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2 poems by Karina Longo


Symbiosis

The muffled sound of your
maple-infused voice stirred me;
it trapped me
in a vertiginous whirlwind of
fire and water.

What the hell is this—
this fighting that bends, never
breaks—starves, yet
illuminates.

You are the cement of
the sky; the sun casting
skin cancer and eternal glow,
the stars that count wishes
and blow to 

dust.

How can one be the spit of
the smoker—
and the silver faucet that
cleans it?

Blinding fog that chokes
and shows the way;

I am a diver, not a seer.


Sylvia Plath Momentum

Blood-like fragments
in a silver sky—
I know it’s not true;
why, then, should I lie?

The water poisoned;
hellfire 
in my brain—
thoughts like ashes,
yet your smiles remain.

If you can’t see it,
will it destroy you?
I’m still surrounded by
roses, illusions,
boredom.

And love
keeps stuttering
the words of a slut,
embracing what pours
up out of the mud.

Clay for the unwise,
moulding the impure.
I talk to God, yet like

she said;
the sky is empty—

I taste iron.


Karina Longo is a neurodiverse Brazilian-Italian poet based in Milan. Her poetry has been featured or is forthcoming in Expat Press, Be About It Press, Resurrection Mag, Some Words, Dodo Eraser, Michigan City Review of Books, Prosetrics, and elsewhere. Karina was nominated for the Pushcart Prize.  Find her on X: @TheDarkestStar_



3 poems by Sean G. Meggeson

monument leaves

(upon reading Pasolini’s review of the Italian translation of Osip Mandelstam)

like the sun sets   in motion   a series 

of actions   let’s use the word ‘darkening’ 

let’s use the words ‘pre-emptive 

state terror’   Lord let’s remember 

mistake of merry Madelstam   

too late gives back kisses   lost love 

of cunt tortured beyond desire   

&attempts suicide after layering 

perfect moustache joke memorized   

perfect entropy eyes   speculumed   well 

‘wounded’ is the wrong word now  

‘monumented’ will have to do

so let’s go on knees   attempt  

to kiss a torso as tight 

as Pasolini’s 

countryside mannerisms 

as object impermanent  

as Lenin’s mother’s death 

an old wet rope   

a neck caressesd

a punchline 

a snap as dull as a string of musty poem words


hope quick 

hi   hey 

Boccaccio baby   swim

pool bottom 

end race   boy oh boy 

win ‘gain billiards 

with Wilson buds from age 

of buds   wooden rackets from age

of wonks   boozy-brilliant   &binge stories  

then &last night   like morning 

rumors   like body &night arcs 

&crossings like news 

stations really ending   no no

really ending wars

ending   hallelujah   

hey hey here   come literally  


sex w/ Bowie

whelmed by 

two colors

&soft eyes of brother Terry 

always with 

a suicide body—  

a sexy psyche— 

salivating schizoid functioning 

so Zurich friends

in those days wrote letters— 

not instructing so much

as blowing a self

well dressed to heaven

wind 

wild &caress  


Sean G. Meggeson is a poet and video/audio/spoken word artist, living in Toronto, Canada where he works as a psychoanalytic psychotherapist with his dog, Tao. He has been published in a range of journals and magazines, including Antiphonybethh, Die Leere Mitte Ice FloeVersion9Magazine and others. He won the League of Canadian Poets Spoken Word Award in 2024. Meggeson has published three chapbooks, Cosmic Crasher (Buttonhook, 2024), ta o/j, and soma synthesis (both from lippykookpoetry, 2025). Forthcoming: a full-length poetry collection, j: poems (primitive press, Toronto, 2026) and an EP of spoken word & soundscape tracks, The Capacity to Be Alone. Sean is poetry co-editor of Blood+Honey Literary Magazine

bluesky: @seangmeggeson.bsky.social

instagram: @sean_g_meggeson_poet



FEBRUARY 2026 Guest Editor Is Ingrid M. Calderón!!! Theme: LOVE & HATE

Burning House Press are excited to welcome Ingrid M. Calderón as the seventh BHP guest editor of our return series of special editions! As of today Ingrid will take over editorship of Burning House Press online for the month of February.

