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A Good Place To Die by LaVern Spencer McCarthy



“When are you going to do it?” Lenny asked Susan.

“When am I going to do what?” she responded, laying a card carefully on the dining room table where she was playing Solitaire.

         “When are you going to kill yourself?” Susan glanced at him warily. 

         “I have no desire to kill myself.”

         “But you need to,” replied Lenny. “After all, it was you who had the affair and ruined my name in this town.”

         “Your name!” Susan screeched, slapping the card she held onto the table. “What about my name? Not only have you trashed me to my friends, you went to every bar in town talking about me, trying to get sympathy, but all they did was laugh at you.” Lenny kicked a small trash can over. 

         “I would never have done that if you had been a faithful wife.”

         “But the affair was over five years ago,” she reminded him. 

         “So I heard,” he retorted, but it’s new to me.” Susan stood, ready to leave the room.

         “You shouldn’t have listened to my former lover’s new girlfriend when she called here trying to make trouble.”

         “Oh, is that so? When I asked you if it was true, I expected you to lie, but now I know you told the truth about everything.”

         “Yes, I did,” she replied. “You should be man enough to let it go.”

         “I will NEVER let it go!” he roared. “You should die.” Susan ran into the bedroom and locked the door. Lenny had been this way ever since he found out about Susan’s affair. She felt like throttling the hussy who called her home and demanded Susan come talk with her about Susan’s former lover. Susan had refused, and the woman informed Lenny. None of this would have happened if the man she gave her heart to had kept his mouth shut.

         Susan became a pariah in the town where she lived. Everywhere she went she could hear snide remarks behind her back. Leering men made obscene gestures. She was forced to shop two towns over so as not to be seen by anyone she knew.

         Lenny was not innocent. He backhanded Susan for the slightest thing she did wrong, even before her confession about being unfaithful. She often went to work wearing dark glasses because of a black eye. As a receptionist at an insurance company, she had to be presentable. It was hard to hide a cut lip or swollen, bruised face. Her boss threatened to fire her if she didn’t leave Lenny. She had no place to go, no children, no family. No one cared what happened to her. 

         Lenny hung around her work place, often waiting for her at the ground floor of the elevator when she got off work. His face in a perpetual sneer, he would inquire as to when she would commit suicide. He decided he wanted to be present when it happened. Susan told him not to worry. She would make sure he was there if she did it.

         She wondered what Lenny would do if she did kill herself. She was the only one who worked. Lenny was a dead-beat who never lifted a hand to do anything except drink and play video games. Their marriage had gone steadily downhill. She wished she had never met him.

         She also wished he would see a therapist or mental health worker. Of course, anyone would be upset if a spouse cheated, but Lenny went too far. The torment had been going on for a year. Lenny began suggesting various places for Susan to kill herself.                                               He wanted her to shoot herself in their flower garden, but she said that would disturb the neighbors. There were too many parents with children at the city park. No, she would not go there. But she was thinking of ending her life more and more. What did she have to live for anyway? Lenny’s constant barrage of hatred and ridicule were causing her a great deal of depression and despair. Because of trauma Susan had been eating more. She was a big woman before, but now she topped three hundred pounds, something else for Lenny to make nasty remarks about. 

         At last Susan decided to do what Lenny wanted. When it happened, Lenny was

there just as she had promised. As he was walking past the building where Susan worked,

she jumped from her office window on the twelfth floor and landed squarely on his ugly

head. 


LaVern Spencer McCarthy, has published eight books of poetry and four books of short
stories plus three journals. Her poems have been published in Visions International,
Poetry Society of Texas Book of The Year, Open Skies Quarterly, National Federation of
State Poetry Society’s Encore, Austin Poetry Society’s Austin’s Best Poets, A Texas
Garden of Verses and numerous state anthologies and newspaper columns.
Her poem, October’s Agenda was nominated for the Pushcart Award in 2023.

The Return by a.d.


For weeks she willed the horizon ablaze

with word of triumph

Smoke from her fires     sways lascivious in the mist

She dresses the house for his return

as a snake vestures itself in foliage    biding for prey

Finally the homecoming

Streets filled with petals     laughter     song

Expectant women     scan the victors for their sons

hope ebbing & absconding

She sees him    argentine    mightier than she remembers

feels an unwelcome stab       of tenderness like self-violation

On the carriage next to him     her daughter    alive

tears pulsating     threads of red dancing in the wind

He gleams    godlike    within the conglomeration

closer     closer—        She realizes his trick:

