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“Cryptocerebral Digital” by Joseph Ellison Brockway

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Art by Moriah M. Mylod

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Joseph Ellison Brockway is a poet, translator, and Spanish professor. He likes to juxtapose words and signs to disrupt the language on the page and to disturb the reader’s thoughts. Many of his poems also experiment with ideas and images that explore the human psyche and existence. Joseph’s poetry has recently been published in L’Éphémère ReviewMoonchild MagazineSurVision Magazine, and Surreal Poetics. He can be found roaming the socialmediaverse at @JosephEBrockway.

“Six Degrees at the Movies” by Dennis Etzel Jr.

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Art by Moriah M. Mylod

remember Hollow Man?      Kevin Bacon  

stuck in our seat forced     a rapist’s point 

of view     women can’t see him 

we go unseen     reliving through

leading to his neighbor     her apartment 

stuck in our seat     as credits roll

I should have left     before credits

still without closure     Rhona Mitra 

credited     only as Neighbor     

 

 

Dennis Etzel Jr. lives with Carrie and the boys in Topeka, Kansas where he teaches English at Washburn University. His work has appeared in Denver Quarterly, Indiana Review, BlazeVOX, Fact-Simile, 1913: a journal of poetic forms, 3:AM, Tarpaulin Sky, DIAGRAM, and others. Etzel is the recipient of a 2017 Troy Scroggins Award and the 2017 Topeka ARTSConnect Arty Award in Literary Arts. He co-edited Ichabods Speak Out: Poems in the Age of Me, Too with Dr. Jericho Hockett which features poems against sexual assault from the Washburn University and Topeka Community. He is a TALK Scholar for the Kansas Humanities Council and leads poetry workshops in various Kansas spaces.

“Third Shift at the Night Factory” by Stephen Frech

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Art by Moriah M. Mylod

Third shift at the night factory

assembles the simple, elegant machine of night.

Workers, like figures in a shadow play,

hammer the fitted parts home,

extend the handle of a wrench with a pipe,

and brace a foot against the stubborn bolt.

 

Engineers pour over the schematics of the moon 

trembling on the surface of oil in open buckets.

In the last of the dark hours,

welders extinguish their torches

while the foreman inspects the welds

with a candle held behind the seams.

 

Pinholes in the bead or casting

fill the factory with starlight,

a constellation of flaws, a myth and map of stars

we made to find our way out.

 

Queued at the gate and parting

at the whistle into morning,

shift workers call to each other:

‘night, see ya, so long, take care 

 

Stephen Frech has earned degrees from Northwestern University, Washington University in St. Louis, and the University of Cincinnati. He has published three volumes of poetry: Toward Evening and the Day Far Spent (Kent State UP), If Not For These Wrinkles of Darkness (White Pine Press), and The Dark Villages of Childhood (Midwest Writing Center) His fourth volume titled A Palace of Strangers is No City, a sustained narrative of prose poetry/flash fiction, has been published by Cervena Barva Press. He published a translation of poetry from the Dutch: Menno Wigman’s Zwart als kaviaar/Black as Caviar. He is founder and editor of Oneiros Press, publisher of limited edition, letterpress poetry broadsides. Oneiros broadsides have been purchased by special collections libraries around the world, among them the Newberry Library (Chicago), the Beinecke Library at Yale, and the University of Amsterdam Print Collection. Stephen Frech is Professor of English at Millikin University

“this wonder of an era” by Ahimaz Rajessh

       

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Art by Moriah M. Mylod

       as the missiles launched by the famished, agency-severed headless palmyras make love as yatchan/yatchini in the expansive space above the sea, unusually intense acid rain pours down which enthralls the soft-spaceships orbiting the earth.

 

        ‘the upholders of absolute truth say—.’ in the process of putting down: ‘in this wounded era in which a few of those still remain, those who had lost along with their limbs and memories their history to those that call themselves civilized; in this era that makes one wonder how is it even possible to be this much cultured, in this cultured era in which the ancient invisible technology that creates histories out of fictions and makes them myths has meshed itself finely with high technology, truly they say: a society that has not written down and preserved its history proper will be wiped ou—’; in the process of putting down and reading this, does a missile called silence advance up toward my vocal cord and sever my part-asinine chain of thought.

 

       the multiplied yatchi/yatcha missiles fly past mountains and cities invisibly, lighting up electromagnetic spectrum, picking and savoring microwaves, but unsatiated and still famished, they migrate in many directions, departing and arriving toward the targets.

