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The Long Game by Kyla Houbolt

Cutting locust tree saplings
to feed to the sheep who
blatt impatiently. A locust grove
has started and it must be stopped.
Locust has thorns and is good
for little except feeding goats
and sheep. Although I’m sure
the land has a different opinion.
But the land does not have
a vote, so cut
the saplings
will be.

The cost of the coast is the loss
of honest sand, which was host
to myriad lives we’ve failed
to understand. Now there are
daily sweeps of machines
to scrape the bought sand smooth.
You may find old cups or leftover
snack bags there, because shells
are crushed by the beach sweeper
and these shells all came, once,
from another beach from whence
this sand was harvested.

Let’s go to the beach. Look. Here
there are thorns and thistles. All
the things to hurt your tender feet.
Thistles wave their brave purple flags
above their fierce foliage but it does
them no good, cut they will be. Wear
your rose gauntlets when you go
into that field, and boots. The beach
is friendlier, having been made so
by voted decree. The sand is very
hot, however, as no vote has learned
to cool it. No vote could, though
some still believe.

Slip into the water, still a bit cool.
Out there are creatures who
would like your friendship, and others
who care for nothing but their
next meal. Sometimes they are
the same. We might recognize
ourselves there too in the water
when it’s calm. We’ve not yet
drowned nor learned to breathe
in the deep. What do we need
to learn? I often wonder, or if
it is possible at all, to learn,
to breathe.

. . .

Kyla Houbolt is a poet and gardener living in North Carolina. Her first full length poetry collection, Becoming Altar, from Subpress.

https://asterismbooks.com/product/becoming-altar-new-and-selected-poems

https://kylahoubolt.us/

Atlanta – A Sonnet by Kristin Garth

Atlanta

Sometimes it takes a six-hour drive to meet
another villain to understand why
you became one, too. Girl he used to beat,
consensually, becomes the one you cry
to, discrete, IM introduction: “I know
what it feels like to be his orphan.” Week
commiserating online while you grow
more sure your tenure, little one, is done. Weak
enough to say yes when she suggests you
should take a holiday, Atlanta — there’s
sex clubs. She knows what looks like love — your view
opened door, her pompadour, dark suit,
stare before she zips you in an obscene dress —
feel what remains of his latest princess.


Kristin Garth is a Pushcart, Best of the Net & Rhysling nominated sonnet stalker from Pensacola.  Her sonnets have appeared in journals like Glass, Yes, Five: 2: One, Isacoustic* and many more.  She is the author of twelve books of poetry including Pink Plastic House (Maverick Duck Press), Candy Cigarette Womanchild Noir (The Hedgehog Poetry Press) and the forthcoming Flutter: Southern Gothic Fever Dream (TwistiT Press) and The Meadow (Apep Publications, 2020).  Follow her on Twitter:  (@lolaandjolie) and her website http://kristingarth.com

Banner Image “Pink Bouquet” by Robert Frede Kenter. Tweets at @frede_kenter

Two Poems by Beth Gordon

Contrapuntal: In Which We Swallow Insects While Contemplating Environmental Apocalypse

Continue reading “Two Poems by Beth Gordon”

An excerpt from Fields of Violence by Julia Madsen

From FIELDS OF VIOLENCE: A TRANSCRIPT OF A DOCUMENTARY ON THE ONGOING FARM CRISIS

FOREWORD

The necrotic underside of the history of the Farm Crisis lives on in the Heartland and in the mind of the landscape, whose pulsating synapses and rhizomes absorb nitrogen nourished by the prairie soil under the watchful eye of high harvest––a time of year of reaping that steals as much as it proffers, withholding the promise of a dream that never existed but did, at one time, grow faith. In another existence. Somewhere between the dream and the dead, blood red tinges the borders of everything. A woman and a man put their hands together like arrows pointed up toward some augury that will never come and when it doesn’t, they forgive the augur. Why? Continue reading “An excerpt from Fields of Violence by Julia Madsen”

Two Poems by Janet Reed

Foreclosure

Her alligator appetites had long devoured
the marshes, owned the bayous
in the rooms of our house

by the time she was widowed at sixty.
Our live-in-the-moment mother
trained us to feed on each other, Continue reading “Two Poems by Janet Reed”

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