the girl      foreign      not her own

Fury intensifies within her       seizes her by the throat

resolve     floods her gut like semen

She bids him into the tyrian river     beguiling

the bowels of the butcherhouse

House ghosts nab at his feet    salivating for vengeance

he wades on    blind as a god to silent suffering

For ten years he has cheated death as it caressed him unknowingly

thinks himself inviolable     on par with the deathless gods

But her prayers have been steadfast   inerrant   

& Death is generous & heeding

She spinals the blade   

hones her resolve     into promise: 

the moonfall will see him dead


a.d. is drawn to the sacred, the profane, the mysterious and the mythological, which provides inspiration for her work. She is an award-nominated bisexual poet, writer, and visual artist, with words published in HAD, Blood+Honey, MCRB, REDAMANCY Mag, God’s Cruel Joke, HAWKEYE, and elsewhere. Meanwhile, her visual art, mainly photography and self-portraiture, is featured in Hominum Journal, Occulum, RESURRECTION Mag, Antler Velvet, Bleating Thing and other outlets. Tumblr & Twitter: @godstained

FEBRUARY 2026 Guest Editor Is Ingrid M. Calderón!!! Theme: LOVE & HATE

Burning House Press are excited to welcome Ingrid M. Calderón as the seventh BHP guest editor of our return series of special editions! As of today Ingrid will take over editorship of Burning House Press online for the month of February.

Submissions are open from today 1st February – and will remain open until 25th February.

Ingrid’s theme for the month is as follows

___

LOVE & HATE

___

Where does love end and hate begin? As an advocate of love in all its manifestations, I‘ve often found myself pondering and teetering on the soft umbilical cord of disillusionment when it comes to these emotions. I am not alone. Love & hate are siblings, —often share a room and define themselves by the company they keep. If needs remain unmet, what changes and how fast before combustion? If disappointment isn’t addressed, love and hate begin their resentful coexistence of two high volume breeds of circuitry.

All feelings at once please!

Ache. Want. Lust. Desire. Hate. Hostile. Loathe. Thirst. Hunger. Disgust. Violence.

I invite you to send poetries, hallucinations, uncomfortable journal entries and artworks pulled from the depths of where love & hate live inside you.

Ingrid is a poet, seer, collagist and the solitary editor of Resurrection magazine. She resides in Los Angeles, CA

___

  • SUBMISSION GUIDELINES
    • All submissions should be sent as .doc or .docx attachments to guesteditorbhp@gmail.com. No cover letter is necessary but please include a short third-person bio and (optional) photo of yourself for potential print with your submission. You may also consider including social media usernames, especially if you’re on Bluesky/Instagram– I want to promote your work!
    • Please state the theme and form of your submission in the subject of the email. For example: LOVE&HATE/FICTION
    • Submissions are open until 25th February and will reopen again on 1st March 2026 for a new theme/new editor/s.

    • Poetry and Fiction
      For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

    • Art
      Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

    • Virtual Reality/ 3D Artworks
      For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

    • Non-fiction
      Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

_______

BHP online is now in the capable hands of the amazing Ingrid M. Calderón – friends, arsonistas, send our February 2026 guest editor your magic!

JANUARY 2026 Guest Editor Is KAWAI SHEN!!! Theme: ULTRAVIOLET

Burning House Press are excited to welcome Kawai Shen as the sixth BHP guest editor of our return series of special editions! As of today Kawai will take over editorship of Burning House Press online for the month of January.

Submissions are open from today 3rd January – and will remain open until 25th January.

Kawai’s theme for the month is as follows

___

ULTRAVIOLET

  • Fresh bruises, wine stains, amethyst talismans, wilted lilacs, metallic fougeres, overripe mulberries, indigo children, laser burns, grape candy, supernova dust
  • Inspiration: Sei Shonagon, William S. Burroughs, Angela Carter, Mervyn Peake, Réjean Ducharme, Jean-Baptiste Del Amo, Aurora Mattia

Kawai Shen is based in Canada. Her fiction was shortlisted for the 6th edition of The Metatron Prize for Rising Authors and was selected for the Best Canadian Stories 2025 anthology. She has published work in khōréō, ergot, Extra Extra, The Whitney Review, A Fucking Magazine, and more. Her book, Wavering Futures, is forthcoming with Metatron Press in 2026.

AUTHOR PIC: photographer, Paul Hillier.

