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BURNING HOUSE PRESS

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Non-Fiction

Caine Tully: Anthropocene #2

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Meat Factory

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Who are the vermin?

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Not Mother Nature

“Injustices are everywhere. We live in a world that is beautiful and yet there is so much oppression and destruction upon it. The anthropocene is upon us and humanity has a long way to go before equality exists in every sense. My artwork has the intention to make the viewer aware of this and sometimes feel complicit in the various destructive actions of humanity and thereby, hopefully lead my audience to enact positive change through feeling some what responsible to take action themselves. I hope the least I can do is provoke thought in to an individual that had previously not cared for the world around them.”

Caine Tully

Julia Lewis: Gut Things

Gut Things I

The oral, at the end of one symbiosis is periodontopathic, we think parasitic bacterium to the human we think (symbiosis does not mean only parasitism to the) Fusobacterium nucleatum who has been, (like soybeans to breast cancer repeatedly and broadly) associated with parasitism within colorectal tumors.  Continue reading “Julia Lewis: Gut Things”

ReVerse Butcher: End-To-End

End-to-end, ReVerse Butcher, poem & collage, BHP (lo-res)

ReVerse Butcher is a multi-disciplinary artist with focuses in making unique artist’s books, collages, visual art, writing & performance. She will use any medium necessary to engage and subvert reality until it is less dull and oppressive. When she grows up she wants to be a well-read recluse. She currently lives in Melbourne, Australia. Her artist’s book ‘On The Rod’ will be available via her website (www.reversebutcher.com) or the iTunes Bookstore from November 18th 2018.

Tom Sharp: Giant Tube Worms

Giant Tube Worms

When the saidnow news of smothering ecological
apocalypse had been assimilated into the culture,
we all could relax once more. It hadn’t been the heat –
‘Martin, order more refrigerators’ – that was stressful,
it was the exhaust headache of dystopian art everywhere,
frankly we could do with some love songs again.
And just in time, away from the fattening of the water,
a group of young thems started being fucking vital
in plume-like vascularised clothes. Undersea
rift worms vampiring on the energy of a volcanic vent.
We’d not realised, living far too close to ourselves,
that evolution had always been a hot and sexy circle.

 

Tom Sharp is a vanity poet with five self-published pamphlets released over the last year. He tweets here @ThomasSharp_
Continue reading “Tom Sharp: Giant Tube Worms”

Alison Graham: 3 poems

Continue reading “Alison Graham: 3 poems”

ERKEMBODE: Wilderwall

Wilderwall scrawls x 3

1. Wilderwall Excerpt For Burning House Submission

Continue reading “ERKEMBODE: Wilderwall”

James Knight: Blood Objects

Blood Objects 1

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Casimir Wojciech: POEM IN WHICH I DO NOT TELL MY ENEMIES HOW LONG I’VE BEEN STARING AT THIS GRAPEFRUIT TREE

POEM IN WHICH I DO NOT TELL MY ENEMIES HOW LONG I’VE BEEN STARING AT THIS GRAPEFRUIT TREE

Continue reading “Casimir Wojciech: POEM IN WHICH I DO NOT TELL MY ENEMIES HOW LONG I’VE BEEN STARING AT THIS GRAPEFRUIT TREE”

Ali Whitelock: kmart sells out of cheap fans made in china

Continue reading “Ali Whitelock: kmart sells out of cheap fans made in china”

