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Poetry

“The Call” by Joshua Walker

Continue reading ““The Call” by Joshua Walker”

AUGUST 2025 Guest Editor Is stephanie roberts!!! THEME: Better Than It Looks

Burning House Press are excited to welcome stephanie roberts as the third BHP guest editor of our return series of special editions! As of today stephanie will take over editorship of Burning House Press online for the month of AUGUST.

Submissions are open from today 1st August – and will remain open until 25TH AUGUST.

stephanie’s theme for the month is as follows

—BETTER THAN IT LOOKS—

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stephanie roberts is the prize-winning, Canadian author of the poetry collection UNMET (Biblioasis Books, April 2025). The poet Lisa Russ Spaar, writing for the Adroit Review, said, “One emerges from the agile linguistic theatrics of this book [UNMET] feeling requited, met, seen, and inspired—a sensation that moves from writer to reader. From daring to darling.” Her debut collection rushes from the river disappointment (McGill-Queen’s University Press, May 2020) was an A.M. Klein Poetry Prize finalist. Widely featured in periodicals and anthologies in the U.S., Canada, and Europe such as Poetry Magazine, Atlanta Review, Event Magazine, New York Quarterly Books, Verse Daily, Crannóg (Ireland), and The Stockholm Review of Literature, she is the winner of The Sixty-Four: Best Poets of 2018 (Black Mountain Press). www.oceansandfire.com

stephanie roberts lives in Beauharnois Québec. The author of UNMET (Biblioasis Books, April 2025) and rushes from the river disappointment (MQUP, 2020) an A.M. Klein Poetry Prize finalist, she is a 2025 Canada Council for the Arts grant recipient and the winner of The Sixty-Four: Best Poets of 2018 (Black Mountain Press). www.oceansandfire.com

stephanie

linktr.ee/ringtales

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Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: BETTER THAN IT LOOKS/POETRY

Poetry and Fiction

For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Virtual Reality/ 3D Artworks

For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open until 25th AUGUST – and will reopen again on 1st SEPTEMBER 2025/for new theme/new editor/s.

BHP online is now in the capable hands of the amazing stephanie roberts– friends, arsonistas, send our AUGUST 2025 guest editor your magic!

“Bristles from a Paintbrush, Like the Entrails from a Better Somewhere-else” by Jake Syersak

Continue reading ““Bristles from a Paintbrush, Like the Entrails from a Better Somewhere-else” by Jake Syersak”

“The River of Ever-unbrightening Bees is Cataclysm-colored” by Jake Syersak

Continue reading ““The River of Ever-unbrightening Bees is Cataclysm-colored” by Jake Syersak”

“Girl Debt” by Maria Hardin

Continue reading ““Girl Debt” by Maria Hardin”

“Glutton for Sorrow” by Maria Hardin

Continue reading ““Glutton for Sorrow” by Maria Hardin”

“Claudio Gizzi’s Theme for Andy Warhol’s Blood for Dracula (1973)” by James Pate

Continue reading ““Claudio Gizzi’s Theme for Andy Warhol’s Blood for Dracula (1973)” by James Pate”

“Francis Bacon’s Two Figures in the Grass (1954)” by James Pate

Continue reading ““Francis Bacon’s Two Figures in the Grass (1954)” by James Pate”

“Dorothea Tanning’s Tempest in Yellow (1946)” by James Pate

Continue reading ““Dorothea Tanning’s Tempest in Yellow (1946)” by James Pate”

“To Lift” by Paul Cunningham

Continue reading ““To Lift” by Paul Cunningham”

“Night Shift” by Paul Cunningham

Continue reading ““Night Shift” by Paul Cunningham”

“dark things under her tongue” by Kristy Bowen

Continue reading ““dark things under her tongue” by Kristy Bowen”

“the somnambulists” by Kristy Bowen

Continue reading ““the somnambulists” by Kristy Bowen”

“MY CAPITALS” by Kieran Devaney

Continue reading ““MY CAPITALS” by Kieran Devaney”

“IV” from Seismic Mediumicity by Jake Syersak

Continue reading ““IV” from Seismic Mediumicity by Jake Syersak”

“FROLIC APERTURE” by Rina Shamilov

Continue reading ““FROLIC APERTURE” by Rina Shamilov”

“BLUE HORMONE” by Rina Shamilov

Continue reading ““BLUE HORMONE” by Rina Shamilov”

“Rocking the Bone Boat” by Kyla Houbolt

Continue reading ““Rocking the Bone Boat” by Kyla Houbolt”

“MOUTH SUTURE” by Rina Shamilov 

Continue reading ““MOUTH SUTURE” by Rina Shamilov “

“Semaphore Trousers” by Jay Besemer

Continue reading ““Semaphore Trousers” by Jay Besemer”

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