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Womannotated – Calpurnia

Calpurnia

After Morticia Addams describing Wednesday’s
role model (“Wednesday’s great-aunt Calpurnia.
She was burned as a witch in 1706. They said she danced
naked in the town square and enslaved a minster ..
but don’t worry. We’ve told Wednesday: college first.”)

Young girls require a patron saint — aunt’s
abysmal ashes antiquate entwined,
Massachusetts grave, with God’s servant
whom she enslaved. Impious mind
in clerical cravat a town square dance
(performed in only raven plaits) bewitched Continue reading “Womannotated – Calpurnia”

Womannotated – An Ancestral Love of Boyish Bees (Flutter: Southern Gothic Fever Dream)

An Ancestral Love of Boyish Bees

He recognizes painted eyes like green
irises mythologized over a decade and
a half ago — the speckled girl, sixteen,
he used to know — acquainted, where you stand
in her place, in your hand replica, bisque,
familiar face, unblemished cheeks, unbloomed
by his demonic lips. Lunar eclipse Continue reading “Womannotated – An Ancestral Love of Boyish Bees (Flutter: Southern Gothic Fever Dream)”

Womannotated – No More Names

August 30th, 2019

No More Names

If you would follow, after dark, him and

his friends into the park — a boy who likes

to call you names, then make lewd demands,

midnight games. Mother said, “He’s so polite,”

his slick blonde hair, and Dad’s old spice, shirt tucked Continue reading “Womannotated – No More Names”

“Ageing is Amazing” an Incantation by Kate O’Connor

Appreciate your marks of age
Light a candle for every new blemish mark or scar
Like a ring on a tree trunk it is a sign of defiance shown on your glorious trunk 

Celebrate each mistake you make by wearing your favourite colour head to toe for the entire day
Know that you won’t do it again, or if you do you will be reassured that you won’t shatter next time you will still be you

Continue reading ““Ageing is Amazing” an Incantation by Kate O’Connor”

A poem and an essay by Diane Exavier

(Image: Collage by Diane Exavier)
Continue reading “A poem and an essay by Diane Exavier”

An essay by Marcos Gonsalez

text me back …

Continue reading “An essay by Marcos Gonsalez”

An apology by Zoé Samudzi


“Man & Nature I” (2018)
This met me upon entering the dispensation in Harare where my aunt purchases chicken parts for the butcher shop. Everyone in the shop was amused at my fascination with this goat (ox?) head on the counter; I was reminded how very little I know about where my American meat comes from.
Continue reading “An apology by Zoé Samudzi”

On Blood by Kaylie Padgett

On Blood

The blood I scrub from the inside of my underwear is not the same as the blood I wipe from my mouth, not the same blood my mother lost when laboring over my birth, not what spilled from my grandmother’s head when her stepfather split it open for scrubbing a floor wrong. Not the same, but close.

Continue reading “On Blood by Kaylie Padgett”

ReVerse Butcher: This is not a violin, it is a doorway

CollagedSpurViolin01_ReVerseButcher

This is not a violin, it is a doorway. I know this, because I read a lot. My notes and references are usually very detailed breadcrumb paths. But, as Brion Gysin said, the mice can get into the larder of language (and I add to his point, memory). And, well… I have no control over legions of mice.

“This is is not a violin, it is a doorway.”

Continue reading “ReVerse Butcher: This is not a violin, it is a doorway”

Christina Tudor-Sideri: PASSING THROUGH THE HOME OF THE DYING

Screen Shot 2018-12-28 at 1.00.18 PM

Tachypsychia. The word we use for defining the neurological condition which alters our perception of time. Time lengthening, time moving slower, time contracting. A blurred vision of time as response to a traumatic event. Time as a collection of unrelated passages. Time as red lines on the temptation to exist. Time as well-captured intentions, the same throughout all journeys. Every inked reflection, a paradise lost. Continue reading “Christina Tudor-Sideri: PASSING THROUGH THE HOME OF THE DYING”

Astra Papachristodoulou: The methodology of Astropolis

As guest-editor this month, I was fortunate to have published a small selection of stunning, future-facing poems from Astropolis (Haverthorn Press, 2018) by Astra Papachristodoulou earlier this month. I also asked Astra if she would write a small piece on Astropolis, which she has kindly done.

The methodology of Astropolis  Continue reading “Astra Papachristodoulou: The methodology of Astropolis”

The Green, Green Grass of Ceredigion by Laurence Mitchell

The final nine miles into Aberystwyth were a soothing amble through dappled green light – the disused railway track partially shaded by the overhanging branches of limes and oaks, the gravelly river close enough to be an audible murmur through the trees. Continue reading “The Green, Green Grass of Ceredigion by Laurence Mitchell”

Grief is a private island by Julia Lee Barclay-Morton

Grief is a private island. You can only wave to people from it. Even people who have lived on that island, who may understand where you are, can only wave back. And yet the island is invisible so unless someone knows you are on it, they talk to you as if life is normal, and sometimes you don’t have the energy to explain or try to that you can’t understand a damn word they are saying because of all the water and wind between you and them.

