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3 Collages by Christine Strelan

CHRISTINE STRELAN_AmberZap
‘Amber Zap’ by Christine Strelan 

 

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(dis/re)membered 7 – what starts as a toothache by James Knight

What Starts as a Toothache
‘(dis/re)membered 7 – what starts as a toothache’ by James Knight

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Cat’s Kaleidoscope by Lizzy Turner

 

Cat's Kaleidoscope I
‘Cat’s Kaleidoscope I’ by Lizzie Turner

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NO MACHINE WITHOUT A GHOST EDITION NOVEMBER 2019 GUEST EDITED/CURATED BY MAUVE PERLE TAHAT/ARTWORK BY MORIAH M. MYLOD

NO MACHINE WITHOUT A GHOST EDITION NOVEMBER 2019 GUEST EDITED/CURATED BY MAUVE PERLE TAHAT/ARTWORK BY MORIAH M. MYLOD

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“Roadblock/Family Curses” by Jessie Janeshek

birthdaymmm 001
Art by Moriah M. Mylod

blood-red nails        tiny ferns    or creek-side bloodletting

    he swears rain is coming

and, oh yeah, she’s pregnant

    and they name all their kids    after each other

    ink changing color, blend in

and their defense is to present me

            as a wild woman in red on fast horses out of our time

but I know every minute of every week

        toward the moor or the seashore.

You say I’m futuristic        but I’m cloyingly nostalgic

    well-read in the gothic        abandoning

the conga line of bleached blondes    to forcefeed the dying cat

        Christmas crackers and charades

and wink if it’s a murder    plaid pants and my father’s failed guillotine trick.

    If you have time I’ll teach you        stuffed with sweet pecans

otherwise you can look in the clear purse

    with the blue gingham pocket for secrets

            vampires haunting New England

        and Vampira on late-nite TV.

I wear a wig like hers    but I’m not starving you

    in my smart suit    in my flowered shell

        and all the good noirs take place by the Hollywood Bowl

a minute per page in the trick house we hear them

    except the one where the girl falls off the boat

in her stolen furs

        and you gut a dog to switch on your sex drive

        and I waterski to our eroding island

sex twice in the summer    a middy dress play

    fat caterwauls

so even when her coat’s shiny        I won’t forget she’s dying.

    I pray for an earlier night no matter what

I pray to come in the storm in a full-skirted green dress. 

    I’m saving it up for the riverbed chase scene

            for the wasp-waisted Los Angeles rainbow

        for the end is immortal/immoral

        for the femme fatale exits unscathed.

 

 

 

 

 

 

Jessie Janeshek’s three full-length collections are MADCAP (Stalking Horse Press, 2019), The Shaky Phase (Stalking Horse Press, 2017) and Invisible Mink (Iris Press, 2010). Her chapbooks include Spanish Donkey/Pear of Anguish (Grey Book Press, 2016), Rah-Rah Nostalgia (dancing girl press, 2016), Supernoir (Grey Book Press, 2017), Auto-Harlow (Shirt Pocket Press, 2018), Hardscape (Reality Beach, forthcoming), and Channel U (Grey Book Press, forthcoming). Read more at jessiejaneshek.net.

“Blind Devotion” by Nick Quaglietta

20130720_140311
Art by Moriah M. Mylod

All crowd in the church-

A lifetime of suffering

For the sake of gossip.

 

Found poem, remix technique.

Source text: Pike, Christopher. Falling Into Darkness. New York: Pocket Books, 1990.

 

Blind Devotion

Nick Quaglietta began writing poetry as a teenager, with his first work in print appearing in his 1985 college yearbook. More recently he has become affiliated with a few local writing groups, including Connect and Heal in Chandler, Arizona.

SIGNALLING THROUGH THE FLAMES EDITION OCTOBER 2019 GUEST EDITED/CURATED BY Johannes Göransson

SIGNALLING THROUGH THE FLAMES EDITION OCTOBER 2019 GUEST EDITED/CURATED BY Johannes Göransson

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ALTERED STATES EDITION SEPTEMBER 2019 GUEST EDITED/CURATED BY YANINA SPIZZIRRI

ALTERED STATES EDITION SEPTEMBER 2019 GUEST EDITED/CURATED BY YANINA SPIZZIRRI

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Two Collages by Shloka Shankar

memory (n.)

