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BURNING HOUSE PRESS

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Writing

3 POEMS by Simon Ravenscroft

Dry Chaconne

the air was parched                the earth in drought                   when you left me
thinking of Lorca                the desire of the rain            remembrance
of the earth          the smooth earth when it rains               has a scent
as you did           when you came to me                     in splinters
a weight of longing          a turning wheel                straining the fibres
of your countenance             blurred visions              flecks of silvering light
the smallest gestures of your eyes         arabesque, interlacing
rhythmic in the shimmering air            shivers of electric blue
a tapestry of shadow              layers of ice melting
the rain falling            the desire of the rain               a memory
of the earth              in Lorca shards falling
splinters of rain               the dry earth around me
our ritual gestures                  fragility of longing                       the suffering
of the rain                    in the chasms of your eyes                    an infinite waiting
for the simplest things                  infinite light                       infinite heat
a daze of deep yellow                     layers of ice melting
a tapestry of shadow                            the unsparing earth
the rain in Lorca                    the fibres of your eyes
all the fevers of the seas

as you wish

line bright with horizon
golden residues of day


α        hours of the dwindling warmth
β          warmth of the dwindling hours
γ         dwindling warmth of the hours


dwindling sadness of the river
shoreline bright with stone
glistening time under starry moonlight
now quiet, all is becoming

Delta Oscillations

iterate

calm stream of aporetic present
oblivion of sleep
dreams grow more lively after dawn
close your peepers

reiterate

brief moments of gloss contentment
needs of obsidian
sleep will wash you with slow waves
night will keep us

INTERLUDE by Max Restaino

The roadside is lined with old dead men, dessicated limbs splayed to the sky
and soil past their noses. Black clouds split open and spray themselves at the
world. Clots of bioluminescent gore bounce off the frozen mud.

These walls and windows come
and go, drifting out of sight
between long blinks. There are
morning where my ceiling is the
sky, singing with wind and the
ghost of an old train whistle,
desolate moan stretched along

Stains hiding in the fold where heaven is supposed to be.

The white dome bubbling off the bottom-front of my face like a blister ready to
puke itself into the open air. Bile that rolls across the ceiling and drips

off the
top of the doorjamb. Sick light swims through the glisten.

The waves lapping the shore erode the world, ocean spilling over the stems rooting
this place to the dirt.

Throbbing gray whole, wet and concave, lip bejeweled in a half-crescent of calcific
protrusions. A well of nothing, parturient with a small pink lump, goosefleshed
sinuous oyster. A tale distilled to its base, retching that whispers a cold window down
the empty hallway.

I fall, blind, uncapped, spilling over the walls, absorbed into the porous
labyrinth of hallways and boxes; a brick tower blooming upside down—a
stalactite on the sky—waves of grey reflected on the bottom of clouds—slow
red lightning that cracks the surface of the ocean like shattering glass.

Overhead is the choppy surface of the sea. The remnants of shipwrecks and
oil rigs paint the horizon like a hanged city skyline. Below, roiling grey clouds
and long rolls of thunder. Shadows that could be the backs of ancient

leviathan that carved that great valley in the world and in time.

The moment loops in the porous mortar disintegrating between the bricks—boxes of different lives glued together—a scream upon deaf ears—radios playing in empty rooms—whispering a breeze of static electricity down the hallway.

The gun is in the drawer of my desk. The bubble of infection in the earth splits and wafts a blizzard of
sporous disease into the campsite. Noxious fumes stir the fire into a frenzy that scorches the detritus on
the ground. Bodies thrown together as the ground tilts—flesh melding on contact—a pile of thrashing
limbs and gnashing maws and rolling eyes—dissociated personalities—memories smashed to a
paste—mixed together—smeared across the underside of the forest canopy—catching
evaporation—raining grey mildew onto the red brick ruins.

*

The film grain captured in the still image wraps around me like a mesh of static electricity—picked apart by nervous nails snapping at my skin like pins and needles—blood flowing home, passing heat to their tunnels—exploding from the iron ring at the end of the barrel—pale mollusks that splatter underfoot.

The forest will be shorn away. Nowhere left to hide but under the soil. Trees sent
down river, blanched like the heaped corpses of death camp victims—algae flowing
along the rivers surface, shredded by currents—foaming white rapids—on the living
room floor vomiting—collecting bricks from the ruined building—slashing my wrists
in a bathtub—swallowing a fistful of Xanax.

We exist in footsteps. Shadows rippling like water. Colorless light caught in your
eyes. A storm brewing between stones. Hunting whispers in the mortar. Wet red
dripping from the fingers on your cross-brace.

Flakes of memory drift past the backs of my eyes. The world is born in pale gray light. Shadows bloom from the horizon. Candlelight quivering against the darkness like oil in water.