Submissions are open from today 1st February – and will remain open until 25th February.

Ingrid’s theme for the month is as follows

___

LOVE & HATE

___

Where does love end and hate begin? As an advocate of love in all its manifestations, I‘ve often found myself pondering and teetering on the soft umbilical cord of disillusionment when it comes to these emotions. I am not alone. Love & hate are siblings, —often share a room and define themselves by the company they keep. If needs remain unmet, what changes and how fast before combustion? If disappointment isn’t addressed, love and hate begin their resentful coexistence of two high volume breeds of circuitry.

All feelings at once please!

Ache. Want. Lust. Desire. Hate. Hostile. Loathe. Thirst. Hunger. Disgust. Violence.

I invite you to send poetries, hallucinations, uncomfortable journal entries and artworks pulled from the depths of where love & hate live inside you.

Ingrid is a poet, seer, collagist and the solitary editor of Resurrection magazine. She resides in Los Angeles, CA

___

  • SUBMISSION GUIDELINES
    • All submissions should be sent as .doc or .docx attachments to guesteditorbhp@gmail.com. No cover letter is necessary but please include a short third-person bio and (optional) photo of yourself for potential print with your submission. You may also consider including social media usernames, especially if you’re on Bluesky/Instagram– I want to promote your work!
    • Please state the theme and form of your submission in the subject of the email. For example: LOVE&HATE/FICTION
    • Submissions are open until 25th February and will reopen again on 1st March 2026 for a new theme/new editor/s.

    • Poetry and Fiction
      For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

    • Art
      Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

    • Virtual Reality/ 3D Artworks
      For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

    • Non-fiction
      Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

_______

BHP online is now in the capable hands of the amazing Ingrid M. Calderón – friends, arsonistas, send our February 2026 guest editor your magic!

JANUARY 2026 Guest Editor Is KAWAI SHEN!!! Theme: ULTRAVIOLET

Burning House Press are excited to welcome Kawai Shen as the sixth BHP guest editor of our return series of special editions! As of today Kawai will take over editorship of Burning House Press online for the month of January.

Submissions are open from today 3rd January – and will remain open until 25th January.

Kawai’s theme for the month is as follows

___

ULTRAVIOLET

  • Fresh bruises, wine stains, amethyst talismans, wilted lilacs, metallic fougeres, overripe mulberries, indigo children, laser burns, grape candy, supernova dust
  • Inspiration: Sei Shonagon, William S. Burroughs, Angela Carter, Mervyn Peake, Réjean Ducharme, Jean-Baptiste Del Amo, Aurora Mattia

Kawai Shen is based in Canada. Her fiction was shortlisted for the 6th edition of The Metatron Prize for Rising Authors and was selected for the Best Canadian Stories 2025 anthology. She has published work in khōréō, ergot, Extra Extra, The Whitney Review, A Fucking Magazine, and more. Her book, Wavering Futures, is forthcoming with Metatron Press in 2026.

AUTHOR PIC: photographer, Paul Hillier.

______

  • SUBMISSION GUIDELINES
    • All submissions should be sent as .doc or .docx attachments to guesteditorbhp@gmail.com. No cover letter is necessary but please include a short third-person bio and (optional) photo of yourself for potential print with your submission. You may also consider including social media usernames, especially if you’re on Bluesky/Instagram– I want to promote your work!
    • Please state the theme and form of your submission in the subject of the email. For example: ULTRAVIOLET/FICTION
    • Submissions are open until 25th January and will reopen again on 1st February 2026 for a new theme/new editor/s.
      • Fiction: Fiction should be limited to 1,500 words or (preferably) less. Up to two micros (maximum 500 words) may be sent.
      • Poetry: You can try your luck with poetry, but this issue will focus on purple prose. Submit no more than three poems.
      • Art: Submit a maximum of six hi-res images of your work in JPEG format (maximum size 2MB) with descriptions of each work (Title, Year, Medium) in the body of the email. File names should correspond with the work titles.

