPLETENESS EDITION MAY 2019 GUEST EDITED/CURATED BY PETERO KALULE

Continue reading “INCOMPLETENESS EDITION MAY 2019 GUEST EDITED/CURATED BY PETERO KALULE”

The Artisan’s Defense – Hege Jakobsen Lepri

       The Artisan’s Defense

He’d blame the desert if they ever found him. Golden sunsets were wasted on him, made his eyes dry, clouded his mind. He saw no signs in the horizon, no maps to promised lands. The desert was for prophets, men without a trade, who could do nothing but lift their clumsy hands to the sky and then coil upon the ground, savoring their shortcomings before G-d. Continue reading “The Artisan’s Defense – Hege Jakobsen Lepri”

Water Witching – Jamie Hood

Water Witching

I.

Lend me your ears; I am telling you stories. My cave is empty. I have nothing else to give. There is a mountain in Norway called the Storebalak, where, in March of ’86, an avalanche ate 16 soldiers. This is known as the Vassdalen Incident. Consider the number 16. Consider the numbered dead. This was of 31 of them. Consider the avalanche merciful. Consider I am telling you facts now. Let it be known this is a history. Who Continue reading “Water Witching – Jamie Hood”

Faith Is An Egg With A Thin Shell – Susanna Crossman

Faith Is An Egg With A Thin Shell

Faith is a word I hold in my hand, safe in my palm, enclosed by the nest of my upturned fingers. Take faith to the lips: said, spoken, delivered, a birth of song spills from a secret mouth. If you speak faith, the five letters advance with an F, stridently like a French ‘fanfare’, a lawless, troubadour’s marching band. Then the word melts in the wind of aaaith, an elongated, rushing sound. Faith closes with the delicateness of th. Place the tongue, feather-light, by the teeth. Faith, faith, faith.

Rilke said, “Have faith that in this love there is a strength and a blessing so large that you Continue reading “Faith Is An Egg With A Thin Shell – Susanna Crossman”

Homoerratica 3 (Apologetics) – Joshua Palmer

Homoerratica (Apologetics)

screen shot 2019-01-30 at 20.04.39screen shot 2019-01-30 at 20.05.04

 

 

 

bhp author photoJoshua Palmer is an artist and writer pursuing an MFA at the University of Pittsburgh, but he is from Texas the way windmills, dirt, and Dairy Queens are from Texas. He is currently doing research for a manuscript about a gay bathhouse fire. His poetry has appeared in SPF LIT MAG, Spectrum Culture, and Popula (forthcoming). You can follow him on twitter @gummybrzpalmer.

Featured photo credit: Amanda Ollinik  @Allunderonemoon

1. Mark Making 2. Mistaking the Parts for the Whole 3. Point of View – Elisa Taber

Mark Making

Tape tacked on a lamp
Post. “I” spray-painted
On someone’s lawn.
A raised book casting
A shadow on the pulpit.

Missing: child
Perplexed by flyer, home-
Owner, priest. Continue reading “1. Mark Making 2. Mistaking the Parts for the Whole 3. Point of View – Elisa Taber”

1. Lucidity At The Edge Of The Abyss 2. Afterlife Of Battered – Bobbi Lurie

Lucidity At The Edge Of The Abyss

his father brought him to me in his arms and i said
“forget those doctors my friend take this clay in your hand and your hand
will move again”
and it did (his hand did move again) (doctors said there was no chance) (what force gave me the nerve to say)(same force that gives me this day cancer leaping through this body as it is all laws pale to insignificance)
death is my friend take me any time says i Continue reading “1. Lucidity At The Edge Of The Abyss 2. Afterlife Of Battered – Bobbi Lurie”

1. Preachers On The Street, and 2. Burning In Crowded Places – DS Maolalai

Preachers On The Street

the thing is
at least
they have guts enough
to believe in something.
it takes
courage
to go that far;
standing on a streetcorner
screaming at strangers. Continue reading “1. Preachers On The Street, and 2. Burning In Crowded Places – DS Maolalai”

Music Number Four: Talus Deposits – Robert Frederic Kenter

Music Number Four: Talus Deposits

1.
When grandmother died, mother turned off the lights. From a high rise I see across harbours. Veins on your nose. A snapped rose.
This is a scree.

 

2.
The roads are filled with transistor radios. Playing Springsteen songs. Here comes the night: American neo-troubadour melodies.

 

3.
the funeral, of course, took place after Friday night Sabbath. Continue reading “Music Number Four: Talus Deposits – Robert Frederic Kenter”

The 5th C – ReVerse Butcher and Kylie Supski

The 5th C

 

 

 

Continue reading “The 5th C – ReVerse Butcher and Kylie Supski”

Martin and the Sea – Gideon Cecil

Martin and the Sea

Dusk had fallen long ago and a cold biting sea breeze was humming a sweet melody as the sea waves crashed on the formidable sea wall of Georgetown. It was almost pitching dark. Martin sat on the sea wall looking at the incoming waves laughing under the yellow tail of the moon hidden behind a dark curtain of clouds. He walked slowly on the broad edges of the wall, watching little boys hauling a seine along the shallow shore line. White egrets nibbled at shrimps in the salty mud holes on the broken mud flats, lovers passed by holding hands in the thin whisper of rain. He kept a lonely vigil on the Continue reading “Martin and the Sea – Gideon Cecil”

Quiet Wife – Erin Vance

Quiet Wife

It is winter, suddenly, and Agnete is stuck inside her cottage. She is running out of preserves. She is bored. Sometimes Agnete wishes her husband would return, but alas, he is locked away. He may even be dead. Most of the time she is glad to be rid of him and his sharp teeth and breath like rotted wood. The snowfall came as a surprise. It is only the third week of September, after all. The white blanket has obscured her captor, and Agnete does not know the protocol of escaping a fairy ring one cannot see. Continue reading “Quiet Wife – Erin Vance”

1. Testimonies 2. When the Rainbow Falls from the Sky 3. How Things Look Back – Ifeoluwa Ayandele

Testimonies

I am a stranger in this place
& grief’s white teeth leave
its bite marks on my skin:

the relic of a child left in the
cold hand of an estranged city,
alone. I am a stranger in this city

& family dinner table is a strange Continue reading “1. Testimonies 2. When the Rainbow Falls from the Sky 3. How Things Look Back – Ifeoluwa Ayandele”

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