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Andre Bagoo: Scarlet Ibis Variations

Scarlet Ibis Variations

SIV1scarlet-ibis-variations-2.jpg Continue reading “Andre Bagoo: Scarlet Ibis Variations”

Kenneth M. Cale: Coda and Intrazonal Notes

coda 1coda 2

Continue reading “Kenneth M. Cale: Coda and Intrazonal Notes”

Sally-Shakti Willow: Pranayama, Mudra, B & ha

SSW Three Yoga Poems for Burning House

SSW Three Yoga Poems for Burning House 2ssw-three-yoga-poems-for-burning-house-3.jpg

NOTES:

Three Yoga Poems, from the sequence Asana Pranayama Mudra Bandha

‘Asana Pranayama Mudra Bandha’ writes through the yoga manual Asana Pranayama Mudra Bandha by Swami Satyananda Saraswati (Yoga Publications Trust, Munger, Bihar, India, fourth edition [2008]) and various news articles published in The Guardian in 2017.

Pranayama

‘the HEART, by way of the BREATH, to the LINE’: Charles Olson, Projective Verse (1950).

Mudra

1) ‘I suddenly see that the gesture of a hand could be a poem –
like the mark it might leave impressed in a surface.’
Scott Thurston, Reverses Heart’s Reassembly (2011), London: Veer

2) ‘I offer flowers’ from ‘Offering Flowers’ in Technicians of the Sacred (2017) ed. Jerome Rothenberg, Oakland, CA: University of California Press, p71.

Asana Pranayama Mudra Bandha is part of the forthcoming chapbook, Atha, Knives Forks and Spoons Press (2019).

Sally-Shakti Willow researches, writes and performs utopian poetics as ritual to open up [r]evolutionary space for positive transformation. She teaches poetry and creative writing at the University of Westminster. Her poems have been published by Adjacent Pineapple, Eyewear, The Projectionist’s Playground and Zarf. Chapbooks to date: The Unfinished Dream (Sad Press, 2016) and Atha (forthcoming with Knives Forks and Spoons). Sally-Shakti’s other writings and reviews are published in The Journal of British and Irish Innovative Poetry, The Contemporary Small Press and Northern Review. Find her on Twitter: @Spaewitch

Nic Stringer: Raptures & Promises

Continue reading “Nic Stringer: Raptures & Promises”

Yvonne Litschel: Otic

Otic

 

Yvonne Litschel is a writer from Cambridgeshire, England. Previously she has read as part of the European Poetry Festival. Her debut pamphlet Moth Dust was published January 2018 by Sampson Low. She has a forthcoming pamphlet entitled Immurement set for release in March 2019 with Broken Sleep Books. yvonnelitschel.com @yvlitschel

feature image: Bob Modem

Sol Marco Duncan: Is it dirt or healing? & Volatile Ground

Is it dirt or healing?

Here we are now, standing in generalised anxiety. Our buildings are losing breath at the aorta and feeling phantom pains in the basements and where the urapaa (grave) used to be. Your child has muddy hair and long hair and hair now bedraggled to the ground, calling for a reckoning and sounds, (not to be suppressed). We could have been a compost pile, giving up our bodies to grow healthy weeds as limbs. Instead, they pull
 the plastics out of whale stomachs while clutching our own.

Continue reading “Sol Marco Duncan: Is it dirt or healing? & Volatile Ground”

James Mansfield: The destruction of a British museum

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Continue reading “James Mansfield: The destruction of a British museum”

Patrick Williams: In City Parks, In the Sour Void and New Age Downloads

In City Parks, In the Sour Void

I am seven skulls screaming
about seven smaller screaming skulls.

Please take my boney hand
& Celine Dion my sinking ship.

Near the capharnum of microplastics
an animal vigils a similar corpse.

By 25 I had figured out fire
but not much else: maybe anatomy Continue reading “Patrick Williams: In City Parks, In the Sour Void and New Age Downloads”

Susanna Crossman: Douze, twelve stakes from these Dark Ages

Douze, twelve stakes from these Dark Ages

1: At dawn, in the mist, Paola gathers porcini mushrooms, freshly-sprouted on the Landaise forest floor. Earthy clusters.  Ash clay-colored caps. Undersides of bright yellow moss. Paola calls them cèpes.

2: In 2012, in a referendum, the British people voted for Brexit. Brexit is an abbreviation for “British exit,” referring to the UK’s decision, in a June 23 2016 referendum, to leave the European Union. The word ‘exit’ was first a C15th theatrical word, meaning a way of departure from the stage. Leave the network.  Continue reading “Susanna Crossman: Douze, twelve stakes from these Dark Ages”

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