Your skin doesn’t fit right and there are too many teeth in your mouth.

Moving white specks like storm-blown snow swirl in the air over his head. He doesn’t
look up from the page that is filling with ink. Black lines bleed as they cross and wave
and fall over the paper. Flakes getting caught in his gore matted hair.

I’m still breathing in the spaces you can’t see.

JUNE 2025 Guest Editor Is JOHN TREFRY!!! THEME: INANIMISM

Burning House Press are excited to welcome JOHN TREFRY as the first BHP guest editor of our return series of special editions! As of today JOHN will take over editorship of Burning House Press online for the month of JUNE.

Submissions are open from today – and will remain open until 25TH JUNE.

JOHN’S theme for the month is as follows

—INANIMISM—

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: INANIMISM/POETRY

Poetry and Fiction

For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Virtual Reality/ 3D Artworks

For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open until 25th JUNE – and will reopen again on 1st JULY2025/for new theme/new editor/s.

BHP online is now in the capable hands of the amazing JOHN TREFRY – friends, arsonistas, send our JUNE 2025 guest editor your magic!

BHP RETURNS 2025

Burning House Press will be re-opening for intermittent guest edited editions in 2025 – this will be a completely speculative operation intended to test waters and take temperatures.

Like a lot of the world at that time, BHP were forced to abruptly cease operations during the peak of the pandemic in 2020 – factors including the mental, physical, spiritual and emotional onslaught of that time.

When BHP began in 2016 there had seemed to be a definitive place for a non-ego centred, community approach to literature and publishing – it is to be discovered whether the climate for BHP to exist within still remains.

Therefore – the reigniting of guest editor-led editions is contingent on these external factors and also the physical health of BHP.

We hope that you welcome this news – and will support the effort to return by publicising BHP news and sharing your creative works with upcoming guest edited editions – as we are rebuilding from a starter position at this time.

BHP have deleted all meta social accounts – and operations will be conducted via published content here – and publicised to the community only on Bluesky.

Please follow BHP on Bluesky here to keep in touch with our progress and be part of rebuilding the BHP community.

In the meantime – while your guest editors are assembling and mining the vein of the hour for the themes of each edition – BHP will be celebrating and reposting work from the previous series of guest-edited editions – look out for those posts on Bluesky.

Yours In Service Of Creativity…

Burning House Press

Womannotated – Wide Eyed

January 23rd, 2021

Wide Eyed 

I get disheartened when an artist tells 
me they’re bored.  It’s especially brutal 
if I’ve adored you and the art propels 
my own rhetoric, research,
collections of folders some might besmirch. I think 
Stanley Kubrick would have approved though I’ve 
no warehouse of boxes when I’m extinct 
to prove my passion for working still thrives 
between poems and books.  We live 
amidst fascinations.  If we stay spry,
wide eyed enough, work is transformative. 
Suture eyes shut someday after I die
with the stories I’ve written, some I hoard. 
I’ll die exhausted.  I never lived bored. 

Continue reading “Womannotated – Wide Eyed”

Womannotated – Oh The Places You Will Work Bitch And Not Be Free

Oh The Places You’ll Work Bitch

And Not Be Free

for Britney

For Disney, Pepsi, Bela Karolyi

(who USA gymnastics cut ties with

in pedophile controversy at the

remote training space, national forest

woods), Star Search, Broadway, Rolling Stone

(at seventeen in push-up bra, baby

blue velveteen rabbit inside her own

small town bedroom.), the 24, maybe

more, varietals of perfume; Sbarro,

Nabisco, HBO (Emmy wins for

concert docu shows), and their fathers, though,

even if estranged, legalities restore

a golden gosling to its violent cage

without telephone, medicated rage.

Continue reading “Womannotated – Oh The Places You Will Work Bitch And Not Be Free”

Womannotated – The Dirty Truth About Butterflies

November 29th, 2020

The Dirty Truth About Butterflies

It’s easy for a religiously bred

(misled) girl to make an Eden of

a garden, angels of winged soon dead,

repopulating in three weeks. But love’s

amino acids butterflies won’t find

in agapanthus nectar, waterfalls —

Continue reading “Womannotated – The Dirty Truth About Butterflies”

Womannotated – Texting Shakespeare

November 1, 2020

Texting Shakespeare

On the side of a road atop a stump

you seem cinched in by sunshine while you are 

slumped over a cellphone screen, bare goosebumped 

décolleté.  You ignore the people, cars.