Konstantinos Papacharalampos: Hi, Passenger

Konstantinos Papacharalampos page oneKonstantinos Papacharalampos page two

Based in London, Konstantinos Papacharalampos (Greece, 1988) works in poetry, performance, installation and regeneration. After releasing K – On (ed. Entefktirio, 2011) his poems appeared in leading magazines in Greek and Russian and installed in situ in contemporary art festival Action Field Kodra. He then performed his second book Είναι/ Íne (ed. FRMK, 2015) in English (Velorose Gallery, London) and Greece (Lola Nikolaou Gallery, i.a.). Selected work was translated in German for Dichtung mit Biss (Freie Universität Berlin: ed. Romiosini/ CeMoG, 2018) and English for Futures: Poetry of the Greek Crisis (Penned in the Margins, UK, 2015). He holds a Diploma in Rural and Surveying Engineering from Aristotle University of Thessaloniki and an MSc Real Estate from CASS Business School (London). In 2018 he released his new poetry book, 3: Ανθρώπων Ιστορία/ 3: Anthrópon Istoría (ed. Koukounari), the hybrid pop project about repetition of ego in social media. See more from Konstantinos in his website or contact him via email. Twitter: @Kon_Papach  Continue reading “Konstantinos Papacharalampos: Hi, Passenger”

SJ Fowler: The Gush & more . . .

an excerpt from The Gush by SJ Fowler

from the Gush for Paul

Continue reading “SJ Fowler: The Gush & more . . .”

Ash and Stardust x: Ashytober

Ash and Stardust, a monthly column by energy worker and artist/writer DHIYANAH HASSAN explores the intersections of tarot with healing and creativity. You can read the rest of the series here.

For October, I came up with a personalized tarot-inspired inktober challenge that I named after this column, #ashytober. I drew a card for each day and then illustrated my response to that card. The result is a series of digital art illustrations that gave life and ambience to the vibrant things that pulsate vividly beyond the surface of my days. Save for a couple of lags, I spent my October making art that I had no chance to plan for since each day’s prompt only happened when I pulled a card from the deck. I documented the work and shared some insight about the process for each piece on my Instagram (they’ll also be up on my website once that’s back out of its hiatus).

The ways in which I work has changed. Instead of squeezing effort to make things, I’m more focused on allowing things to happen. There’s so much that wants to come through me, so much that’s getting ready that wants me to be gentle with it.

Working on #ashytober after months of light sketchbook work allowed me the space to let the different parts of my work – my art, my training as a healer, my words, my aspirations – find their own ways to integrate and merge. I also found out that working intuitively was a great way to allow old strategies of art-making to adapt to where I’m at now.

Like how with each piece of #ashytober, I was building – finding – a fantastical world that housed its own cosmic cartography with strange landscapes, multiple suns and moons in the sky, and characters living diverse lifestyles.

Building up a cosmology for magical worlds – like building up the narrative behind the theory behind the symbology of a series – is something I’ve grown so accustomed to in my work as an artist. Except that I used to pressure myself to the point of paralysis that not much of this work gets to see the light of day. And so it was really delightful – like unwrapping candy to find a surprise toy packed inside with it – to see an entire universe of characters and narratives being spun out so spontaneously with each piece.

Continue reading “Ash and Stardust x: Ashytober”

Astra Papachristodoulou: Astropolis

beyond the border 01

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Sculpted: Richard Biddle

Bid_Sculpted_BHPBid_Sculpted_BHP

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Ash and Stardust ix: Recalibrate

Ash and Stardust, a monthly column by energy worker and artist/writer DHIYANAH HASSAN explores the intersections of tarot with healing and creativity. You can read the rest of the series here.

While our Northern and Southern hemispheres exchange weather, monsoon rains pour its threats and blessings on the equator. Toasty lands find relief with aid from migrating clouds, storm winds push the haze in and out, rising mud ring in flowers along the roadsides like celebration, bursts of heat and humidity break any rhythm we might try to tame with reason – the combination is calming, chaotic, and languid. Our eyes are sleepy from rain then watchful for floods and typhoons while our trees and shorelines swell with volume. Sometimes an irrational anxiety stirs our body, coaxing us to consider our roles with each other in unexpected ways. Other times a cloud inside us wrings itself dry, releasing its burdens and we find ourselves drained from feeling it all.

Rain drumming against awnings, earth, and windows bring old lullabies back to the heart.

As seasons change, so do our daily habits, our bodies adapting and compromising with us. Temperatures shake up circadian rhythms, stunting or catalyzing growth within the myriads of topographies making up our bodily beings, emotional terrains, and mental health. Our pendulum of awareness may swing from one side to the other with frightening intensity. We breathe to find our center, then we keep breathing – devoting ourselves to Earth’s gravitational pull to keep us steady.

