Not For Profit/For Prophecy



Narrative Nonfiction by Storey Clayton

(black.stilettos Jean Lafitte’s Old Absinthe House – New Orleans, LA. 2010)
Continue reading “Narrative Nonfiction by Storey Clayton”

Faith Is An Egg With A Thin Shell – Susanna Crossman

Faith Is An Egg With A Thin Shell

Faith is a word I hold in my hand, safe in my palm, enclosed by the nest of my upturned fingers. Take faith to the lips: said, spoken, delivered, a birth of song spills from a secret mouth. If you speak faith, the five letters advance with an F, stridently like a French ‘fanfare’, a lawless, troubadour’s marching band. Then the word melts in the wind of aaaith, an elongated, rushing sound. Faith closes with the delicateness of th. Place the tongue, feather-light, by the teeth. Faith, faith, faith.

Rilke said, “Have faith that in this love there is a strength and a blessing so large that you Continue reading “Faith Is An Egg With A Thin Shell – Susanna Crossman”

Martin and the Sea – Gideon Cecil

Martin and the Sea

Dusk had fallen long ago and a cold biting sea breeze was humming a sweet melody as the sea waves crashed on the formidable sea wall of Georgetown. It was almost pitching dark. Martin sat on the sea wall looking at the incoming waves laughing under the yellow tail of the moon hidden behind a dark curtain of clouds. He walked slowly on the broad edges of the wall, watching little boys hauling a seine along the shallow shore line. White egrets nibbled at shrimps in the salty mud holes on the broken mud flats, lovers passed by holding hands in the thin whisper of rain. He kept a lonely vigil on the Continue reading “Martin and the Sea – Gideon Cecil”

Quiet Wife – Erin Vance

Quiet Wife

It is winter, suddenly, and Agnete is stuck inside her cottage. She is running out of preserves. She is bored. Sometimes Agnete wishes her husband would return, but alas, he is locked away. He may even be dead. Most of the time she is glad to be rid of him and his sharp teeth and breath like rotted wood. The snowfall came as a surprise. It is only the third week of September, after all. The white blanket has obscured her captor, and Agnete does not know the protocol of escaping a fairy ring one cannot see. Continue reading “Quiet Wife – Erin Vance”

On Becoming A Storyteller: A Berlin Memoir by Jessica Ciccarelli

There’s a five-mile block in the northernmost part of Prenzlauer Berg that I haunted during my last weeks in Berlin. Within this five-mile block, I allowed myself to fade in and out of memories – I let past and present mingle surreptitiously. I chose it in the exact breath it chose me. Even knowing what writing my memoirs would mean, I had no idea the gravity, but each time I got too lost or too overwhelmed, one man was there to encourage me forward. Continue reading “On Becoming A Storyteller: A Berlin Memoir by Jessica Ciccarelli”

Submissions Are Open!!! from 1st March – until 24th March – for our second guest editor Amee Nassrene Broumand!!!

Burning House Press are excited to welcome Amee Nassrene Broumand as our second guest editor! Amee will take over editorship of Burning House Press online for the full month of March – when she will then hand over the reins to our third guest editor for the month of April.

Submissions for Amee are open from today – 1st March and will remain open until 24th March.

Amee will be responding and publishing your submissions on a rolling basis during the month of March – and has chosen her themes for submissions!

Amee’s Themes are Masks // Transformations // Cosmos // Personal Myth.

Amee has introduced the themes herself for your guidance:


Wrestle with illusion, seek truth. See your various aspects as masks; consider their individual appearances & reflect upon why they’re shaped as they are. We all have masks; what are yours? Play with this idea, infuse it with mystery. Perhaps make yourself a new mask, one that taps into important yet hidden aspects of your life or mind. Create something that intrigues you, not as a product but as a catalyst for personal transformation. Make something magical; give yourself chills. Mark it with the fire that comes from grappling with your own consciousness. “We are made of star stuff.” –Carl Sagan. Create work inspired by astronomy or cosmology. Contemplate time & the universe & how it all began. Consider the origins of matter & your place in All This. Note the night sky, the turning earth, auroras, eclipses, & the solar system; contemplate nebulae where stars form over eons, contemplate supermassive black holes brooding like giant spiders in a great intergalactic web. Forge a connection to the vastness; create a personal myth that integrates your own mind / dreams / experiences / family / heritage / community / culture / local plants or animals or natural landmarks with the universe at large. Become a drop swimming in an ancient & sublime night. Astrophotography welcome!

GENERAL SUBMISSIONS: If you have work that doesn’t fall into any of these categories, submit it anyway! Hybrid, experimental, & highly imaginative work encouraged. My taste in all media is eclectic but tends towards the strange (in both subject & style). I love clarity, complexity, intelligence, genuineness, introspection, mystery, risk, & symbolism. If it’s too weird for the average literary journal, send it my way; if you walk to the beat of your own drum, I want to hear from you.

NOTE: I especially encourage submissions from women, POC, immigrants, members of the LGBTQ community, the neurodiverse, and other traditionally marginalized groups.

* * *

For submissions, Amee is looking for your poetry, short stories, flash fiction, prose poems, art, collage, painting, photography – as well as non-fiction submissions: essays, reviews, commentary, features, interviews.


Submission Guidelines

All submissions should be sent as attachments to

Please state the theme and form of your submission in the subject of the email. For example: MASKS/POETRY

Poetry and Fiction
For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open from 1st March til 24th March – and will reopen again on 1st April for our third guest editor.

BHP online is now in the capable hands of the amazing Amee Nassrene Broumand– friends, send her your best!


Storytelling: Interview with Rayji de Guia


How long have you been writing and drawing?

I’ve been drawing since even before I could remember. A funny story my mother told me was how she’d gone to the market when I was around four. An older cousin was babysitting me and my sisters. While she was away, my sisters, rambunctious as they were, accidentally toppled a cabinet over the bed. When my mother arrived home, I ran up to her with a drawing on a sheet of paper that clearly depicted the situation – she dropped her huge bags from her hands and was ready to bolt into the house until my cousin came out to assure her everything had been arranged back. I don’t remember this at all, but I never doubted it, given that I’ve always had the memory of drawing with me.

Continue reading “Storytelling: Interview with Rayji de Guia”

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