A very few can whisper from some place different and make you feel temporarily less lonely because they have had a similar enough experience and an ability to empathize in a certain way, but in the end, it’s you and your island. And there’s no shorting the loneliness and sheer pain of grief.

Continue reading “Grief is a private island by Julia Lee Barclay-Morton”

Spanish Moss by Eric Edwards

Despite the distance we crash into each other repeatedly.

We spend a lot of our time typing messages. Talking over poor quality internet calls, across time zones that leave me exhausted, both of us wanting. A yearning that brings us closer but at a cost. Long nights of feeling alone while being together.

We hit and smash and spin out of control; never enough days and nights to find the balance that is there, tantalizingly out of reach, never out of sight. The wheels run straight for a while, but veer. We make it to the swamp. Though not the cemetery or the convent. Not this time. What we want is to run away into the woods. Continue reading “Spanish Moss by Eric Edwards”

Some Body by Florence Lenaers

Some years ago I wrote a draft on my left arm. An inarticulate tale. Scarry. A slasher script. Part-listless, part-restless. Preverbal. The script looked—and still looks—like tally marks. The kind of marks used to count ever since upper-paleolithic days. Tally marks to count days, for example. The days of a sentence.

Have you ever thought of your body as a prison cell? [Y/N] Continue reading “Some Body by Florence Lenaers”

Spectator Sport by Marta Zawieja

My mother tells me I need a haircut because even she understands that, in this day and age, she can no longer instruct me kindly how many rolls from my stomach I have to lose before I am finally pretty. Continue reading “Spectator Sport by Marta Zawieja”

Reality/Fantasy by Michèle Fry

Continue reading “Reality/Fantasy by Michèle Fry”

July 2018 Guest Editor Is Lara Alonso Corona!!! Theme/s: BODIES (Ugly bodies — Queer bodies — Uncomfortable bodies — Bodies in summer)

Burning House Press are excited to welcome Lara Alonso Corona as our sixth guest editor! Lara will take over editorship of Burning House Press online for the full month of July.

Submissions for Lara are open from today – 1st July and will remain open until 24th July.

Lara’s Theme/s for the month are as follows

BODIES

(Ugly bodies — Queer bodies — Uncomfortable bodies — Bodies in summer)

Continue reading “July 2018 Guest Editor Is Lara Alonso Corona!!! Theme/s: BODIES (Ugly bodies — Queer bodies — Uncomfortable bodies — Bodies in summer)”

MAY’S GUEST EDITOR FOR BHP ONLINE IS KARISSA LANG!!!!

Burning House Press are excited to welcome KARISSA LANG as our fourth guest editor! Karissa will take over editorship of Burning House Press online for the full month of May – when she will then hand over the reins to our fifth guest editor for the month of June.

Submissions for Karissa are open from today – 1st May and will remain open until 24th May.

Karissa’s Theme/s for the month are as follows

Identity:

Crisis • Creation • Multiplicity • Singularity

Continue reading “MAY’S GUEST EDITOR FOR BHP ONLINE IS KARISSA LANG!!!!”

Submissions Are Open!!! from 1st April – until 23rd April – for our third guest editor C.C. O’HANLON!!!

Burning House Press are excited to welcome C.C. O’HANLON as our third guest editor! C.C. will take over editorship of Burning House Press online for the full month of April – when he will then hand over the reins to our fourth guest editor for the month of May.

Submissions for C.C. are open from today – 1st April and will remain open until 23rd April.

C.C. will be responding and publishing your submissions on a rolling basis during the month of April – and has chosen his themes for submissions!

C.C.’s Themes are

Place: Movement, Escape, Exploration, Architecture.

C.C. has introduced the themes himself for your guidance:

“The act of journeying contributes to a sense of physical and mental well-being, while the monotony of prolonged settlement or regular work weaves patterns in the brain that engender fatigue and a sense of personal inadequacy…”

– Bruce Chatwin, from Nomad Invasions

Overall, I’m not looking to reassure, but rather, to some extent, to unsettle.

For submissions, C.C. is looking for your poetry, short stories, flash fiction, prose poems, art, collage, painting, photography – as well as non-fiction submissions: essays, reviews, commentary, features, interviews.

 

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: ARCHITECTURE/POETRY

Poetry and Fiction
For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open from 1st March til 24th March – and will reopen again on 1st April for our third guest editor.

BHP online is now in the capable hands of the amazing C.C. O’HANLON – Friends, send him your best!

 

C.C. PIC

 

C.C. O’Hanlon is a relentless traveller, polymath and occasional diarist. His work has been featured in numerous publications, including The New York Times, Ernest, Minor Literatures and The Learned Pig. It has also been included in several anthologies and ‘best of…’ collections. Born in Sydney, and raised nearly everywhere else, he has lived for the past five years in Berlin. He is now en route to somewhere else.

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