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Four Minor Modernists by Ryan Napier

Ayuko Fujii (1903–1926)

            Ayuko Fujii was born in Berlin; her father was an attaché at the Japanese embassy. She attended a francophone gymnasium, and by age fifteen, she was capable in five languages. Her passion was for English. “It is a funny, cozy language, full of misshapen words,” she wrote in her diary. “Any other language would be ashamed to own a word such as ‘dollop’ or ‘shrub.’ But not English—that is its genius.” Continue reading “Four Minor Modernists by Ryan Napier” →

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Shadows & Remnants by Jennifer Ramsey

shadow 5 resized Continue reading “Shadows & Remnants by Jennifer Ramsey” →

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The New Atomist: A Selection from the Catalogue Raisonné of Anton Aubinov by Joshua Rothes

 

“In the end, I would like it to be said that I have been a silent conversationalist with the world, a patient interlocutor devoid of names and arguments, seeking and at odds with, always, the atomic.” — Anton Aubinov, 1998

For a while, he graced a footnote in a biography of Clyfford Still1, removed in subsequent editions, purged as too obscure, adding no value to the lay reader. He is heavily rumored to have been the young artist called a “pissant” by Barnett Newman in a story attached to but never actually recounted by Betty Parsons. He may or may not have been able to do hands.

The late painter Anton Aubinov remained near-hidden throughout his career, subsumed into the greater wave of late American abstraction. His lone New York exhibition, at a here-today-gone-tomorrow space in Chelsea in 1952, was thrown together to capitalize on the recent fame of Mark Rothko, who had displayed, for the first time, his multiforms the year before. As the story of Aubinov’s opening goes, the drywall on which his works were mounted had been improperly adhered to the concrete casing, and the collapse of one wall was the subject of much of the subsequent press. So it went, so frequently. Continue reading “The New Atomist: A Selection from the Catalogue Raisonné of Anton Aubinov by Joshua Rothes” →

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August 2018 Guest Editor Is JOHN TREFRY!!! Theme: NON-NONFICTION

Burning House Press are excited to welcome JOHN TREFRY as our seventh guest editor! John will take over editorship of Burning House Press online for the full month of August.

Submissions for John are open from today – 1st August and will remain open until 24th August.

John’s Theme for the month is as follows

 

NON-NONFICTION

Continue reading “August 2018 Guest Editor Is JOHN TREFRY!!! Theme: NON-NONFICTION” →

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B O D I E S // E D I T I O N – SELECTED/CURATED/PRESENTED BY JULY 2018 GUEST EDITOR LARA ALONSO CORONA

Burning House Press would like to thank July’s Guest Editor Lara Alonso Corona for selecting a fantastic theme in // B O D I E S // – and for all of the endeavour and hard work that has gone into selecting/curating/presenting the contributions received over the month – there was a high volume of submissions and Lara has dealt with the editorial duties and challenges with great grace, diligence and expertise – THANK YOU FOR EVERYTHING, LARA!!!

Massive thank you also goes to everyone who contributed to Lara’s theme and continues to send BHP your  writing and art – we are so happy and grateful that you entrust us with your work, thank you!!! xX

Here it is, the B O D I E S edition – every selection in one place for you to read/peruse – enjoy!!! xX Continue reading “B O D I E S // E D I T I O N – SELECTED/CURATED/PRESENTED BY JULY 2018 GUEST EDITOR LARA ALONSO CORONA” →

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Art + Poetry by nublaccsoul

A pair of paradox, or pandora’s box

We are forgotten yesterdays of tomorrow,
note-booked mementos on thighs time travelled,
back from the future, a few tsha-tsha with flashes
blackouts and gray-matter gashes,
the slurred dance of good memory,
crib-notes on collar-bones,
bare chest, a loose tie, knots, not around neck
formal education white suits, tucked-in remembering.
A formal date chasing me indoors.
chasing me into doors of consistent
nurturing nature of the neuro
doors on the right, left doubt in the cold.
A manner of hindsight sighs. Continue reading “Art + Poetry by nublaccsoul” →

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Four pieces by Atefeh Ahmadi

Continue reading “Four pieces by Atefeh Ahmadi” →

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Tripped Tic by James Knight

Continue reading “Tripped Tic by James Knight” →

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July 2018 Guest Editor Is Lara Alonso Corona!!! Theme/s: BODIES (Ugly bodies — Queer bodies — Uncomfortable bodies — Bodies in summer)

Burning House Press are excited to welcome Lara Alonso Corona as our sixth guest editor! Lara will take over editorship of Burning House Press online for the full month of July.

