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Three Poems by Khashayar Mohammadi

Its All Greek to me

For B. D. M.

“The embrace of men”
I say
and you pirouette
behind the cash register
a new found bond at work

Continue reading “Three Poems by Khashayar Mohammadi”
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JULY 2019 Guest Editor/s Are ROBERT FREDE KENTER & ELISABETH HORAN!!! Theme/s: SECRETS & LIES

Burning House Press are excited to welcome ROBERT FREDE KENTER & ELISABETH HORAN as our JULY 2019 guest editors! As of today ROBERT & ELI  (( ICE FLOE PRESS )) will take over editorship of Burning House Press online for the full month of JULY.

Submissions are open from today – 1st JULY and will remain open until 24TH JULY. Continue reading “JULY 2019 Guest Editor/s Are ROBERT FREDE KENTER & ELISABETH HORAN!!! Theme/s: SECRETS & LIES”

A poem by Moira J Saucer

Incomplete/Complete

Collage, by Jane Fleming
Continue reading “A poem by Moira J Saucer”

April 2019 Guest Editor Is EMMA SzH!!! Theme/s: BLOOD – violence, lines, the end times

Burning House Press are excited to welcome EMMA SzH as our APRIL 2019 guest editor! As of today EMMA will take over editorship of Burning House Press online for the full month of APRIL.

Submissions for EMMA are open from today – 1st APRIL and will remain open until 23rd APRIL.

EMMA’S theme/s for the month are as follows

 

BLOOD

VIOLENCE, LINES, THE END TIMES

 

“For the life of the flesh is in the blood: and I have given it to you upon the altar to make an atonement for your souls: for it is the blood that maketh an atonement for the soul.” Leviticus 17:11

 

Art across all media is sought to build a mosaic of that most inner integument: bodily, socially, earthly; we strive to name our communal, personal element, the river that pegs us; the promise and the curse that binds us.

What was blood to you when you:

lived, died, returned, repaid, restored, hurt, lied, taxonimised, identified, glorified, fled

What does it mean when it comes every month? What does it mean when it doesn’t?

emmaszh

 

EMMA SzH lives in Cambridge and is working on her PhD ‘Selfies at Auschwitz’ at the Royal College of Art, London. She writes on various subjects, namely at the intersection of religion, gender and digital visual cultures, and has been published by Bloomsbury, the Paulist Press and the Catholic Tablet, among others.

 

* * *

 

For submissions, EMMA is looking for your poetry, short stories, flash fiction, prose poems, art, collage, painting, photography – as well as non-fiction submissions: essays, reviews, commentary, features, interviews – and all hybrids, fragments and cross-forms.

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: BLOOD/POETRY

Poetry and Fiction
For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open from 1st till 23rd APRIL – and will reopen again on 1st MAY for our sixteenth guest editor.

BHP online is now in the capable hands of the amazing EMMA SzH – friends, arsonistas, send EMMA your magic!

the hidden smile is a tear — Irsida Bejo

Continue reading “the hidden smile is a tear — Irsida Bejo”

endless shores — Teresa Elizabeth Lobos

Continue reading “endless shores — Teresa Elizabeth Lobos”

Medusa, Bound | Lovestruck (Leda) — Tony Eddicott

Continue reading “Medusa, Bound | Lovestruck (Leda) — Tony Eddicott”

Untitled — [x]

*Editor’s Note: biographical data withheld at author’s request.

Find [x] at http://evenunto.net & https://twitter.com/xxvi_xxxviii

DECEMBER 2018 Guest Editor Is JAISHA JANSENA!!! Theme: DOORS

Burning House Press are excited to welcome JAISHA JENSENA as our DECEMBER guest editor! As of today Jaisha will take over editorship of Burning House Press online for the full month of December.

Submissions for Jaisha are open from today – 1st December and will remain open until 24th December.

Jaisha’s Theme for the month is as follows

 

D O O R S

 

Continue reading “DECEMBER 2018 Guest Editor Is JAISHA JANSENA!!! Theme: DOORS”

Eric Blix: Fragments from scrub lands—works in progress

BHP-fragments from scrub lands 2BHP-fragments from scrub lands 3BHP-fragments from scrub lands 4BHP-fragments from scrub lands 5BHP-fragments from scrub lands 6BHP-fragments from scrub lands 7BHP-fragments from scrub lands 8BHP-fragments from scrub lands 9BHP-fragments from scrub lands 10BHP-fragments from scrub lands 11BHP-fragments from scrub lands 12BHP-fragments from scrub lands 13BHP-fragments from scrub lands 14

Eric Blix is the author of the story collection, Physically Alarming Men (Stephen F. Austin State University Press, 2017). His writing has appeared in Best Small Fictions, The Collagist, Caketrain, and other journals and anthologies. He lives in Salt Lake City, where he studies in the PhD program in creative writing at the University of Utah. Eric’s work above are fragments from his novel-length prose collage, scrub lands—works in progress.

featured image: Ruby Anderson

Caine Tully: Anthropocene #2

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Meat Factory

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Who are the vermin?