You have something to say.  Instrumental 

Continue reading “Womannotated – Texting Shakespeare”

Womannotated – Dead Sea

Dead Sea 

Saunter through snapdragons, the cobblestone path

inside his house, into a bath prepared 

with Dead Sea salts by a sociopath— 

Continue reading “Womannotated – Dead Sea”

Womannotated – Weeping Trees

September 19th, 2020:

Weeping Trees 

Follow creek through the weeping trees until 

it narrows and you cross with ease.  Keep mum

along the rivulet cascading still

through thicket of thorns  you will not succumb.

Continue reading “Womannotated – Weeping Trees”

Womannotated – Underwater Sonnets

September 12th, 2020

Continue reading “Womannotated – Underwater Sonnets”

Womannotated-Girlarium

Two Girlarium sonnets:

Continue reading “Womannotated-Girlarium”

Womannotated – The Second Time

August 29th, 2020

 

The Second Time 

She offers flesh beneath aromatic trees

against dark gates without password, key, sign  

her kind is welcome here —  save kerosene 

in lanterns near.  Arms in grate, stretched supine,

between dove gray sky, columbines, beside 

cobblestone of almond, slate.  Closes eyes,  Continue reading “Womannotated – The Second Time”

Womannotated – A Poet And Her Anxiety Walk Into The Woods

August 22nd, 2020

A Poet And Her Anxiety Walk Into The Woods

A poet and her anxiety walk

into the woods — the person, thing and place

misunderstood for none of them can talk

adequately to explain how retraced steps

in dirt unburden pain.  Though two depart

just one returns.  Emaciated pines Continue reading “Womannotated – A Poet And Her Anxiety Walk Into The Woods”

Womannotated – Crow Castle

August 9th, 2020

Crow Castle

Each maiden slumbers in her childhood bed.

Crow collects a lock from each, twines a nest

with garden twigs, hair ribbons azure, red—

sufficient room for one without a guest. Continue reading “Womannotated – Crow Castle”

JULY 2020 Guest Editor Is MAPULE MOHULATSI!!! THEME: SINK

Burning House Press are excited to welcome MAPULE MOHULATSI as our JULY 2020 guest editor! As of today MAPULE will take over editorship of Burning House Press online for the month of JULY.

Submissions are open from today – and will remain open until 25TH JULY.

MAPULE’S theme for the month is as follows

Continue reading “JULY 2020 Guest Editor Is MAPULE MOHULATSI!!! THEME: SINK”

Womannotated – Hot Chocolate!

Two Golden Tickets sonnets (my Charlie and The Chocolate Factory homage book of poems) from the Hot Chocolate section which involves chocolatier love triangles, femme fatale industrial spies, strip clubs and licorice .

Sugar Daddy’s

A strip club in which Arthur Slugworth, chocolatier competitor of Willy Wonka, meets the woman who will become his secretary and industrial spy and future lover of Willy Wonka.

American Candy Expo meets in
Chicago each year. Arthur Slugworth’s jet
consistently appears before show begins
day early to play. Bittersweet secrets
over his butterscotch schnapps confessed
to the ponytailed stripper; her peach ring
pop, bubblegum thong, sweet visage suggests
she is a shell you could tell anything Continue reading “Womannotated – Hot Chocolate!”

TALISMAN // CHANNELLING THE OUTSIDE EDITION MAY 2020 GUEST EDITED/CURATED BY ATEFEH AHMADI

TALISMAN // CHANNELLING THE OUTSIDE EDITION MAY 2020 GUEST EDITED/CURATED BY ATEFEH AHMADI

Continue reading “TALISMAN // CHANNELLING THE OUTSIDE EDITION MAY 2020 GUEST EDITED/CURATED BY ATEFEH AHMADI”

MAY 2020 Guest Editor Is ATEFEH AHMADI!!! THEME: TALISMAN // CHANNELLING THE OUTSIDE

Burning House Press are excited to welcome ATEFEH AHMADI as our MAY 2020 guest editor! As of today ATEFEH will take over editorship of Burning House Press online for the full month of MAY.

Submissions are open from today – 1st MAY and will remain open until 24TH MAY.

ATEFEH’S theme for the month is as follows

TALISMAN // CHANNELLING THE OUTSIDE

MARCH 2020 Guest Editor Is JOAN POPE!!! THEME: SEX AND DEATH IN THE AGE OF AQUARIUS

Burning House Press are excited to welcome JOAN POPE as our MARCH 2020 guest editor! As of today JOAN will take over editorship of Burning House Press online for the full month of MARCH.

Submissions are open from today – 1st MARCH and will remain open until 24TH MARCH.

Joan‘s theme for the month is as follows

SEX AND DEATH IN THE AGE OF AQUARIUS

Continue reading “MARCH 2020 Guest Editor Is JOAN POPE!!! THEME: SEX AND DEATH IN THE AGE OF AQUARIUS”

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