II.
I see, I said, when I saw, but if I am to believe, be it in science or in faith, then what I said, I saw, I did not see. There was something else entirely, and it was there, right there, for me to see, but I only see what I saw, and what I saw was not there. Continue reading “2 Prose Poems by John Peter Apruzzese”
You and I, we should go to the tar pits. Let’s stare at what was once life. We’ll inch closer together, becoming one creature, an unconscious attempt to metastasize in the face of ancient grandeur. I’ll wonder if they – the mastodons – ever thought about the end of the world. You and I do, all the time, but alone. Doomsday would take on the lure of a sunset if we endured it together, I’m convinced.
A conversation I sometimes imagine begins:
I’m so glad you take care of yourself. My father died when he was younger than you.
More staring at life.
I’m so sorry, you’ll say. Doesn’t everyone start there? But you’ll mean it, understand it, because,
You know my mother – you’ll begin.
I know, I’ll say, her death unspoken. Continue reading “La Brea by Sarah Neilson”
When the wind blows fiercely, I crouch down low. The single cow in a field is a bad omen for everyone. A red-beaked bird is called a chough. Red-beaked birds are called oystercatchers. The toadstool has no name and is in the wrong season. There are seals on the beach and in the water.
You must walk where the earth is worn away. The blossom is pink and is in the wrong season. White birds with black-tipped wings are called gannets. He walks at the edge and you beg him. White birds with black-tipped wings never touch the earth. Some people don’t care what they are called. When a new calf watches you, your heart beats faster. When the wind blows hard you lie on the ground. When he walks at the edge you scream into the wind. A voice sounds like nobody’s voice. The telephone call is nobody you know.
Continue reading ““Magical Thinking” a Prose Poem by Camilla Bostock”
After Listening to “Canvas”
One must know what it is to be in and out. How to properly enter and exit. “Properly,” not in the sense of the bourgeoisie or uppity, but in the sense in which Robert Farris Thompson wrote about. Writing as he did about the ways we be.
There are ways of being in and out.
But how to enter and where to be once inside and how to decide when to no longer remain—what makes those decisions, those moments?
Can we ever reach the inside without entering?
And can we reach the outside without exiting?
I was thinking about Brutalism, cattle and passage tombs. Form, currency and death.
Walking the fields of North Cork and the headlands of Galway, casting cow-sheds as signs.
Homes for people, now homes for animals. Cycled forward by occupation, migration and forecasts. Radio broadcasts. Concrete and local stone piled into walls, supporting cold tin rooves. Corrugated steel. Cheap and functional, galvanised wave forms. Tin, iron and zinc combined and beaten thin. Weather resistant not weather proof.
During my tenure as BHP’s Guest Editor in March 2018, I was lucky enough to publish many gifted writers. One of these was Kate Dlugosz, whose mythic poetry stayed with me long after my editorship was over. Earlier this month I invited her back onto Burning House Press for a gothic Halloween special. She agreed. Take note, this interview is merely masquerading as an interview. What follows is a gorgeous helping of dark prose poetry for those of us who have October in our bones. Enjoy! —Amee Nassrene Broumand
In your poem “Springtime,” you write: “If nothing else, I know owls come from flowers.” Tell us some more origin stories. Where do bats come from?
Bats come from song, as the shape of music from the cords formed of autumn constellations played by the wind upon the harp of the waning crescent moon. It is from the stars and the moon that the bat took flight from the night sky, the space between the stars where they learned to see by shape. And released by moonlight, through the darkened canopies of wine-red treetops they fly as hordes of poppy seeds, scattering over the moon as grey clouds, and the world below them becomes strange and wild and unknown in the dark. The bats echolocate the moths and the beetles in the night, and in the blindness of their own vision seeing with clarity the worlds of ghosts and spirits that pass over our own. You feel the first chill of autumn is the hiss of the bat as it grazes your neck. At times the bats hang down from the banisters of old barns, the wooden planks slicing the moon to shreds like a white moth between their fangs. And sometimes they sleep hanging from the limbs of oak trees by their claws before taking flight into purple dusk in search of blood, the moths and monsters prowling under moonlight. Bats suck the red from apples and rosehips and would consume the sun if they could sink their teeth into flame. Should you stare into the vast night sky on a clear autumn night, you are stargazing through the blackness of their wings. Continue reading “The Wolves Ripen: A Gothic Halloween Interview with Poet Kate Dlugosz”
My first thought was, “Run!” Others chose suicide. Soon I was stumbling around like the bad kids who huff glue. Mothers dumped raw meat out into the street in protest. Sirens began to woo-who, woo-who. I was in a headspace that was pricked with stars I couldn’t identify, 50 by last count and all of them always promising to return to their wandering orbits. Now what do we do? There’s just too much in the workings of the world that’s hidden and unknowable, even by a person with an education. And that person was standing where the bullets began to rain into the limousine. We’re living in a boisterous age. Velocity is advancing everywhere, the walls covered in flames and the flames behaving in ways no one thought possible. I’m afraid of human beings. We run things in the forest while the wolf isn’t around. Eyes that don’t want to close at all times ruin everything, pretty much every word. The sadness will last forever. I can’t remember now why I ever thought it wouldn’t. Continue reading “3 Prose Poems by Howie Good”
BURNING HOUSE PRESS 
The Arsonist Magazine Editon 01 Now Available For Purchase!!!
The Arsonist Magazine Edition 01 – available to purchase here
Featuring the best poetry, flash fiction, photography, art, interviews and features from around the world, including the UK, Japan, Canada, USA, Malaysia, India, Philippines, Sweden:
stephanie roberts – Saquina Karla C. Guiam – Penny Goring – Adrianna Robertson – Anneghem Wall – Dawn Fredericks – badpoem – Dean Lilleyman – Antony Owen – Aina Izzah – Bruno Neiva – Paul Hawkins – Keith Ford – Joseph Ridgwell – Dhiyanah Hassan – C. R. Resetarits – Rob True – Sophie Pitchford – Jamie Thrasivoulou – Martin Appleby – Liz Zumin – Siddharth Dasgupta – Ben Williams – Caitlin Meredith – Adam Steiner – Jim Gibson – V.M. – Fredric Nord – Mark Goodwin – Hiromi Suzuki – Trevor Wright – Howie Good
The Arsonist Magazine Edition 01 is a 92 page full colour/b&w matt/gloss perfect-bound A5 magazine (this is a limited edition and, being the inaugural print publication from Burning House Press, is sure to be a collectible item)
The Arsonist Magazine Edition 01 – available to purchase here
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