Submissions for Lara are open from today – 1st July and will remain open until 24th July.

Lara’s Theme/s for the month are as follows

BODIES

(Ugly bodies — Queer bodies — Uncomfortable bodies — Bodies in summer)

Continue reading “July 2018 Guest Editor Is Lara Alonso Corona!!! Theme/s: BODIES (Ugly bodies — Queer bodies — Uncomfortable bodies — Bodies in summer)” →

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Liminal Spaces – June 2018 Guest Editor James Pate

Liminal Spaces – June 2018 Guest Editor James Pate – here is the final edition of all selections curated by James Pate during the month of June 2018 for his theme of Liminal Spaces – thank you so much to James for all his hard work during the month and for the impeccable way he managed and curated his month’s editorship. To have been avid readers and fans of James’ writing – especially his essays during the days of the incredible and much-missed Montevidayo site – to have James collaborate on BHP for a month has been such a dream experience. Thanks, James! – and Thank You So Much to all who contributed such magic work to the theme – Here it is, June 2018 guest editor James Pate’s Liminal Spaces edition – enjoy! Continue reading “Liminal Spaces – June 2018 Guest Editor James Pate” →

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Footnote to silence

By Fredric Nord

Zero is the only numeral with the ability to remain itself in solitude. Zero is defined by the ability to not change. All other numerals are relative to each other and depend on each other for existence. They always change and change together. Without each other, stripped of cohabitation, they have no meaning or personality. That’s why all numerals in solitude equals zero. The total amount of numerals aren’t gazillions but one and a half, generously measured. Continue reading “Footnote to silence” →

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Guest Editor For June Is James Pate!!! Theme is: LIMINAL SPACES

Burning House Press are excited to welcome JAMES PATE as our fifth guest editor! James will take over editorship of Burning House Press online for the full month of June – when he will then hand over the reins to our sixth guest editor for the month of July.

Submissions for James are open from today – 1st June and will remain open until 23rd June.

James’ Theme/s for the month are as follows

Liminal Spaces

 

 

James has introduced his theme for your guidance:

I’m fascinated by those spaces that are on the threshold between the interior and exterior, the conversational and the unnamable, the recognizable present and the intangible future. Please send work you feel might be too eccentric for other venues—writing with twilight-lit edges, photography that blends the particular with the anonymous, art that is charged with the radically other.

 

Are there images and phrase that only grow more cryptic the more we think about them? Are there barely audible voices still waiting to be recorded? Alejandra Pizarnik’s poetry, Shirley Jackson’s novels, Sun Ra’s discography, Tarkovsky’s films, Beckett’s plays, Francis Bacon’s humanoid creatures, voices reading the Tarot heard in the static between radio stations, night gardens with metallic-seeming insects…mystic political tracts, literary realism haunted by sci-fi, Gothic verse imagining lunar vistas of paradisiac ruin…Please send work involving liminal spaces that question and invoke.

jamespatepic

 

James Pate is a poet and fiction writer. His books include The Fassbinder Diaries (Civil Coping Mechanisms), Flowers Among the Carrion: Essays on the Gothic in Contemporary Poetry (Action Books Salvo Series), and Speed of Life (Fahrenheit Press). He teaches creative writing at Shepherd University, in Shepherdstown, WV.

 

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For submissions, James is looking for your poetry, short stories, flash fiction, prose poems, art, collage, painting, photography – as well as non-fiction submissions: essays, reviews, commentary, features, interviews – and all hybrids and cross-forms.

 

 

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: LIMINAL SPACES/POETRY

Poetry and Fiction
For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open from 1st June til 23rd June – and will reopen again on 1st July for our sixth guest editor.

BHP online is now in the capable hands of the amazing JAMES PATE – friends, send him your best!

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MAY’S GUEST EDITOR FOR BHP ONLINE IS KARISSA LANG!!!!

Burning House Press are excited to welcome KARISSA LANG as our fourth guest editor! Karissa will take over editorship of Burning House Press online for the full month of May – when she will then hand over the reins to our fifth guest editor for the month of June.

