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BURNING HOUSE PRESS

Not For Profit/For Prophecy

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prose

“Attached:” by ⑆ka⑉t⑇

IMG_3155
Art by Moriah M. Mylod

 

An Overview (Log A.0003)

The greens, the greys, the ocean waves—together cross.

Enveloped within infrastructure, like an orb with swirling insides: the waters settle in the center as trees surround them. Three oceans connect through a narrow river; these oceans huddle close. The architecture: high-rise. Sky-high, arching over the oceans, shielding them. The buildings reach out to one another through pathways (connected, like the oceans)—and these know no time. Similar to skip travel, almost. Each piece in this machine of a home fits and functions as planned, always.

The fresh breeze, the silvers, the tides—these are what make up home, and yet, home would be incomplete without its inhabitants. This Realm has always been known for its residents’ hyperosmia: heightened olfactory senses. Other neighboring Realms are known for other things. Hyperosmia plays a vital role in the circulation of energy.

All this Realm’s energy is generated from its very own oceans. There are the tides: natural, relatively predictable, but insufficient and intermittent (the oceans cherish their quiet time, too). There is the concentration of salt: with hyperosmia, energy management poses no challenge. In other words, apart from the tides, the oceans must have an exact percentage of salt for the energy to be distributed evenly in the Realm. An exact percentage, a very specific scent. Each piece in this machine of a home fits and functions as planned, always.

Amidst distinct realms, here lies Elesphal.

*******

The Oliques and Their Ancestral History (Log A.0028)

    Elesphal was once led by the Scentress for ages and ages as tales go. Essentially, she was the founder; the scholars of the Realms speak of her oneness with nature and how she foresaw the need for Elesphal to live upon such providence.

    The Scentress began, along with a few others of her time, to construct the Elesphal of now, from its architecture to its energies. She is the sole reason for the inhabitants’ hyperosmia; from her the idea of mastering the sense came about and hence, her name.

    However, since her passing, the Olique family—the Scentress’ descendants—had taken over. The Oliques maintain order in and ensure the needs of Elesphal. All have equal roles: mother Morea takes the general governance over the Realm, father Lesthe takes interactions with the other Realms, older brother Iressen takes infrastructure management, sister Midence takes energy monitoring, and younger brother Alsgne takes nature development.

    Even in the seamless machine of Elesphal there exists widespread rumors of the Scentress. As indicated in the records, she has transformed into an ancestral ghost, roaming around Elesphal, soul stuck for reasons unknown. As much as all inhabitants sand the Olique family would like to further study this and assist in sending the Scentress to fulfill herself into a higher, more peaceful being, everyone fears what she might do to them or their Realm. She later on became detached from the residents after achieving hyperosmia herself, tales tell.

*******

 

The Scentress Herself (Log C.0147)

    The oceans are off, Midence mutters.

    All seems well to me, sister, Iressen assures her.

    I agree with brother. It might just be your nose, sister, Alsgne has a light laugh.

    Midence ignores her little brother, looks away. Had all really meant well, her nose should not be twitching as it is now, should it? Midence tries asking around, but to no avail; the rest of the inhabitants seem fine. Not even her mother and father side with her.

    Midence sets her eyes on the oceans once more; she tears away from the waters almost immediately, the scent too powerful for her to even look

    If the oceans are unwell, might this lead to overconsumption, and possibly ruin Elesphal? The worry rings in Midence’s heart. She leaves her brothers and rushes to the records hall, in hopes that the scholars might shed light onto this disruption. As quick as she can, she goes through any and every log in her immediate sight—she fears no time can be wasted.

    Midence, nearly drowned in all the books, discovers an eccentric dent in the brick walls. When she touches the dent, a slip of paper falls into her hands and it reads:

If someone were to call for me aloud, or if these very lines were to be found out,

I assure you—have no doubt:

Visiting one, you have my blessings. And now, to you, I shall call out.

    Midence resumes her research to look for more answers. She finds that those lines are a message from the Scentress herself. Further research tells Midence that the Scentress, at certain circumstances, chooses to appear to whoever calls for her or discovers that particular message. The scholars inferred that the Scentress appears to the chosen in either episodes of erratic voices and visions or through her unique aura projected onto ordinary objects in the Realm.

Never had Midence feared knowledge until this moment. The Scentress might—oh, the thought alone is awful, Midence winces—play around with her, haunt her, torment her. There is no way to rewind, and Midence is well-aware of that fact. She continues on, averting the ocean crisis while convincing her kindred of the Scentress’ words.

    I’ve never heard of this before, Iressen says.

