Gullible eggs (reprise)
My mother lied with tenderness, sweet
aplomb, and range;
she’d seen a century, our crooked sea-swelled house
cost a million, and all babies were born with feathers
that softened the world’s edges
Gullible eggs (reprise)
My mother lied with tenderness, sweet
aplomb, and range;
she’d seen a century, our crooked sea-swelled house
cost a million, and all babies were born with feathers
that softened the world’s edges
Contrapuntal: In Which We Swallow Insects While Contemplating Environmental Apocalypse
Continue reading “Two Poems by Beth Gordon”Alice Willitts graduated with Distinction from the Creative Writing Poetry MA at UEA in 2018 and was shortlisted with her creative partner for the Ivan Juritz Prize for their poetic essay in experimental fractal poetics ‘p0_EM Stein1’. Her poetry is concerned with personal and ecological losses and the limits of human intelli- gence as our species faces its own end. She is also writing for the Speculative Futures Collective (UEA), creating the ‘speculative nature writing of 2080’, due to be published in summer 2019 by Boilerhouse Press.
Twitter: @WillittsAlice @cwpoetics
Personal website: anotherkindofhappiness.wordpress.com
Collaboration website: cathenkawillitts.wixsite.com/cwpoetics
Meat Factory
Who are the vermin?
Not Mother Nature
“Injustices are everywhere. We live in a world that is beautiful and yet there is so much oppression and destruction upon it. The anthropocene is upon us and humanity has a long way to go before equality exists in every sense. My artwork has the intention to make the viewer aware of this and sometimes feel complicit in the various destructive actions of humanity and thereby, hopefully lead my audience to enact positive change through feeling some what responsible to take action themselves. I hope the least I can do is provoke thought in to an individual that had previously not cared for the world around them.”
Sick Secret
One Existence
When the future was now
“Injustices are everywhere. We live in a world that is beautiful and yet there is so much oppression and destruction upon it. The anthropocene is upon us and humanity has a long way to go before equality exists in every sense. My artwork has the intention to make the viewer aware of this and sometimes feel complicit in the various destructive actions of humanity and thereby, hopefully lead my audience to enact positive change through feeling some what responsible to take action themselves. I hope the least I can do is provoke thought in to an individual that had previously not cared for the world around them.”
Air cooled life-forms by Rob Miller
About the series //
Work produced for the Grey Planet series reflects the incalculable absurdity of a global economy fundamentally at odds with our shared ecology – the [im]material flows of commerce, a fiction of progress constructed from pure exceptionalism. We the first of the last men trade more than futures; these transactions create a terminal velocity in which we attempt to live a myth not yet even imagined. We are faced then with a new and inescapable reality, in which the world-wide blindness of our impact is matched only by the eco-anxiousness of the few. Willingness alone simply produces an artifice of meaning and self-indulgent virtue signalling – conflicted anxieties of which I am equally guilty.
Continue reading “Air cooled life-forms: Rob Miller”