Submissions for Karissa are open from today – 1st May and will remain open until 24th May.

Karissa’s Theme/s for the month are as follows

Identity:

Crisis • Creation • Multiplicity • Singularity

Continue reading “MAY’S GUEST EDITOR FOR BHP ONLINE IS KARISSA LANG!!!!” →

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L.A. Lust by Yanina Spizzirri

This city, this big sprawling dream of a city, mighty and misunderstood Los Angeles, is often defined in terms of tired cliches and sweeping generalizations. Soul-less and a-historical L.A., they say. A city where nobody walks, they lie. A far-reaching enigma going on for miles and miles, they all nod and agree, baffled. Continue reading “L.A. Lust by Yanina Spizzirri” →

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Submissions Are Open!!! from 1st April – until 23rd April – for our third guest editor C.C. O’HANLON!!!

Burning House Press are excited to welcome C.C. O’HANLON as our third guest editor! C.C. will take over editorship of Burning House Press online for the full month of April – when he will then hand over the reins to our fourth guest editor for the month of May.

Submissions for C.C. are open from today – 1st April and will remain open until 23rd April.

C.C. will be responding and publishing your submissions on a rolling basis during the month of April – and has chosen his themes for submissions!

C.C.’s Themes are

Place: Movement, Escape, Exploration, Architecture.

C.C. has introduced the themes himself for your guidance:

“The act of journeying contributes to a sense of physical and mental well-being, while the monotony of prolonged settlement or regular work weaves patterns in the brain that engender fatigue and a sense of personal inadequacy…”

– Bruce Chatwin, from Nomad Invasions

 

The themes that most interest me have to do with movement and place, not just – maybe not even – travel writing but rather a kind of textual cartography: prose or poetry that map spaces, physical or emotional, words shaped by journeying or pilgrimage, or the impulse to explore or to escape (or to seek refuge, or to start again and somehow reinvent yourself). I am interested in emptiness (seas, deserts, padded cells) and architecture, especially the way we inhabit them, and record our presence within them. Naturally, I’m inclined towads the diaristic, most especially when it is visual (actual cartography, illustration, and photographs) or unconventional in form or content; like Florence Lenaers, I’ve also got a soft spot for lists.
Overall, I’m not looking to reassure, but rather, to some extent, to unsettle.

For submissions, C.C. is looking for your poetry, short stories, flash fiction, prose poems, art, collage, painting, photography – as well as non-fiction submissions: essays, reviews, commentary, features, interviews.

 

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: ARCHITECTURE/POETRY

Poetry and Fiction
For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open from 1st March til 24th March – and will reopen again on 1st April for our third guest editor.

BHP online is now in the capable hands of the amazing C.C. O’HANLON – Friends, send him your best!

 

C.C. PIC

 

C.C. O’Hanlon is a relentless traveller, polymath and occasional diarist. His work has been featured in numerous publications, including The New York Times, Ernest, Minor Literatures and The Learned Pig. It has also been included in several anthologies and ‘best of…’ collections. Born in Sydney, and raised nearly everywhere else, he has lived for the past five years in Berlin. He is now en route to somewhere else.

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Night Photos of Newstead Village & a Poem by Sophie Pitchford

Pitchford _Tungsten 2

 

 

Tungsten

 

the light is

tungsten

tungsten

my incandescent affiliation

street lights emit orange

tungsten lights, bless

anoint the streets with orange haze, creates vignette

turns street in to theatre

under street light is under spotlight

glow from window illuminates intricate net-curtain-call

There is life inside, electricity

rows and rows of windows glow,

currents of electricity form circuit board called estate, village

street light snoot renders unsuspecting object still-life masterpiece

catchlight from car roof becomes moon-lit-fjord

until sun rise

garish day-time, floods night-time majesty

over-exposed

until sun set Continue reading “Night Photos of Newstead Village & a Poem by Sophie Pitchford” →

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Submissions Are Open!!! from 1st March – until 24th March – for our second guest editor Amee Nassrene Broumand!!!

Burning House Press are excited to welcome Amee Nassrene Broumand as our second guest editor! Amee will take over editorship of Burning House Press online for the full month of March – when she will then hand over the reins to our third guest editor for the month of April.

Submissions for Amee are open from today – 1st March and will remain open until 24th March.

Amee will be responding and publishing your submissions on a rolling basis during the month of March – and has chosen her themes for submissions!