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Not Mother Nature

“Injustices are everywhere. We live in a world that is beautiful and yet there is so much oppression and destruction upon it. The anthropocene is upon us and humanity has a long way to go before equality exists in every sense. My artwork has the intention to make the viewer aware of this and sometimes feel complicit in the various destructive actions of humanity and thereby, hopefully lead my audience to enact positive change through feeling some what responsible to take action themselves. I hope the least I can do is provoke thought in to an individual that had previously not cared for the world around them.”

Caine Tully

Caine Tully: Anthropocene #1

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Sick Secret

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One Existence

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When the future was now

“Injustices are everywhere. We live in a world that is beautiful and yet there is so much oppression and destruction upon it. The anthropocene is upon us and humanity has a long way to go before equality exists in every sense. My artwork has the intention to make the viewer aware of this and sometimes feel complicit in the various destructive actions of humanity and thereby, hopefully lead my audience to enact positive change through feeling some what responsible to take action themselves. I hope the least I can do is provoke thought in to an individual that had previously not cared for the world around them.”

Caine Tully

BELONGING//RETURNING//RETREATING EDITION – SELECTED/CURATED/PRESENTED BY SEPTEMBER 2018 GUEST EDITOR RACHAEL DE MORAVIA

What a month! Burning House Press would like to thank September’s Guest Editor RACHAEL DE MORAVIA for selecting, curating and presenting an INCREDIBLE array of writing and art on the theme/s BELONGING//RETURNING//RETREATING – and for all of the endeavour and hard work that has gone into managing the high volume of contributions received over the month  –  and the wonderful way Rachael has engaged with, and encouraged, submitters to BHP – THANK YOU FOR EVERYTHING, RACHAEL!!!

Massive thank you also goes to everyone who contributed to Rachael’s theme/s and all who continue to send BHP your  writing and art – we are so happy and grateful that you entrust us with your work, thank you!!! xX

Here it is, the BELONGING//RETURNING//RETREATING EDITION – every selection in one place for you to read/peruse – enjoy!!! xX

Continue reading “BELONGING//RETURNING//RETREATING EDITION – SELECTED/CURATED/PRESENTED BY SEPTEMBER 2018 GUEST EDITOR RACHAEL DE MORAVIA”

Redoubt by John Trefry

Your consciousness is homeless and itinerant for quite some time in a significant physical journey. And you must build it its home, or its redoubt. That redoubt is specific to the journey. And like a tortoise’s shell the redoubt accompanies you on the journey even as it grows. Its construction is excruciatingly frustrating and failure-ridden. Accept this. Construction of the redoubt is the journey.

01.jpg
Skjerdal, Norway, 9:00 PM, June 9, 2015

Arrival takes place much later cognitively.
Accept this.
Continue reading “Redoubt by John Trefry”

// to the mirage makers guerrilla visionaries corpse whisperers apparition summoners //

p l e a s e  s h a r e  w i d e l y

 

\\thankyou\\

Continue reading “// to the mirage makers guerrilla visionaries corpse whisperers apparition summoners //”

The Orange Line: Collages by Wullae Wright

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The Orange Line, Platform

Continue reading “The Orange Line: Collages by Wullae Wright”

Street Goddesses by Mary Frances

There are familiar streets where I walk often. I know them as well as my home, yet every day I notice small differences – changes in the light or weather, a shift of angle, something dropped or spilled – and most days I take a few photos.

There are unfamiliar streets where I travel watchfully. I have a poor sense of direction and am easily lost. I look for small things – the colours of a poster, the shapes of a tree, a pattern of cracks in a wall – to mark my way. I take quick pictures to locate myself, as if leaving a trail of thread or a sprinkling of crumbs along the path.

Sometimes, from the corner of my eye, I see a shape or pattern and have a sense of how it might look reflected back on itself, as in a pool or mirror. When I get home I copy and flip the image and join the two together. The results are never quite what I expected – more strange and complex, they often have the look of characters from untold stories, misremembered folk tales, a lost tarot. Continue reading “Street Goddesses by Mary Frances”

August 2018 Guest Editor Is JOHN TREFRY!!! Theme: NON-NONFICTION

Burning House Press are excited to welcome JOHN TREFRY as our seventh guest editor! John will take over editorship of Burning House Press online for the full month of August.

Submissions for John are open from today – 1st August and will remain open until 24th August.

John’s Theme for the month is as follows

 

NON-NONFICTION

Continue reading “August 2018 Guest Editor Is JOHN TREFRY!!! Theme: NON-NONFICTION”

Liminal Spaces – June 2018 Guest Editor James Pate

Liminal Spaces – June 2018 Guest Editor James Pate – here is the final edition of all selections curated by James Pate during the month of June 2018 for his theme of Liminal Spaces – thank you so much to James for all his hard work during the month and for the impeccable way he managed and curated his month’s editorship. To have been avid readers and fans of James’ writing – especially his essays during the days of the incredible and much-missed Montevidayo site – to have James collaborate on BHP for a month has been such a dream experience. Thanks, James! – and Thank You So Much to all who contributed such magic work to the theme – Here it is, June 2018 guest editor James Pate’s Liminal Spaces edition – enjoy! Continue reading “Liminal Spaces – June 2018 Guest Editor James Pate”

Journeys, art by Jodie Day

Journeys, physical, spiritual and psychological, are at the centre of each of my works. The idea of leaving and arriving  – or transcending – inspires me to create. Continue reading “Journeys, art by Jodie Day”

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