We were made to feel our seasons, our weathers, personally.

Continue reading “Ash and Stardust ix: Recalibrate”

Translations of a Post-Apocalyptic Love by Jessica Ciccarelli

I stand in the shower and let the water pound against the knot in my neck until the spasm seems so strong I register pain before terror. Every possible nerve I can find rests against the jarring freeze of the granite. Water drenches my arms, face, and stretch-marked body – kissing parts of me I used to reserve for your masochistic ego. Continue reading “Translations of a Post-Apocalyptic Love by Jessica Ciccarelli”

The Unforgiving Season by Paula Geanau

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Out of all four seasons, summer is the least inviting to love. Continue reading “The Unforgiving Season by Paula Geanau”

Ash and Stardust vi: Mars and Saturn walk into a teahouse and are ambushed by the Moon with Neptune cackling on the roof

Ash and Stardust, a monthly column by artist and writer DHIYANAH HASSAN, explores the intersections of tarot with healing and creativity. These are personal essays and articles sharing experiences of growth as someone who has recently found a deep connection to tarot. You can read the rest of the pieces here.

As a Scorp Sun with Cap rising, this Mars Retrograde plus Capricorn full moon has been at the forefront of my headspace. It’s proving to be a groundbreaking combination for energetic upgrades. Nevermind that since Neptune stationed retrograde, I’ve spent most of my night-time hours getting deeper into dream work. Maybe I’ll write more about that one day – I’m mostly reeling from how absolutely sublime and affirming these experiences are and although I do feel like sharing about them, I still tip-toe around the language for it, hesitant for now. Mostly I’m just allowing things to unfold while my body nags me to both get some work done and to take time off so it can fully catch up with everything.

This Mars Rx reminds me a lot of the Knights cards in reverse, particularly the Knight of Wands. A warrior in reverse is a warrior that performs best in the shadows – observing, strategizing, recharging. Forced into action, this warrior might catalyze chaos via misunderstandings, accidents, or battles with no victory in sight – but not all chaos is unnecessary and a warrior can hold this knowledge well in their body when they’re able to get out of their own way. One way to override self-sabotaging habits is through intention setting and gratitude journaling.

Continue reading “Ash and Stardust vi: Mars and Saturn walk into a teahouse and are ambushed by the Moon with Neptune cackling on the roof”

Footnote to silence

By Fredric Nord

Zero is the only numeral with the ability to remain itself in solitude. Zero is defined by the ability to not change. All other numerals are relative to each other and depend on each other for existence. They always change and change together. Without each other, stripped of cohabitation, they have no meaning or personality. That’s why all numerals in solitude equals zero. The total amount of numerals aren’t gazillions but one and a half, generously measured. Continue reading “Footnote to silence”

Ash and Stardust v: The World Turned Upside Down

Ash and Stardust, a monthly column by artist and writer DHIYANAH HASSAN, explores the intersections of tarot with healing and creativity. These are personal essays and articles sharing experiences of growth as someone who has recently found a deep connection to tarot. You can read the rest of the pieces here.
In the past month, I saw my childhood dream of having a conventionally successful art career – this dream that kept me alive through overwhelming traumas – die off. I made the decision to orphan myself from the biological family because they still couldn’t respect my boundaries. This country I’m in saw its first ever government change in the recent elections and despite the hope sizzling in the air, I still felt like it was trying to kick me out. Hope tends to follow change, it’s true, but so does apprehension.

These were the background noises weighing down on me for the past two weeks, as I worked through illness to meet deadlines, rummaging resources in search of plant-based remedies that could help alleviate all the gross ways stress had affected my body. I was thick in the overwhelm and it felt both familiar and foreign at the same time.

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GIF snapshot of ocean waves, taken a day before the full moon

Continue reading “Ash and Stardust v: The World Turned Upside Down”

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