    The scholars might have made mistakes, too, sister, Alsgne taps his finger on his chin.

    And in those moments of skepticism, obscurities arise: glitches, bright sparks appear before Midence’s eyes. At first only she was directed by the Scentress, then the latter began making contact with Iressen and Alsgne as well. Obscurities—yet clearly of the Scentress’ mark—and other times the most ordinary objects in the oddest of ways: tree branches intertwining, reaching out to them, intertwining, and repeat, and more. The three siblings share the same fright in the beginning. Her motives incomprehensible beyond compare, they believe the Scentress made her presence a curse for having found her message, a supposed secret.

    Midence continues with the oceans. Moment after moment of the Scentress’ calls upon the three, at long last, she appears fully to the siblings.

    “Visiting one—and her company—you have my blessings.”

    She is…at best would be to say: light, albeit a dim one.

    A silent nod, a greeting from her to the three. The Scentress proceeds to explain the behavior of their oceans:

    “Our marine energy has been fluctuating—too strong or too weak for the established scent—due to the lack of light. Have you ever considered the light?”

The three shake their heads in sync.

“Elesphal, truly, and I discovered this only upon my passing, is a world of light. Elesphal…comes from light sphere, you see? For our Realm to continue with its marine energy at normal levels, we must intersect it with our innate light capacity. Both energies must work alongside each other, yet this light energy has been neglected for so, so long. And that is one of my deepest regrets as the Scentress—not having utilized our truth.”

The three siblings look at the Scentress in awe, still trying to process her words.

“This architecture is my fault. Too completely enveloped, trapped, shunning ourselves of our open sphere and the oceans that yearn to sparkle.” The Scentress looks upward, then down in dismay. “Midence, and Iressen, Alsgne: you have always been doing well—the Oliques truly never fail. And so I must ask of your assistance to set this all anew.”

“Elesphal has,” she tries to disguise her brokenness with soft sobs, “it has become a machine, all too rigid. We directed our focus to the oceans…if we do not solve this, I foresee the oceans may lose their power and Elesphal will, in turn, fall.”

“Here, visiting ones,” the Scentress says and this time, faint and friendly glitches surround them. “What we must do is make use of both light and waters. With the warmth of direct sunlight, we will utilize the temperature of the surface of the waters. In other words, visiting ones—”

“Now, not only the scent matters, but the heat from the light as well,” Midence interrupts.

“Indeed, indeed,” the Scentress smiles.

Elesphal, with the guidance of the Oliques, turns anew: the architecture opens up, allowing light to spread onto the oceans. The energies return to the usual, but with a faint—warm—change.

Elesphal lives with the ocean and the light, now a true home to its inhabitants, to the Scentress, to itself.

 

    *******   

 

The Scentress to the Olique Children (Hidden Log)

    Every exhale is an act of devouring space and time.

Now, it is one hundred percent clear. Absolutely.

Visiting ones, here I must send my deepest thanks, and bid my farewell. I shall rise.

The ancestral spirit of the Scentress disperses and brightens, light above Elesphal. She is finally fulfilled into a higher being.

The Scentress is dearly missed by the inhabitants of Elesphal. Scholars say she makes appearances from time to time, to those who call out to her, or to those whom she wishes to call out to.

 

 

 

 

⑆ka⑉t⑇ is a BFA Creative Writing student very much into unreality. She tries to channel unreality through her works and her fashion. She can be found as typeflux on Tumblr, Twitter, and Instagram.

“An Ethereal Tethering” by Stephen Wack

IMG_3145
Art by Moriah M. Mylod

 

. . . something about a man and his dog (in the grand, non-linear scheme of reincarnation) as being one in the same. Soul, that is. Ethereal transient dweller, is another. Here now, there they are: Situated between two distinct, bloody meat husks, between two separate states of existent being — at once, under one roof, simultaneously — with one foot in man, the other, a dachshund-terrier mix. 

 

 

 

. . . is comprised of both end and endless, singular and infinite, of omniscient oblivion, bright-dark heavy-light, of both shape and void, each with their own distinct name. As a man: Brandon. In dog form, she is Mocha, among countless others (i.e., Mochi, Mookie, Monkey, Chunky, Chubbers, Chunkmonster. . . ). As mutual entity, root identity, as timeless core incarnate, a loose translation: Daielaareux. 

 

 

. . . will spend seven months at the shelter, gone unadopted longer than any other dog, before rejoining herself again. Meanwhile, she cries her jaw off. Starves herself down to a coffee-boned silhouette. Even draws blood from the hand of a guileless child, to make clear the message: I will never be yours. She waits patiently for what she already knows will eventually be.