Amee’s Themes are Masks // Transformations // Cosmos // Personal Myth.

Amee has introduced the themes herself for your guidance:

cosmostree.jpg

Wrestle with illusion, seek truth. See your various aspects as masks; consider their individual appearances & reflect upon why they’re shaped as they are. We all have masks; what are yours? Play with this idea, infuse it with mystery. Perhaps make yourself a new mask, one that taps into important yet hidden aspects of your life or mind. Create something that intrigues you, not as a product but as a catalyst for personal transformation. Make something magical; give yourself chills. Mark it with the fire that comes from grappling with your own consciousness. “We are made of star stuff.” –Carl Sagan. Create work inspired by astronomy or cosmology. Contemplate time & the universe & how it all began. Consider the origins of matter & your place in All This. Note the night sky, the turning earth, auroras, eclipses, & the solar system; contemplate nebulae where stars form over eons, contemplate supermassive black holes brooding like giant spiders in a great intergalactic web. Forge a connection to the vastness; create a personal myth that integrates your own mind / dreams / experiences / family / heritage / community / culture / local plants or animals or natural landmarks with the universe at large. Become a drop swimming in an ancient & sublime night. Astrophotography welcome!

GENERAL SUBMISSIONS: If you have work that doesn’t fall into any of these categories, submit it anyway! Hybrid, experimental, & highly imaginative work encouraged. My taste in all media is eclectic but tends towards the strange (in both subject & style). I love clarity, complexity, intelligence, genuineness, introspection, mystery, risk, & symbolism. If it’s too weird for the average literary journal, send it my way; if you walk to the beat of your own drum, I want to hear from you.

NOTE: I especially encourage submissions from women, POC, immigrants, members of the LGBTQ community, the neurodiverse, and other traditionally marginalized groups.

* * *

For submissions, Amee is looking for your poetry, short stories, flash fiction, prose poems, art, collage, painting, photography – as well as non-fiction submissions: essays, reviews, commentary, features, interviews.

 

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: MASKS/POETRY

Poetry and Fiction
For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open from 1st March til 24th March – and will reopen again on 1st April for our third guest editor.

BHP online is now in the capable hands of the amazing Amee Nassrene Broumand– friends, send her your best!

 

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Serres Chaudes, a series of visual poetry by hiromi suzuki

author’s description

“Je l’élève sur mes pensées,
Et je vois éclore au milieu
De la fuite du cristal bleu,
Les feuilles des douleurs passées.”
― Maurice Maeterlinck “Verre Ardent” from ‘Serres Chaudes’, 1889

“I hold the glass to my thoughts
and see in that crystal labyrinth
the petals of old pain bloom
as if they were not things of the past…”
― Maurice Maeterlinck ‘Serres Chaudes’, 1889 / “Burning-Glass” from ‘Hothouses’ translated by Richard Howard

Continue reading “Serres Chaudes, a series of visual poetry by hiromi suzuki” →

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Submissions Are Open!!! from 1st Feb – until 21st Feb – for our first guest editor Florence Lenaers!!!

Burning House Press are excited to welcome Florence Lenaers as our first guest editor! Florence will take over editorship of Burning House Press online for the full month of February – when she will then hand over the reins to our second guest editor for the month of March.

Submissions for Florence are open from today – 1st February and will remain open until 21st February.

Florence will be responding and publishing your submissions on a rolling basis during the month of February – and has chosen her three themes for submissions!

Her Themes are Languages, Letters, Lists. Continue reading “Submissions Are Open!!! from 1st Feb – until 21st Feb – for our first guest editor Florence Lenaers!!!” →

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Storytelling: Interview with Rayji de Guia

Rayji_sketch1

How long have you been writing and drawing?

I’ve been drawing since even before I could remember. A funny story my mother told me was how she’d gone to the market when I was around four. An older cousin was babysitting me and my sisters. While she was away, my sisters, rambunctious as they were, accidentally toppled a cabinet over the bed. When my mother arrived home, I ran up to her with a drawing on a sheet of paper that clearly depicted the situation – she dropped her huge bags from her hands and was ready to bolt into the house until my cousin came out to assure her everything had been arranged back. I don’t remember this at all, but I never doubted it, given that I’ve always had the memory of drawing with me.

Continue reading “Storytelling: Interview with Rayji de Guia” →

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