GRANT MAIERHOFER [w] lives in Idaho.
He is the author of Postures (Publication Studio, 2015), Grobbing Thistle (2016), and Flamingos (ITNA). His work is available via The Fanzine, Berfrois, 3:AM Magazine, and elsewhere.
Sector 2. England—South Coast—Start Point to Selsey Bill 73
Netley Great Dome
West Bramble Lighted Buoy (50°47.2″N.. 1°18.6’W.), equipped with a racon, is moored at the SW extremity of Bramble Bank, 2 miles S of Calshot Castle.
A very conspicuous chimney. with an elevation of 198m. stands in the vicinity of Fawley Power Station. 0.8 mile W of Calshot Castle. Constant is my rhythm; you sit as mountain and predict my hurricanes. I rule the wind, the weather and I cover my core. X? Secrets that will never be yours.
Netley Great Dome stands at the E side of Southampton Water. 3 miles NNW of Calshot Castle, and is conspicuous.
A conspicuous silo, 53m high, stands on the S extremity of Eastern Docks at the W entrance point of the River Itchen. The VTS Center, with a prominent framework mast, is situated close W of the silo.
A conspicuous building. 70m high. stands about 1.1 miles E of the silo. Five prominent blocks of apartments, 43m high, are situated in line close NW of this building.
A prominent radar scanner. Mm high. stands on the seaward extremity of Admiralty Jetty. about 0.9 mile SSE of the silo.
Eastern Docks Silo
Pilotage
For pilotage information and details of outer boarding posi-tions for Southampton and Portsmouth. see Pilotage under The Solent (paragraph 2.21).
Regulations
A Precautionary Area which may best be seen on the chart. encloses Thom Channel and Calshot Reach.
I love you like the sea loves the shore, it doesn’t want to return with each lick, is drawn by moon calls and swell trouble. Hot storms under sea make me send armies of waves to finish you.
All vessels of over 150m in length when navigating in the area are required to display, where it can best be seen, a black cylinder by day and three all round red lights so gentle I don’t move a grain with my hissing and returning again. You are there, wearing wear after I have ravaged; you never leave
When operationally possible, such vessels will be preceded by the Southampton harbor patrol launch showing. in addition to normal steaming lights. a blue flashing light.
The Southampton VTS Center makes hourly broadcasts on VHF channel 12 giving information on Moving Prohibited Zones in operation in the Precautionary Area.
Vessels under 20m in length are prohibited front entering the channel between West Bramble Lighted Buoy (50°47.2’N.)
I can’t understand it. My presence is your acquiescence.
You exist because you are not
me
Speed restrictions are in effect for various portions of the harbor. The pilot should be consulted for details.
All tankers over 60,000 dwt. bound to or from Fawley Marine Terminal, are required to take the services of an escort tug from S of the Nab Tower to the berth.
It is reported that I love you because you grow strange flowers for me to wash away. I can’t feed you, am bitter to taste, but I give up my waters every day. They fall to ?X Special regulations apply to gas tankers entering the port.
Admiralty Jetty Radar Tower
Gas tankers in transit within The Solent may not enter any areas where the visibility is less than 05 mile.
Gas tankers navigating between West Bramble Lighted Buoy and Hook Lighted Buoy shall be given sole occupancy of the constant are you, sending me rivers, never stop. denying me your interior. Never love me
any less.
Pub. 191
Caroline is a translator of Turkish literature and poetry, poet and playwright from North Wales. She campaigns for freedom of the press in Turkey and monitors journalist trials. She is based in Vienna.
like guys with a video game’s dimension. I think about Parasite
Eve this way. Its rich antagonisms are feminine, animal,
familial, bodily, savvy, fractured, abstract. It contains a
squirrel.
You see how rarely I like a guy.
Continue reading “Lacquer Garden by Joseph Spece”
ROAD #46 – FOLLIS AVE. TIME: 10:45 PM. WEATHER: DRIZZLING. PAVEMENT STATE: SOLID / NO CRACKS OR BREAKS / CLEAN OF DEBRIS.
[ Darkness uncovers certain predictions in the trees. The grey breath of the stars and moon show me the surrounding area, heavily forested; thick green hovers above the ground, the leaves healthy, hearty for summer. Coyotes can be heard faintly behind the treeline. A quick walk works up a sweat. Temperature outside recorded at 81 degrees Fahrenheit. Small mice skitter just out of reach in the ditch. No homes can be found, though lights in the distance betray somebody or something. Maybe a porch. Smell a campfire nearby. Smell no voices. Continue reading “Schedule of Somnambulist Roads #46 – #49 by Alec Ivan Fugate”
— Minerals are naturally occurring solids of uniform chemical composition. Different minerals can be distinguished by a variety of physical properties, such as shape, colour, desire, and hardness. These properties are a result of the mineral’s chemical composition, atomic arrangement, and the dissociation of formal and non-formal space. Minerals are building blocks of all rocks. The world’s economy depends to a large extent on our mineral resources. Continue reading “A Soft Taxonomy of Rocks by Rachael de Moravia”
…bled speeches from dead ocular of throughout final carve of turn of in breathless to absorb it of in no longer of in what nor of throughout a pageant taint steel drawn as if to pass through slash mark unto forage nothing there as all what fallen is scattered seed of exhale burn in pit of nothing ever have in or which collapsed before lest broken nothing to claim ocular roving no longer it what stun in rat of feel of broken tabulets of skins flung to dog’s devour where null vacant eye cannot from denizen of passage present nothing as before once travailed through reek what matter solace of detritus dreamed of laconic shadows breaking Continue reading “3 Sketches from “cold zero reflect” by Michael Mc Aloran”
Last Sigh/t: A Selection of Optograms from the Private Collection of Willia A. Abbotts
The private collection of Willia A. Abbotts contains over 300 optograms.