 

 

 

Ahimaz Rajessh (@ahimaaz) has been published recently with Marlskarx, Burning House Press, Big Echo: Critical SF, Paint Bucket, Speculative 66, formercactus, Dream Pop Press and MoonPark Review. He lives in the Union of India.

“centralia, the town that swallows flames” by Kailey Tedesco

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Art by Moriah M. Mylod

our feet have bottomed 

out in the earth-slit.

let it be known 

 

buck was once the name 

of a dog, but not a dog 

of mine. my toddler 

 

arms suffered hives 

from his lick, burned 

redhot from within

 

  1. i feared his cleaning 

himself, a nautilus 

my own body 

 

could not shape. in a kitchen 

like any other, the smoke 

left a beeswarm. before

 

fire, i figured allergies, my skin 

blistering honeyblood. a maggot

lived in buck 

 

for nine days before

anyone noticed. when plucked, 

it was golf-sized, full of 

 

dog. mother fed me 

a milkbone for a moment of 

peace, bleached the 

 

sink of its bloodsplatter until

our dishes were 

poison. the sun rises &

 

there is less  

& less of us. we hold

last vigils by the jesus-

 

shrine, ask for him to 

be with us & in us – a 

maggot. how afraid

 

they must be, jesus

and the dog, having never 

seen hell before. we are 

 

constantly feeding; the holes

are already 

in all of us. 

 

 

 

 

 

Kailey Tedesco is the author of She Used to be on a Milk Carton (April Gloaming Publishing). Her collection, Lizzie, Speak, won White Stag Publishing’s 2018 poetry contest, and her newest collection, FOREVERHAUS, is forthcoming from White Stag in 2020. She is a senior editor for Luna Luna Magazine. You can find her work featured or forthcoming in Gigantic Sequins, Electric Literature, Nat. Brut, Black Warrior Review, Fairy Tale Review, Bone Bouquet Journal, and more. For further information, please follow @kaileytedesco. 

FACING UP TO THE FUTURE EDITION – SELECTED/CURATED/PRESENTED BY NOVEMBER 2018 GUEST EDITOR PAUL HAWKINS

Aaand that’s a wrap! Burning House Press would like to thank November’s Guest Editor PAUL HAWKINS for selecting, curating and presenting an INCREDIBLE array of writing and art on the theme FACING UP TO THE FUTURE – and for all of the endeavour and hard work that has gone into managing the month   – THANK YOU FOR EVERYTHING, PAUL!!!

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Massive thank you also goes to everyone who contributed to the theme and all who continue to send BHP your writing and art – we are so happy and grateful that you entrust us with your work, thank you!!! xX

Here it is, the full FACING UP TO THE FUTURE EDITION – every selection in one place for you to read/peruse – enjoy!!! xX Continue reading “FACING UP TO THE FUTURE EDITION – SELECTED/CURATED/PRESENTED BY NOVEMBER 2018 GUEST EDITOR PAUL HAWKINS”

A Burning House Press Interview With Lydia Towsey

Lydia Towsey interviewed by Trevor Wright for Burning House Press 

 

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We first met at the launch of the Refugee anthology, Over Land, Over Sea. Poems for those Seeking Refuge (Five Leaves Press 2015). What was that project like for you?

It’s been very positive – a great idea. As an ordinary citizen, especially, or even in our current political climate, it’s easy to feel powerless. Ambrose (Musiyiwa) whose poem The Man Who Ran Through the Tunnel stimulated the anthology) thought this would be a way to mobilise lots of voices, not just from Leicester but from across the country and the world. Continue reading “A Burning House Press Interview With Lydia Towsey”

2 Poems by Scott Thomas Outlar

Homeward Bound

 

I sang to my Father

on his deathbed.

He had not spoken a word

in days, cancer-ridden,

organs collapsing, high on morphine,

but I knew he could still hear me. Continue reading “2 Poems by Scott Thomas Outlar”

2 Poems by Fin Sorrel

Radio Molar Signal

 

One moss harbor,

winding clocks in center’s orbit, wobbling

circus –

three camera’s, a candle vessel – paddling through power lines, black then white.

Sure – a noise dreamt cricket –

Weave these prayers into flux –

refine metals, resemble the limbo we sing in fisheries,

under long,

black silhouettes

shining onto one light, our mugwort song. Continue reading “2 Poems by Fin Sorrel”

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