JULY UNDER THE BRIDGE
on the shore the mock orange turned brown spent;
ochre heads of yarrow replaced them;
almost the way a man
swaps out one wife for another.
a protest, not my ex-husband!
but a husband.
JULY UNDER THE BRIDGE
on the shore the mock orange turned brown spent;
ochre heads of yarrow replaced them;
almost the way a man
swaps out one wife for another.
a protest, not my ex-husband!
but a husband.
I invited poet and artist stephanie roberts — who has poems on Burning House Press and in The Arsonist Magazine — to trade lines of poetry with me. I’d never collaborated with another poet before, so the experience was something of a leap into the unknown. We began emailing poem shreds back and forth. The days flowed by, as did the weeks; the lines formed and shifted. Soon, a poem emerged —
(α) ANB:
Lacewings quake in the crepitation of thistles
& reeds. Crickets creak wintled heartbeats dry.
(β) stephanie roberts:
It would have been perfect, the river remapped boundary;
the embryonic recreates in its image.
Continue reading “a conversation in poetry with stephanie roberts”
With one of the poems that opens Edition 01 of The Arsonist Magazine here is the incredible Canadian poet and artist stephanie roberts reading ‘Catawampus’!
selling points include “fairly good shape”
liberal politics a breezy concept of god
checklists presenting
banged-up circles for easy handling
into this desperate mechanics turns
the gears of hard consonants
hikes, bikes, kayaks, walks
toils of past-time that toll hollow
now you want a goddess to flame
on one immune to the sting of obsession