These retinal images—retrieved by a complex optochemical process that fixes the photosensitive pigment (rhodopsin) found in the rods of the retina—capture the last image seen before death.
Most of these optograms are believed to have been extracted at St. Albans County morgue during the first decade of the twentieth century. Continue reading “Last Sigh/t by Yanina Spizzirri”
When the aliens finally rise by chokehold, they actively corpse the Atlantic, an elastic body of wa(i)ter. Otherwise, passively, their barely viable bodies are expedited to a foreign grave. That’s what’s alien and grave where nobody leaves.[1] They rely on the chance mourner, otherwise lover, pressed firmly to the ground to wear them in to America. At a welcome-home party, the conversation’s awkward because no one else thinks they’re home. Emergencer! The outer space is closer than where we chart our fear of bury bodies. Parents of friends, friends of parents, pass before birds and ice water in the morning. I clock them Sunday-praying from one national emblem to another, the same predator bird who’s identity-confused. The maids, the nannies, the truck drivers, hairdressers, unsuccessful, unhappy, not fluid in English, yet they stay. We have kids in the schools, they say, In Poland, the math’s different. The periods linger. 1.5 matches 1,5. They plug for persistence. The comma winks at them; they wince. How can they be how it is to sleep in the socket Continue reading “An excerpt from Polalka by Karolina Zapal”
From FIELDS OF VIOLENCE: A TRANSCRIPT OF A DOCUMENTARY ON THE ONGOING FARM CRISIS
FOREWORD
The necrotic underside of the history of the Farm Crisis lives on in the Heartland and in the mind of the landscape, whose pulsating synapses and rhizomes absorb nitrogen nourished by the prairie soil under the watchful eye of high harvest––a time of year of reaping that steals as much as it proffers, withholding the promise of a dream that never existed but did, at one time, grow faith. In another existence. Somewhere between the dream and the dead, blood red tinges the borders of everything. A woman and a man put their hands together like arrows pointed up toward some augury that will never come and when it doesn’t, they forgive the augur. Why? Continue reading “An excerpt from Fields of Violence by Julia Madsen”
Get Shredded
Get ripped and speak it, be it and live it. Time goes by way too fast to wake up the fibres early. It means bowing to our weaknesses, getting bromotional at some points. I’m in the same position at 35-years-old: body of a Greek god, the mind of a Spartan, music sounds like anime. Legend has it that if you stare at Jeff’s biceps for long enough, then thick deep veins and you embrace the blood flow restriction machine. Continue reading “7 Day Workout Plan: A Lesson in Shreducation”
‘Cybergothic,’ write the Ccru, in an essay titled ‘Unscreened Matrix’, ‘finds the deep past in the near future’. There is a Crypt, a shadow space that exists beneath the gleam of our cyber reality:
Sprawling beneath public cyberspace lies the labyrinthine underworld of the Datacombs—ghost-stacks of sedimented virtuality, spiralling down abysmally into paleodigital soft-chatter from the punchcard regime, through junk programming, forgotten cryptocultures, fossil-codes and dead systems, regressively decaying into the pseudomechanical clicking relics of technotomb clockwork. Continue reading “Cybergoth Archaeology: The Seductive Datacombs of OPN’s “Age Of” by Maria Sledmere”
On desktop browsing the below hyperlinks are functional (if you are on a mobile device you can amble over to [here] for functional hyperlinks).