_______

BHP online is now in the capable hands of the amazing Kawai Shen – friends, arsonistas, send our January 2026 guest editor your magic!

My Heart Is Empty: Responses to The Life and Work of Nico – December 2025 edition Guest Edited/Curated by Matthew Kinlin

Continue reading “My Heart Is Empty: Responses to The Life and Work of Nico – December 2025 edition Guest Edited/Curated by Matthew Kinlin”

DECEMBER 2025 Guest Editor Is MATTHEW KINLIN!!! Theme: My Heart Is Empty: Responses to The Life and Work of Nico

Burning House Press are excited to welcome Matthew Kinlin as the fifth BHP guest editor of our return series of special editions! As of today Matt will take over editorship of Burning House Press online for the month of December.

Submissions are open from today 1st December – and will remain open until 21st DECEMBER.

Matt’s theme for the month is as follows

My Heart Is Empty: Responses to The Life and Work of Nico

Matthew Kinlin lives and writes in Glasgow. His published workst include Teenage Hallucination (Orbis Tertius Press, 2021); Curse Red, Curse Blue, Curse Green (Sweat Drenched Press, 2021); The Glass Abattoir (D.F.L. Lit, 2023); Songs of Xanthina (Broken Sleep Books, 2023); Psycho Viridian (Broken Sleep Books, 2024) and So Tender a Killer (Filthy Loot, 2025). Instagram: @obscene_mirror.

——

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: NICO/POETRY

Poetry and Fiction

For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Virtual Reality/ 3D Artworks

For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open until 21st December – and will reopen again on 1st January 2026/for new theme/new editor/s.

BHP online is now in the capable hands of the amazing Matthew Kinlin – friends, arsonistas, send our December 2025 guest editor your magic!

NOVEMBER 2025 Guest Editor Is C.C. O’HANLON!!! THEME/S: JOURNEYS

Burning House Press are excited to welcome C.C. O’HANLON as the fifth BHP guest editor of our return series of special editions! As of today C.C. will take over editorship of Burning House Press online for the month of November.

Submissions are open from today 1st November – and will remain open until 25TH November.

C.C.’s theme for the month is as follows

—JOURNEYS

~~~

JOURNEYS: Physical, Psychological, and Imaginary, embracing words and images, in all forms, as well as complexity, resisting the superficial, algorithmic narratives of social media.

~~~

Photo by Given Rozell.

~~~

A self-described ‘vagabond, diarist, and wreck’, C.C. O’Hanlon’s fragmentary memoirs have been published in various anthologies, including Best Australian Essays 2005 and Best Australian Stories 2004 (both published by Black Inc, Australia), A Revealed Life: Australian Writers And Their Journeys In Memoir (ABC Books, Australia), The Odysseum: Strange Journeys That Obliterated Convention (John Murray, U.K.), Zahir: Desire & Eclipse (Zeno Press, U.K.), and Dark Ocean (Dark Mountain Project, U.K.). A founding features editor of Harper’ Bazaar Australia in the late ’80s, his mainstream journalism and images have appeared in The New York TimesThe Sydney Morning HeraldVarietyTravel & Leisure, the Australian editions of Vogue and Harper’s Bazaar and scores of other newspapers and magazines.

He now lives a nomadic life with his American wife of 38 years aboard a small, sea-worn old sailboat named Wrack in the southern Mediterranean. They have three adult children.

_______

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: JOURNEYS/POETRY

Poetry and Fiction

For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Virtual Reality/ 3D Artworks

For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open until 25th November – and will reopen again on 1st DECEMBER 2025/for new theme/new editor/s.

BHP online is now in the capable hands of the amazing C.C. – friends, arsonistas, send our NOVEMBER 2025 guest editor your magic!

Labyrinth / Erasure by Teresa Mestizo

With subtleties broken, / discourses returned / much heavier / A fresh train of disquietudes / sighed often /Sparks of temper; / the puzzle and the plague / But, in full view, / all things in the world / answer consequently: / fallen, rescued / The deepest impression, / a fine truth to any purpose — / that odd legacy / of occasion

Teresa Mestizo is a Chicagoan Xicana currently based in a small
mountainous town in Mexico where she writes, teaches, translates
& makes art. These poems are part of her recent erasure series using
Laurence Sterne’s The Life and Opinions of Tristram Shandy, Gentleman (1759-1767).
More of her work can be found at teresamestizo.com

Ambiguous Dirt by Austin Miles



one much quieter
one much more talkative,

interpreting daylight as if it were a room

depleted sidewalk wants
2 tell u (me) some
thing

something só imp. It

had to wa
it

a pile of dirt remains ambiguous

laying on the stone like that

can it tell the future?

can the most mundane
can it (not) shine in my eye?

a rock gets lost but ppl forget

then nothing much done today

sometimes sleep
but sometimes not.
washed away

an interesting turn of phrase

someone walks into a bar
but someone
someone tries to convince me of something
but i’m conversing with a
desk lamp

the problem w the world today:

the problem w the world today



Austin Miles is from southeast Ohio. He is the author of
the chapbook Perfect Garbage Forever (Bottlecap Press)
and has poems published in Touch the Donkey, Reap Thrill,
Don’t Submit!, and elsewhere.

Data Lake (excerpt) by Judson Hamilton

5.
Dusk completes its sundowning as crowds of people begin to congregate. Dark tourism is streamed on the brick walls of the town square. From the sewers: the fatberg sits in silent judgment: Popcorn lungs blooming in the young. Distant bleeps and glitches. A Faraday box stuffed with emotions. New fiberoptics beneath the cobblestones. “10G bae bee! 10G!!” The pale green glow of a billion minds humming beneath these streets. “Shot up some estrogen and grabbed the mic. Never felt so free.” GhostBots™ linger on the edge of the crowds asking if we need resurrecting. We lie supplicate at the open pit. Body heat rises up. Visible by the light of our screens. Easter eggs in a snuff film. *cherry vape clouds* Generational grief pegged to a wildly fluctuating index. <current artery blockage at 65%> The attract screen welcomes us to join the deceased. We line the open mass grave with our phablets. We place them gently along the edge. Our banking details auto-scrolling. Endless digits glowing in the night.

6.
Piles of burning mattresses. Labyrinthine tent cities tunnel deep in the night. Dynamos of madness. Blister packs of fear litter the sidewalk. People slicking their hair back looking to make a name for themselves. Mag-lev handcuffs are issued to citizens of good standing. Making arrests has become de rigueur. “Don’t get left behind – make yours today!” They say, ecoterrorism is back on the menu – whether we like it or not. Try decreasing memory footprint to speed things up. *panicked breathing, faces flush with relief* “It’s ok. It’s ok, guys! It’s all behind login.” Blood boys wandering aimlessly. Leashed to IVs. They skirt the vortex at the center of the town square. They gather in the murk. Peel like shadows off the brick walls. Supplicant and meek they are loaded into trucks. :the fatberg sweats in the dark: Bonfires burning large and bright on every street corner. Feverish dancing, arms flailing. Engagement rates are up! Distant bleeps and glitches. Drones pinging in the night. This is a place where no one wins. “Welcome to the unsubscribe center. You made it!”

7.
Washing bones to arrive at their final incantation. Broken teeth litter the streets. Shattered bottles line the curbs. Burger boxes and Styrofoam clamshells shift and slide along the sidewalk. :the fatberg wheezes from the sewers: “Dark empaths on the prowl” Great is their grift and short is their thrift. The pavement is covered in feces. Broken tents sway in the wind. A yellow sulfurous pollen burns the nostrils. Blankets everything in its stench. Blister packs of disappointment clog the sewer drains. The dispossessed have set up shop at the local mall. All honeycombed out with anguish architecture. Occult practices sold here for a price. *whispering* i’m on the verge. Flickering at the edge of sense. Cut-tongue mumblecore. Agitated. Carbonated. Overstimulated. Wandering the halls looking to score code. Countless stalls in cramped space. Frenetic haggling. Stale sweat and burned pharmaceuticals. JUUL pods litter the tile floor. Stimming on glitterbombs. Tech spells and hexes coded in COBOL. Etsy witches paid in arcade tokens. “Hey there are gravity sinkholes everywhere here so – watch your step.”

Judson Hamilton lives in Wroclaw, Poland.
Bluesky @judsonhamilton.bsky.social
https://neutralspaces.co/judson_hamilton/

Motion Picture by Donna Enticknap

15 minute pinhole exposure, handprinted fibre-based silver print

Donna Enticknap works with alternative photographic processes
to create portraits of place and self, exploring ideas of connection to time
and landscape, and the fallibility of human memory.
Bluesky: @auuop.bsky.social Website: https://www.donnaenticknap.com/

Two Poems by Corwin Ericson

Sculpture Garden

Brick Professional Building
enislanded by offramps.

Asphalt Curbs Pushed onto the Mulch
by the plow service
spell something broken
in the lot of the brick professional building.

Black Plastic Rat Traps
every twenty paces
under dead brown junipers
ring the brick professional building.

Box for Patient Samples
bolted to the masonry
outside the back basement door
of the brick professional building.

Five People in Cars Eating by Phonelight
two of them wearing scrubs
each of them alone
behind the brick professional building.

Oft-Gnawed Fisher Price People
collect pathogens
in the children’s corner
of the brick professional building.

* 
Inholding

Where feral bloodroot blooms
prettily, where knotweed and bittersweet
are bad ideas that have won the meadow
where there are wells and springs
and cairns and cellars
there is a heavy chain and hook
hanging from a maple too old to tap
where her late husband
butchered their cow.

Corwin Ericson is the author of Swell, a novel, and the collection
Checked Out OK. His work has appeared in Volt, Jubilat,
Harpers, and elsewhere.

(Image: Ralph Eugene Meatyard. “Untitled,” 1963. Courtesy of Fraenkel Gallery)

Entangled #4 by Damian Ward

Damian Ward’s work explores the subtle interplay between nature, memory,
& the enduring presence of the past. Through a monochromatic lens,
he seeks to distill the landscape to its essential forms.
Bluesky @damianward.bsky.social
www.damianwardphotography.co.uk

Subterraneans ii by Paul Hearn

Part-time collagist and amateur bricoleur, Paul has always been infatuated
with pop music and comics. Bluesky @paulxhearn.bsky.social

Two Poems by Dan Melling

A Tense to Describe a Duck That Isn’t There
After Asger Jorn’s The Disquieting Duckling

Duck would have been erupting.
Duck would have erupted.
Duck continuous erupt
in the would / have been. Future
duck the perfect erupts. The never duck
eruption.
present simple farmer
haybales fowl in the is and ises in the ed
of rural whitewash each breath
a flesh of brushstrokes.
a tense to describe the temporal
stretch of canvas. Dapples
of birch leavings to stack
in impasto. An erupt

to duck a basal ganglia.

*
A-Political Self-immolators

We fizzy & piffy lakeside straight shooter boys
shoot stray cats from the Baroque balcony boys
we’re landslide boys eat crab boys big bullet
bully boys hooligan melodies & tenebrous eyes boys
sparkle sparkle little pig we ride rapid boys wide
boys locked safe boys sink to the depths the Davy
Jones boys real boy’s boys’ boys locker room
boys’ talk boys neck foam boys nick phones boys rock
-a-bye baby boys the blue-eyed boys bish bash
bosh job’s a good’un boys we’re those landgrab boys
swamp stab boys drain the blood dig the liver
boys pile-driver boys we’re deep-sea diver boys
black-lung coal miner boys real DH Lawrence boys
big tough boys with big tough toys oioioi boys
make some fucking noise boys we’re poison boys
burn the fields salt the earth shatter seas stone skim
boys we’re the make room boys the me-first boys
the boys with a fire in our fists we’re pollution boys
we’re gruesome boys those lumpen laymen men
of the earth serf boys we’re wind & rain boys fight
through snow sludge through mud we breathe gas
boys bottle rocket shrapnel boys we’re front-line boys
Gulf War Syndrome born alone die alone eight
pawn boys dethroned boys deflowered & defaced
face the music boys on my mark we go over
trench foot shell shock whizz-bang boys no man’s
land landless boys no stake in society ASBO boys
we’re high fire boys burn like mustard boys
we burn water baptisms of gas explosions stop
drop & roll up a fatty we’re rock n troll star
boys steal your hearts & leave a scar life sentence no
possibility of parole we’re born to die boys beautiful
corpse cheap funeral Amazon coffin & BYOB
boys search & destroy boys given no quarter hung
drawn & quartered we’re those coup de grâce
coup d'état boys raze the dead seize the day gone
tomorrow boys we’re the lost boys the last boys
last of our name last of our nature we’re ouroboros
boys anonymous boys we see things say things
you wouldn’t dream boys you wouldn’t feed us
to your dog you wouldn’t touch us with his you’d
off with our heads you wouldn’t be seen dead.

Dan Melling is a writer from the UK.
He holds an MFA in Poetry from Virginia Tech and teaches creative writing
at Liverpool John Moores University, where he is also pursuing a PhD.
His work has appeared in The Rialto, X-R-A-Y, HAD and elsewhere.
He co-edits Damnation literary journal.

Simón Bolívar (1783–1830) by Peter J King

                                         How will I ever get out of this labyrinth?
After defeating
the bull-headed monster,
not once but
over and over again,
I hung my sword up
on the bullet-pitted wall,
and tried to find my way back home.

The thread was broken, though,
and now I wander in this fearful light
and search for darkness.


Peter J. King was active on the London poetry scene in the 1970s.  Since his return
to poetry in 2013 after a long absence he’s published four collections (the latest being
Contact Light, Alien Buddha Press, 2025), and appears widely in journals and anthologies. 
He also translates, mainly from modern Greek and German, writes short prose, and paints.
Bluesky @rock-rex.bsky.social

https://wisdomsbottompress.wordpress.com/peter-j-king/

Untitled by Paul Boultbee

Untitled. 2025. Mixed media on canvas (found paper, corrugated cardboard, house paint).
36 in. x 24 in.

Paul Boultbee received his undergraduate and graduate degrees from the University of Western Ontario and in 1975 took up a six-year long position at the College of the Bahamas. In January 1982 he arrived in Red Deer to work as a librarian at Red Deer College. In September 2000 he entered Red Deer College’s Visual Art program and graduated in May 2003 with a Visual Art Diploma. He received his Bachelor of Fine Arts degree from Thompson Rivers University in October 2022. Paul’s work has appeared in exhibitions in Alberta, Ontario, British Columbia, Oregon, Connecticut, and South Korea. He is also a stage and film actor, and, since April 2020, a retired academic librarian.

Seven translations of Maffeo Barberini’s ‘Sonetto XXXII’ (Qui m’assido pensoso in questo sasso) by Eric T Racher

1.
Stone is tone sat, shone sibboleth, antic serve antique
observe quiescence essence deliquescence whence
as just majesty or jest, Rome. Adjust fallen sigh stupor
brain aspic apical outward placid not much. Acid
esteem unsated teeming, for that although also, can
vain humane vanity admired humanity mired option
self enraged and assuage, turn. Bound unto found
object object prime self lowered mind loured petite.
Alms of psalm, sole incarnadine, hoary before turn
whore not then prey custom, give. Penitent pen it
in prayer custom unsaid repent end to end, soul.
Wretched ashen etched in deceit do, dawn stir fall
rare jewel out impending whom, who; fault line twine
twin fault win turn in time or afterthought fit flee.

2.
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deeeeeeeeeeeeeeeeeeeeeeeeeeee
eeeeeeeeeeeéèfffffggggggggghh
hhhhhhiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
iiiiiillllllllllllllllllllllmmmmmm
mmmmmmmmmmmmnnnnnnn
nnnnnnnnnnnnnnnnnnnnnnnno
ooooooooooooooooooooooooo
ooooooooooopppppppppppqqq
rrrrrrrrrrrrrrrrrrrrrrrrsssssssssssss
ssssssssssssssssssstttttttttttttttuuu
uuuuuuuuvvvvvvvz,,,,,,,,,,,,...’’’’’’’

3.
Quim, ass, seed—open! So-so inquest, O, sass! O!
Idyll antic car, O Maat! Err! A mere O.
Llamaest, a cad. Hoot. (& he’s sus.) Peer, O!
Ape wrestled a stupor. None, mofo. I’ll pass. O,
none sat Z, O deepen czar-anchor. Kayla’s so.
Lovin’ it. Ah! Delu, man. Fast! Tome mirror.
Idyll me, O van, edging me. Cum! Ah, dear!—O!
A purely-meant, a villagette, a bus—O!
All maudy, prick, I miss ’im. Be! Ankh? Eel? Cree? Nay.
Ski? Evil costume? Dick? Whey? Casey? Dan?—O!
Imp-ray? Dolls? Sense? O, perp & tears. Seal? Fee? Nay.
Me sir! O, key! Trouble Cain. Tallin gone, no?
Ra? Dough? Eh? Kettle more eerie. Insult confit. Nay.
See raw Vega, deaf alley—foo! Golden, no?

4.
lexicon = [ ‘abbasso’, ‘adiro’, ‘alma’, ‘al’, ‘ammiro’, ‘ancorché’, ‘antica’, ‘assido’, ‘a’, ‘caduta’, ‘che’, ‘chi’, ‘confine’, ‘costume’, ‘crine’, ‘danno’, ‘danno’, ‘da’, ‘deh’, ‘dell’’, ‘del’, ‘de’’, ‘di’, ‘e’, ‘è’, ‘falli’, ‘fasto’, ‘fine’, ‘fugga’, ‘il’, ‘imbianchi’, ‘inganno’, ‘in’, ‘lasso’, ‘la’, ‘maestà’, ‘meco’, ‘mente’, ‘mio’, ‘miro’, ‘misero’, ‘mi’, ‘morire’, ‘muovo’, ‘m’’, ‘ne’, ‘non’, ‘oggetto’, ‘passo’, ‘pensar’, ‘pensoso’, ‘pentirsi’, ‘per’, ‘preda’, ‘preso’, ‘pria’, ‘pur’, ‘quei’, ‘questo’, ‘qui’, ‘rado’, ‘ravvegga’, ‘roma’, ‘sasso’, ‘sazio’, ‘schiva’, ‘senso’, ‘si’, ‘sospiro’, ‘stupor’, ‘sul’, ‘s’’, ‘tal’, ‘terra’, ‘trabocca’, ‘uman’, ‘vaneggiar’, ‘vanità’, ‘vil’ ]

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5.
All pensive on this rock I sit
and watch an empire gone to shit—
cracked columns, bricks & broken blocks,
like cat turds in a litterbox.
My weary mind can only see
the pomp of human vanity,
and though I find it rather crass,
I too’m a vain and pompous ass.
I beg you, soul—it’s getting late—
do not be like the profligate,
whose life on worldly pleasure’s spent,
deferring when he should repent,
for when death’s door such blind men gain
they rarely rue and flee the pain.

6.
From: Satya Nadella
Sent: Tuesday, July 03, 2024 5:33 AM
To: Microsoft – All Employees; All MS Store Employees FTE
Subject: Reflection on the Impermanence of Success

Team,

I find myself contemplating the fleeting nature of worldly pursuits. While we strive for success and recognition, it is important to remember that these achievements are ultimately transient. History is replete with examples of empires that have crumbled, leaving behind only remnants of their former glory.

The pursuit of material wealth and fleeting pleasures can often distract us from what truly matters. It is essential to cultivate a sense of perspective and to prioritize enduring values over ephemeral ones.

As we navigate the complexities of life, let us strive to live with purpose and meaning. May we find solace in the pursuit of knowledge, compassion, and the betterment of ourselves and our communities.

Sincerely,
Satya

7.
Escape the Flames: Your Roman Sanctuary Awaits

Imagine yourself, seated upon a stone terrace, overlooking the timeless beauty of Rome. The ancient city unfolds before you, a tapestry of history woven into the very fabric of the earth. Lost in thought, you witness the ruins of Rome, her fallen majesty, and linger in a stupor most profound. But this is no melancholic reverie. This is the beginning of your new life, a life free from the pomp of human vanity and the beguiling claims of the mundane.

Here, in our exclusive condominium, you can finally shun the ways of the man who only aims at worldly bliss. Repenting on death’s day is a fate you can avoid. Come, my soul, before your hair turns grey, and embrace a life of tranquility and sophistication.

Our meticulously restored residences offer a haven of peace and luxury, nestled amidst the heart of Rome’s vibrant history. Rare it is, when held in death’s fell sway, to see one's own mistake, and flee the flames. But here, you can escape the flames of worldly distractions and embrace the true treasures of life.

Don’t let your dreams run aground on base things. Come, discover your own Roman sanctuary. Contact us today to learn more about our exclusive condominium offerings.

Eric T Racher lives in Riga, Latvia. His poetry, essays and fiction
have appeared in Socrates on the Beach, minor literature[s], Exacting Clam,
Your Impossible Voice, Literary Imagination, Keep Planning, ballast & elsewhere. 
Bluesky @ericracher.bsky.social

Entangled #20 by Damian Ward



Damian Ward’s work explores the subtle interplay between nature, memory,
& the enduring presence of the past. Through a monochromatic lens,
he seeks to distill the landscape to its essential forms.
Bluesky @damianward.bsky.social
www.damianwardphotography.co.uk

Two poems by Liesl Ujvary

translated from the german by Ann Cotten & Anna-Isabella Dinwoodie

*
first true story (from “three true stories”)

the fence is a window and the window is a room and the room is a table and the table is a speck and the speck is a girl and the girl is a knife and the knife is a clock and the clock is a letter and the letter is a neighbor and the neighbor is a flowerbed and the flowerbed is a city and the city is a street and the street is a friend and the friend is a summer’s day and the summer’s day is a hill and the hill is a field and the field is a tower and the tower is a woman and the woman is a wave and the wave is glasses and the glasses are an evening and the evening is a tree and the tree is a mound and the mound is a key and the key is a coin and the coin is a sheet of ice and the sheet of ice is a hole and the hole is a bridge and the bridge is a pillar and the pillar is a look and the look is a colleague and the colleague is a stick and the stick is a mountain and the mountain is a journey and the journey is a cafe and the cafe is a camp and the camp is a wolfhound and the wolfhound is a grate and the grate is an abyss and the abyss is a toilet and the toilet is a school

*
great authorizations

you may be expected to
you may be able to
you may be required to
you may be allowed to

you may be expected to be expected to
you may be able to be expected to
you may be required to be expected to
you may be allowed to be expected to

you may be expected to be able to
you may be able to be able to
you may be required to be able to
you may be allowed to be able to

you may be expected to be required to
you may be able to be required to
you may be required to be required to
you may be allowed to be required to

you may be expected to be allowed to
you may be able to be allowed to
you may be required to be allowed to
you may be allowed to be allowed to

you may be expected to be expected to be expected to
you may be able to be able to be expected to
you may be required to be required to be expected to
you may be allowed to be allowed to be expected to

you may be expected to be expected to be able to
you may be able to be able to be able to
you may be required to be required to be able to
you may be allowed to be allowed to be able to

you may be expected to be expected to be required to
you may be able to be able to be required to
you may be required to be required to be required to
you may be allowed to be allowed to be required to

you may be expected to be expected to be allowed to
you may be able to be able to be allowed to
you may be required to be required to be allowed to
you may be allowed to be allowed to be allowed to


From Good & Safe, published by World Poetry Books, 2025.

Liesl Ujvary (1939) is an Austrian writer in the concrete tradition.
Her oeuvre includes experimental electronic music & video
Good & Safe (Sicher & Gut), her debut, was originally published in 1977 /
Ann Cotten is a writer & translator from Vienna, Austria.
Translations from English to German include books by Isabel Waidner,
Legacy Russell, Rosmarie Waldrop & others /
Anna-Isabella Dinwoodie is a translator & writer
who makes visual poetry & performance art. She lives in Berlin.

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