Title: memory (n.)
Year: 2019
Medium: Collage on paper, digitally altered

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SEPTEMBER 2019 Guest Editor Is YANINA SPIZZIRRI!!! Theme: ALTERED STATES

Burning House Press are excited to welcome YANINA SPIZZIRRI as our SEPTEMBER 2019 guest editor! As of today YANINA will take over editorship of Burning House Press online for the full month of SEPTEMBER.

Submissions are open from today – 1st SEPTEMBER and will remain open until 23RD SEPTEMBER.

YANINA’S theme/s for the month are as follows

Continue reading “SEPTEMBER 2019 Guest Editor Is YANINA SPIZZIRRI!!! Theme: ALTERED STATES”

VOICES EDITION AUGUST 2019 GUEST EDITED/CURATED BY JAMES KNIGHT

VOICES EDITION AUGUST 2019 GUEST EDITED/CURATED BY JAMES KNIGHT

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Collages by Sophie Herxheimer

Index card collage poems

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How To Fly by hiromi suzuki

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Shamanism for Success : How Communing With The Spirits Can Help You Climb The Corporate Ladder by Alex Stevens

Continue reading “Shamanism for Success : How Communing With The Spirits Can Help You Climb The Corporate Ladder by Alex Stevens”

Carla Halpin: three collages

Inside Damien Hirst’s Head/2018/magazine paper

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An Obscure Doomsday Party by ReVerse Butcher

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Three Poems by Khashayar Mohammadi

Its All Greek to me

For B. D. M.

“The embrace of men”
I say
and you pirouette
behind the cash register
a new found bond at work

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JULY 2019 Guest Editor/s Are ROBERT FREDE KENTER & ELISABETH HORAN!!! Theme/s: SECRETS & LIES

Burning House Press are excited to welcome ROBERT FREDE KENTER & ELISABETH HORAN as our JULY 2019 guest editors! As of today ROBERT & ELI  (( ICE FLOE PRESS )) will take over editorship of Burning House Press online for the full month of JULY.

Submissions are open from today – 1st JULY and will remain open until 24TH JULY. Continue reading “JULY 2019 Guest Editor/s Are ROBERT FREDE KENTER & ELISABETH HORAN!!! Theme/s: SECRETS & LIES”

A poem by Moira J Saucer

Incomplete/Complete

Collage, by Jane Fleming
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April 2019 Guest Editor Is EMMA SzH!!! Theme/s: BLOOD – violence, lines, the end times

Burning House Press are excited to welcome EMMA SzH as our APRIL 2019 guest editor! As of today EMMA will take over editorship of Burning House Press online for the full month of APRIL.

Submissions for EMMA are open from today – 1st APRIL and will remain open until 23rd APRIL.

EMMA’S theme/s for the month are as follows

 

BLOOD

VIOLENCE, LINES, THE END TIMES

 

“For the life of the flesh is in the blood: and I have given it to you upon the altar to make an atonement for your souls: for it is the blood that maketh an atonement for the soul.” Leviticus 17:11

 

Art across all media is sought to build a mosaic of that most inner integument: bodily, socially, earthly; we strive to name our communal, personal element, the river that pegs us; the promise and the curse that binds us.

What was blood to you when you:

lived, died, returned, repaid, restored, hurt, lied, taxonimised, identified, glorified, fled

What does it mean when it comes every month? What does it mean when it doesn’t?

emmaszh

 

EMMA SzH lives in Cambridge and is working on her PhD ‘Selfies at Auschwitz’ at the Royal College of Art, London. She writes on various subjects, namely at the intersection of religion, gender and digital visual cultures, and has been published by Bloomsbury, the Paulist Press and the Catholic Tablet, among others.

 

* * *

 

For submissions, EMMA is looking for your poetry, short stories, flash fiction, prose poems, art, collage, painting, photography – as well as non-fiction submissions: essays, reviews, commentary, features, interviews – and all hybrids, fragments and cross-forms.

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: BLOOD/POETRY

Poetry and Fiction
For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open from 1st till 23rd APRIL – and will reopen again on 1st MAY for our sixteenth guest editor.

BHP online is now in the capable hands of the amazing EMMA SzH – friends, arsonistas, send EMMA your magic!

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