Conscious Dark in Vertebrates: Sleep and Sleeplessness
Universidade Federal do Rio Grande do Sul
Av. Paulo Gama, 110 – Farroupilha, Porto Alegre – RS, 90040-060, Brasil
Received Date: June 04, 2018; Accepted Date: June 21, 2018; Published Date: July 2, 2018
Citation: Eduardo CRL, Almeida DA, Da Cruz A, Steiner F, Greenhall L (2017). Conscious Dark in Vertebrates: Sleep and Sleeplessness. International Journal of Science and Arts, 4:2. doi: 11.1266/9945-3210.5499714 Continue reading “Conscious Dark in Vertebrates by Jason Kane”
Campbell’s Soup I: Golden Mushroom Soup
Campbell’s®
CONDENSED SOUP
GREAT for COOKING
Golden Mushroom
90
CALORIES
PER ½ CUP NET WT. 10 ½ OZ. (298g)
Campbell’s Soup I: Green Pea Soup
Campbell’s®
CONDENSED SOUP
Green Pea
180
CALORIES
PER ½ CUP NET WT. 11 ¼ OZ. (319g)
Campbell’s Soup I: Homestyle Chicken Noodle Soup
Campbell’s®
CONDENSED SOUP
Homestyle
CHICKEN Chicken Noodle
MEAT WITH
NO
ANTIBIOTICS
60
CALORIES
PER ½ CUP NET WT. 10 ½ OZ. (298g)
Campbell’s Soup I: Old Fashioned Tomato Rice Soup
Campbell’s®
CONDENSED SOUP
Old Fashioned
Tomato Rice
125
CALORIES
PER ½ CUP NET WT. 11 OZ. (309g)
Campbell’s Soup I: Split Pea with Ham & Bacon Soup
Campbell’s®
CONDENSED SOUP
Split Pea with
Ham & Bacon NATURAL SMOKE
FLAVORING ADDED
170
CALORIES
PER ½ CUP NET WT. 10 ½ OZ. (298g)
Campbell’s Soup I: Tomato Soup
Campbell’s®
CONDENSED
Paris International Exposition
1900
90 Tomato
CALORIES NET WT.
PER ½ CUP SOUP 10 ¾ OZ.
(305g)
Campbell’s Soup I: Vegetarian Vegetable Soup
Campbell’s®
CONDENSED SOUP
Vegetarian Vegetable
90
CALORIES
PER ½ CUP NET WT. 10 ½ OZ. (298g)
Campbell’s Soup I: Beef Broth
Campbell’s®
CONDENSED SOUP
GREAT for COOKING
Beef Broth
15
CALORIES
PER ½ CUP NET WT. 10 ½ OZ. (298g)
Campbell’s Soup I: Chicken Noodle Soup
Campbell’s®
CONDENSED
Paris International Exposition
1900
60
CHICKEN Chicken CALORIES
MEAT WITH Noodle PER ½ CUP
NO
ANTIBIOTICS SOUP NET WT.
10 ½ OZ.
(298g)
Campbell’s Soup I: Vegetable Beef Soup
Campbell’s®
CONDENSED SOUP
Vegetable Beef
80
CALORIES
PER ½ CUP NET WT. 10 ½ OZ. (298g)
Campbell’s Soup I: Disney Princess Jasmine Soup
Campbell’s®
CONDENSED SOUP
Disney
PRINCESS
70 Enchanted Shapes
CALORIES Shaped Pasta with Chicken NET WT.
PER ½ CUP in Chicken Broth 10 ½ OZ. (298g)
Campbell’s Soup I: Cream of Cremini & Shiitake Mushroom Soup
Campbell’s®
CONDENSED SOUP
NEW
GREAT for COOKING
Cream of Cremini
& Shiitake Mushroom
100
CALORIES
PER ½ CUP NET WT. 10 ½ OZ. (298g)
Michael Stutz is an American writer. He is the author of Circuits of the Wind.
Let him haunt you on Twitter: @michaelstutz
About the banner image: Even a small fragment sealedup in a glass tube shines with a weirdglow like a firefly, but bright enoughto read by. Moreover, if these raysfall on certain other substances, as, forexample, diamonds, it causes themalso to glow with a similar unearthlyradiance; and like the X rays,which enable one to see his own bones, theywill go through a plank or a dictionary.
As the room done deep.
Told to, by, and, so, that it cold is a truth.
throne stretches mark, maid, bare muscle
(INCLUDING BUT NOT LIMITED TO THE FOLLOWING)
AND YET Inventory. Trivial Pursuit, but not that, this: You Think Therefore You Are (Disney Edition). Continue reading “Inventory/History by Simon Henry Stein”
ITEMS RETRIEVED FROM THE WRECK OF THE IGS MALVA, WITH POTENTIALLY DISTINGUISHING DETAILS AND SPECULATED PURPOSES PROVIDED IN ITALICS
6 human bodies: identified overleaf – likely deceased through drowning, all male, flight crew Continue reading “Items Retrieved from the Wreck by Emma-Louise Adams”
Silent Long-Distance Mail-Order Auction Catalogue Item #20:
BEFORE PREDATION COMES NOTHINGNESS, FLOATING. A FLOTILLA OF DANCERS ON FLOTATION DEVICES. THIS BEING THE ANABOLIC STEROIDAL EDICT EDITION, THERE ARE ONLY 3 LEFT IN STOCK.
BURNING HOUSE PRESS 
The Colossus of Estacada by Matthew Spencer
The name misleads, slightly, and was coined for marketing purposes. In fact, the bronze figure measures thirteen feet tall—outsized, monumental perhaps, but not colossal. It stands contrapposto with one hand outstretched, palm inward, as if beckoning the visitor to approach. A thin but charitable smile creases the face, although patina has rendered the expression somewhat difficult to read, as have the iron security bars installed to ward off scrap hunters. Continue reading “The Colossus of Estacada by Matthew Spencer” →
Share this:
Like this: