title: Perfume

A sample page from Crow Carriage, an annotated poetic horror novel set in a Victorian English seaside village. This is the format of the Crow Carriage book, a sonnet with an expansive annotation that tells a story in prose below (the same format as my book Flutter available at my website and Twist In Time).
You lie beneath a dozen nightmares. Screams
careening down a crow-covered stair wake
you in the last second before the dream.
Continue reading “Womannotated – The Night A Crow Must Go Away”

Hekate Take Me Home by Lotus Kozak
collage on paper Continue reading “Hekate Take Me Home, by Lotus Kozak”
Continue reading “Item 08: Thresholds in Flux [Vol.02], by A Virtual Memory”
Burning House Press are excited to welcome JOAN POPE as our MARCH 2020 guest editor! As of today JOAN will take over editorship of Burning House Press online for the full month of MARCH.
Submissions are open from today – 1st MARCH and will remain open until 24TH MARCH.
Joan‘s theme for the month is as follows
Burning House Press are excited to welcome OLIVIA CRONK as our FEBRUARY 2020 guest editor! As of today Olivia will take over editorship of Burning House Press online for the full month of FEBRUARY.
Submissions are open from today – 1st FEBRUARY and will remain open until 23RD FEBRUARY.
Olivia‘s theme for the month is as follows
Ten miles upon a tufted seat, elm trees
to village path, discreet, a beast will ride
to seaside town. One hooded straggler by
him found, too young this hour to be outside
indecent bodice, brown eyes wide. Fingers Continue reading “Womannotated, Crow Carriage”



Chris Stephenson is a visual/collage artist, poet and small press publisher based in Leeds, England. He is the author of several experimental poetry collections including Revenge of The Mirror People (Stranger Press), Napoli Metro Bad Dream Sequence (Blart Books), No Ideas But In Things ( Dark Windows Press), Constellations (zimzalla). Some of his recent collage work can be found online at Angry Old Man Magazine, and five2one Magazine.
Cover Photo Credit: Kylie Supski

Disgruntled Beast envisions the near future when we will finally eat the rich as the world burns around us. Continue reading “Soon by Disgruntled Beast”


View “Silent Scream” in VR via Google Poly & Tilt Brush via this link. Continue reading “2 Virtual Reality Artworks by Laurie O’Neill (Willowmoon Art)”
‘Stacked Skeletons in Church Graveyard’ is based on one of Honer’s dreams. She recreated it in Tilt Brush, a Virtual Reality drawing and sculpting application that allows for 3D world building, artworks and multi-media narratives to be built & experienced in a 3D space. This work speaks to the importance of recognizing the influence of past generations. Having had several anxiety and fear-fueled dreams in a series about death during that period of time, Honer noted how this dream was strikingly different in tone. It was playful and serene. Continue reading “Stacked Skeletons in Church Graveyard by Elizabeth Honer (Grrlrighter)”
Planetary Realignment 1 & 2 are collaborative works made by Grix (traditional art techniques including mixed-media on board, and photography), and Shloka Shankar (digital art & double exposures).
Continue reading “Planetary Realignment 1 & 2 by Grix & Shloka Shankar”

Continue reading “Checkmate by Konstantinos Papacharalampos”
CONTENT WARNING: Poem explores the destruction of nature, homes, life and animals during the bushfire crisis in Australia, still currently happening.
Australia Burns

The day I was Ꙩ\born/Ꙩ a terrible →sadness← descended upon the ⃝\earth/⃝.
Their ⌂homes⌂ are now piles of dust, coughing smoke and ⸙\smoldering/⸙. I can hear the ●dead● mounds whimpering softly over the ⌐agony⌐ of their ₼scorched₼ memories.
Silicone and Ꝝ\metal/Ꝝ melt at my touch and ≈\water/≈, my enemy, is as ineffective as paracetamol is for cancer.
In other lives I was a ◊cleanser◊, cleaner, ჻\creator/჻. Now I am known as ●pain●.
Continue reading “Australia Burns by Tony Messenger & Kayla Milaudi”

Continue reading “(dis/re)membered 7 – what starts as a toothache by James Knight”

Continue reading “2 Excerpts from SyncWorld by Jordan Trethewey & Jenn Zed”