Search

BURNING HOUSE PRESS

Not For Profit/For Prophecy

Tag

Art

“Night Shift” by Paul Cunningham

Continue reading ““Night Shift” by Paul Cunningham”

“Brightened” by Odie Nikt

Continue reading ““Brightened” by Odie Nikt”

“Encaustic Anatomy” by Eleanor Crook

Continue reading ““Encaustic Anatomy” by Eleanor Crook”

“Salted Anatomy” by Eleanor Crook

Continue reading ““Salted Anatomy” by Eleanor Crook”

 “A mummy from the Palermo crypt” by Eleanor Crook

Continue reading ” “A mummy from the Palermo crypt” by Eleanor Crook”

JULY 2025 Guest Editor Is M. Forajter!!! THEME: ART & ANNIHILATION: contemporary gothic writing in the Anthropocene

Burning House Press are excited to welcome M. FORAJTER as the second BHP guest editor of our return series of special editions! As of today M. will take over editorship of Burning House Press online for the month of JULY.

Submissions are open from today – and will remain open until 25TH JULY.

M.’s theme for the month is as follows

—ART & ANNIHILATION: contemporary gothic writing in the Anthropocene—

ART & ANNIHILATION: contemporary gothic writing in the Anthropocene

“The energy of the poem penetrates and re-penetrates the rotting native land with ghosts, junk, corpses, skin, denigrating terms, and denigrated materials in order to engender a counternativity, an occult rebirth as ghostly reanimation. In this way the poet incestually forces his own rebirth, not as a liberated man but as a kind of infernal, spectral double, a production of the text: “And behold here I am!” -Joyelle McSweeney, The Necropastoral: Poetry, Media, Occults

BRAND NEW CHERRY FLAVOR! + microplastics + dandelion +  flawed pearl + fruit punch + The Relic + baroque + “when does a meadow stop being a meadow” + jackalope + bowl of teeth + i am sad, so sad + a ceaseless keening + still skeptical + lilac + Lizzie Borden took an axe + Joan of Arc : : Gilles De Rais + “search at the dump concluded today with” + tiger pelts + je me lance + the biologist + dense + decadent + nonpotable + “ob-scene[…] their filthy beauty” + disposable + “the pastoral, like the occult, has always been a fraud” + heavy water + contamination readouts + bonsai tree + shotgun +  “no conclusive evidence of substantial impact on wildlife” +  wild boar + many wolves + pine + “life finds a way!” + slight asymmetric measurements + “don’t drink milk or eat tomatoes” + MELODY,   GLOUCESTER + sunflower  remediation +  fortitude + end of the world + gross body + ecological anxiety +  HUMANS,         HUMANS,         HUMANS.

Contemporary ecological concerns are often countered with talk about environmental justice.  What does justice mean to a corpse? I’ve read too many books where hapless environmentalist do-gooders try to sell me the silver lining in mass extinction and planetary collapse. Some people are very excited about the possibilities in fungus. Some people are vegetarians. Some people make art. Autoerotic asphyxiation takes many forms.

Send me decadent poetry peddling vegetal, venial filth; fiction that is more sensation than sense; writing with mutated romantic hearts; visual art both florid and tortured. Send me your most purple perfume reviews & pimple pops, your psycho killer love letters, your apocalypse day planner. Tell me what credit cards you ate for lunch yesterday; your most recent sperm count. I want a lush gothic novel written by a half-imploded billionaire at the bottom of the sea; I want Melancholia & Flannery O’Connor & Lara Glenum & Only Lovers Left Alive.

Good luck.

____________

M. Forajter is the author of Interrogating the Eye (Schism Neurotics, 2022), a poetry-essay on the poetics of looking/the gaze and the ecstasy of art making. Her work focuses on experimental poetics, the gothic, and the effects of the Anthropocene on non-human ecology. She really likes Nirvana, werewolves, and medieval art.

__________

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: ART & ANNIHILATION/POETRY

Poetry and Fiction

For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Virtual Reality/ 3D Artworks

For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open until 25th JULY – and will reopen again on 1st AUGUST 2025/for new theme/new editor/s.

BHP online is now in the capable hands of the amazing M. FORAJTER– friends, arsonistas, send our JULY 2025 guest editor your magic!

JUNE 2025 Guest Editor Is JOHN TREFRY!!! THEME: INANIMISM

Burning House Press are excited to welcome JOHN TREFRY as the first BHP guest editor of our return series of special editions! As of today JOHN will take over editorship of Burning House Press online for the month of JUNE.

Submissions are open from today – and will remain open until 25TH JUNE.

JOHN’S theme for the month is as follows

—INANIMISM—

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: INANIMISM/POETRY

Poetry and Fiction

For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Virtual Reality/ 3D Artworks

For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open until 25th JUNE – and will reopen again on 1st JULY2025/for new theme/new editor/s.

BHP online is now in the capable hands of the amazing JOHN TREFRY – friends, arsonistas, send our JUNE 2025 guest editor your magic!

BHP RETURNS 2025

Burning House Press will be re-opening for intermittent guest edited editions in 2025 – this will be a completely speculative operation intended to test waters and take temperatures.

Like a lot of the world at that time, BHP were forced to abruptly cease operations during the peak of the pandemic in 2020 – factors including the mental, physical, spiritual and emotional onslaught of that time.

When BHP began in 2016 there had seemed to be a definitive place for a non-ego centred, community approach to literature and publishing – it is to be discovered whether the climate for BHP to exist within still remains.

Therefore – the reigniting of guest editor-led editions is contingent on these external factors and also the physical health of BHP.

We hope that you welcome this news – and will support the effort to return by publicising BHP news and sharing your creative works with upcoming guest edited editions – as we are rebuilding from a starter position at this time.

BHP have deleted all meta social accounts – and operations will be conducted via published content here – and publicised to the community only on Bluesky.

Please follow BHP on Bluesky here to keep in touch with our progress and be part of rebuilding the BHP community.

In the meantime – while your guest editors are assembling and mining the vein of the hour for the themes of each edition – BHP will be celebrating and reposting work from the previous series of guest-edited editions – look out for those posts on Bluesky.

Yours In Service Of Creativity…

Burning House Press

Womannotated – The Dirty Truth About Butterflies

November 29th, 2020

The Dirty Truth About Butterflies

It’s easy for a religiously bred

(misled) girl to make an Eden of

a garden, angels of winged soon dead,

repopulating in three weeks. But love’s

amino acids butterflies won’t find

in agapanthus nectar, waterfalls —

Continue reading “Womannotated – The Dirty Truth About Butterflies”

Womannotated – Little Witches

October 10th, 2020

Little Witches 

We will race, her sisters, there, past gargoyles

down a swiveled silver stair.  One who rides

its rail, body of snake, chiseled coil 

to marble tongue will take the lead then chide 

the rest — a mob with matches in pockets 

Continue reading “Womannotated – Little Witches”

‘bit the water’ by J.I. Kleinberg

blue groaning
Continue reading “‘bit the water’ by J.I. Kleinberg”

TALISMAN // CHANNELLING THE OUTSIDE EDITION MAY 2020 GUEST EDITED/CURATED BY ATEFEH AHMADI

TALISMAN // CHANNELLING THE OUTSIDE EDITION MAY 2020 GUEST EDITED/CURATED BY ATEFEH AHMADI

Continue reading “TALISMAN // CHANNELLING THE OUTSIDE EDITION MAY 2020 GUEST EDITED/CURATED BY ATEFEH AHMADI”

Of Thread and Blood, An Installation by Sahba Sadeghian

Continue reading “Of Thread and Blood, An Installation by Sahba Sadeghian”

lV + ll by Reza Pourdian and Callum Leckie

Continue reading “lV + ll by Reza Pourdian and Callum Leckie”

Circle Series: Woman With Climb by ReVerse Butcher

Circle Series: Woman With Climb, ReVerse Butcher, Digital Drawing
Continue reading “Circle Series: Woman With Climb by ReVerse Butcher”

MAY 2020 Guest Editor Is ATEFEH AHMADI!!! THEME: TALISMAN // CHANNELLING THE OUTSIDE

Burning House Press are excited to welcome ATEFEH AHMADI as our MAY 2020 guest editor! As of today ATEFEH will take over editorship of Burning House Press online for the full month of MAY.

Submissions are open from today – 1st MAY and will remain open until 24TH MAY.

ATEFEH’S theme for the month is as follows

TALISMAN // CHANNELLING THE OUTSIDE

Three Visual Poems by Shloka Shankar

 

title: Perfume

 

perfume

 

Continue reading “Three Visual Poems by Shloka Shankar”

Womannotated – The Night A Crow Must Go Away

A sample page from Crow Carriage, an annotated poetic horror novel set in a Victorian English seaside village.  This is the format of  the Crow Carriage book, a sonnet with an expansive annotation that tells a story in prose below (the same format as my book Flutter available at my website and Twist In Time).

The Night The Crow Must Go Away

You lie beneath a dozen nightmares.  Screams

careening down a crow-covered stair wake

you in the last second before the dream.

Continue reading “Womannotated – The Night A Crow Must Go Away”

Hekate Take Me Home, by Lotus Kozak

Hekate take me home. (1)

Hekate Take Me Home by Lotus Kozak
collage on paper Continue reading “Hekate Take Me Home, by Lotus Kozak”

Item 08: Thresholds in Flux [Vol.02], by A Virtual Memory

This project is a document of self destruction and rebirth. The death of the self, of fear, of anger, of anxiety, of misery and how the weight of these things pushes one through transformation. Akin to a burning forest. Violent and destructive, consuming all life in its path and tearing down the old world but, in being a harbinger of death, it is also a giver of life. A new world is born from the ashes of the old. Sex is a background figure here but ever present; an undercurrent assuming many masks: a lover, a villain, a dealer, a scapegoat, a gravedigger, a mother, a companion, a friend. The album is intended to be understood in three acts: Act I (“The Itch”, tracks 01-06), Act II (“The Drift”, tracks 07-09), Act III (“The Dance, tracks 10-14). Each of these acts documents the three separate phases of death, transformation, and rebirth. The artwork reflects these themes in the juxtaposition between the eroding of how the death of self has been expressed in mythology and lore (how we wish things to be, how we wish to frame our desperate situation) and the decay of abandoned places (the reality of death; the cold apathy of it).

Continue reading “Item 08: Thresholds in Flux [Vol.02], by A Virtual Memory”

Blog at WordPress.com.

Up ↑