 

. . . remembers what, on pure impulse, will drive him to the shelter in this manic grasping for purpose, going on six days without medication. He will come upon himself, caged separate. His ovaries scooped clean. Groggy with shots to keep him quiet, stagnant, alive. Not even finding himself to be particularly cute, or unique, or enthralling, yet feeling instantly connected, just the same. Might he’ve recognized then, in those muted eyes, himself? She knows the next years ahead of them together will be nothing so glorious — that they are in no way ready or responsible enough to take adequate care of themselves. They will ingest things that will make them violently ill. They will be too poor, too careless, to seek medical help. Will endure vast chunks of boredom, chewing holes through themselves, incapable to leave the house. Will watch themselves from the foot of the bed sulk and rot away for days on end, treading the grey wash of their skull, directionless, besides down. Will be the only life force to keep them afloat, strong enough to pull themselves upwards, and eventually, out.  

 

 

 

. . . yanks on their leash in unruly directions, and, out of sheer spite, he tugs them back the opposite way. Each will struggle to tell themselves what to do. He instructs her to obey: Sit. Heel. Eat. Fetch. Up on the couch. Now, off. But she refuses to listen. Years later, their heart crushed by a lasting love, lost — the one who used to (she now learns) smack them in private, but still loves her, despite the abuse — two months out, having still not washed the pillows or sheets, incubated with the tortuous scent of their ex’s shampoo, she has no other choice than to piss on the bed. She instructs him to: Be calm. Go for a walk. Know your self-worth. Move on. But he refuses to listen. He tells himself: No. He calls herself: Bad girl. They scream as themselves: Shut up shut up shut up. 

 

 

 

. . . Daielaareux, in countless other forms: A bridge in New Zealand. A strip mall in Detroit. An unbuttered croissant. A great big pile of leaves. A spanned lineage of prehistoric, neon-colored crabs. A comfortable silence. An impossible dream. The 37th Annual Miss America pageant. A one-hit wonder. An impotent king. A fortuitous accident, recognized only in hindsight. The Divine Mouth taking the earth like a vitamin. A newborn horse’s first step. Another one biting the dust. 

 

 

 

. . . forever amounts to, returns back to, self-love. 

 

 

 

. . . just seconds before the New Year, 2018. Time hibernates. Thoughts shuffle like a deck of cards. Head loud. Skull turned inside out on psychedelics. A blubbery, sunken, self-contained mess of fleshy slop packed inside a transient shell. A dark stain on the carpet, on a mother’s pelvic floor. He rushes to the bathroom, convinced an empty bladder will cure him. It does, then doesn’t. Grime sits in every wrinkle. Gravity’s tandem held hand lets go. The universe’s veil pulled down like a shower curtain, their many forms spilling out over the linoleum floor. On their knees, hands, back, she perches on his chest and he catches it — a quick glimpse, the uncanny resemblance, atoms stacked like dodged shoved in a cage. He holds herself behind the ears, kisses himself on their wet, hot stinking teeth. Noticing it fully, this tethering between them — an ethereal cord, conjoined. He she they them are all was once will have had we become continuous as one day slips seamlessly into the next without a clock, as the crackling bursts of fireworks resound from outside, at last. They have made it, for now. 

 

 

 

. . . in the same windowed timeline, will cease just as abruptly as its start: The man, at the tender age of fifty-six, from an untreated pulmonary obstruction; as a dog, age nine, a pack of stale Oreos left accessible at the top of the trash. And yet, both still remain incapable of saving each other, themselves, from what must be in order to happen again.

 

 

 

Stephen Wack is an Atlanta-based writer. He earned an undergraduate degree in Neuroscience from the University of Georgia, where he briefly interned at the college’s literary magazine, The Georgia Review. His work has previously appeared in Five:2:One, Rougarou, and Cleaver Magazine, and is forthcoming in The Hunger and New Flash Fiction Review.

A poem by Jack Young

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Fragments of the Contract by Christopher Clifton

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Placement by Sylvia Warren

(Photograph by Sylvia Warren)
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In A Kidney Dish by AMS-H

In A Kidney Dish

Seventeen months and six days ago,
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For Marco

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On Blood by Kaylie Padgett

On Blood

The blood I scrub from the inside of my underwear is not the same as the blood I wipe from my mouth, not the same blood my mother lost when laboring over my birth, not what spilled from my grandmother’s head when her stepfather split it open for scrubbing a floor wrong. Not the same, but close.

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DISEASES OF THE BLOOD

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