______

  • SUBMISSION GUIDELINES
    • All submissions should be sent as .doc or .docx attachments to guesteditorbhp@gmail.com. No cover letter is necessary but please include a short third-person bio and (optional) photo of yourself for potential print with your submission. You may also consider including social media usernames, especially if you’re on Bluesky/Instagram– I want to promote your work!
    • Please state the theme and form of your submission in the subject of the email. For example: ULTRAVIOLET/FICTION
    • Submissions are open until 25th January and will reopen again on 1st February 2026 for a new theme/new editor/s.
      • Fiction: Fiction should be limited to 1,500 words or (preferably) less. Up to two micros (maximum 500 words) may be sent.
      • Poetry: You can try your luck with poetry, but this issue will focus on purple prose. Submit no more than three poems.
      • Art: Submit a maximum of six hi-res images of your work in JPEG format (maximum size 2MB) with descriptions of each work (Title, Year, Medium) in the body of the email. File names should correspond with the work titles.

_______

BHP online is now in the capable hands of the amazing Kawai Shen – friends, arsonistas, send our January 2026 guest editor your magic!

DECEMBER 2025 Guest Editor Is MATTHEW KINLIN!!! Theme: My Heart Is Empty: Responses to The Life and Work of Nico

Burning House Press are excited to welcome Matthew Kinlin as the fifth BHP guest editor of our return series of special editions! As of today Matt will take over editorship of Burning House Press online for the month of December.

Submissions are open from today 1st December – and will remain open until 21st DECEMBER.

Matt’s theme for the month is as follows

My Heart Is Empty: Responses to The Life and Work of Nico

Matthew Kinlin lives and writes in Glasgow. His published workst include Teenage Hallucination (Orbis Tertius Press, 2021); Curse Red, Curse Blue, Curse Green (Sweat Drenched Press, 2021); The Glass Abattoir (D.F.L. Lit, 2023); Songs of Xanthina (Broken Sleep Books, 2023); Psycho Viridian (Broken Sleep Books, 2024) and So Tender a Killer (Filthy Loot, 2025). Instagram: @obscene_mirror.

——

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: NICO/POETRY

Poetry and Fiction

For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Virtual Reality/ 3D Artworks

For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open until 21st December – and will reopen again on 1st January 2026/for new theme/new editor/s.

BHP online is now in the capable hands of the amazing Matthew Kinlin – friends, arsonistas, send our December 2025 guest editor your magic!

this by anna f.

Photos/artwork by anna f.

All this started on a lonely bench at Frustration Station.

There I was, sitting, with a crushing sense of defeat, of failure, and a nagging urge to engage in some kind of creative process again. My life had unravelled slowly but predictably so, over the past few years. 2020 was the last straw.

I used to dream up shows, and stage them at festivals, fringe theaters, and clubs.

Exit – Irreverent Sideshows.
Enter – Irrelevant Slideshows.

Working in 2D was not my thing but I was left with no better options. I started playing around with a series of photographs I had taken of two friends taking down an exhibition. I had documented their ‘performance’ — their gestures, interactions, and movements — against the white walls of the gallery.

I don’t usually print the photos I shoot but this time I did. All of them, and more than one copy of each. I propped them up against the wall at the edge of my chaotic desk.

Waiting? Maybe.

I wandered down a path without any sense (nor care) of where I was going. No purpose, no intention, no destination — a random walk in the dark. I let my pen run over the images, then added brush strokes to some, before reprinting them, then more of the same. Over and over.

After a couple of months, I was on a roll, reworking the same photographs again and again, experimenting with collage, color, different inks and paints, re-photographing, and re-printing, adding more ink and paint. I was like a child throwing toys around a sandbox and loving it.

In spring 2025, almost a year after I had shot the original photographs, I stopped for a moment and looked. I said ‘Hi’ to my new friends. I was ready to dance, to transform the photographs more purposefully, and bend them gently along a curve of intention.

I’m not planning to leave this dance floor any time soon. I might even change the music, learn some new moves.

. . .

anna f.’s background is in architecture and predominantly in theatre. She’s the founder and director of the performance group Irreverent Sideshows and recently started the visual arts project Irrelevant Slideshows. She lives in London.

Late September 1978 by Kelly Rebar

Photo by Kelly Rebar

Every year I’m taken there
the air the light the sight
of leaves
drifting past
without a care I’m driving
in the Rockies
in my old Plymouth Valiant
a shade of bronze
you don’t much see
anymore
colour of stubble
fields
at sundown
I’m barely 23, endless Christmas trees
line the highway
now it’s the mountain peaks
the sun is tinging
pink I think I even sing
(I wouldn’t put it past me)
Neil Young’s Comes a time
when you’re driftin’
Comes a time when you settle down

Okay, what’s this
side of the road
a herd of elk
just standing there
watching
five in total
the reason I recall is
I write it down
when I get there
the cabin I’ve secured

for winter
and right on cue
like a movie
I pull up just when
it’s not dark yet but getting’ there
now that song also takes me there
to that door
the smell of firewood
stacked by the door
I watch the kettle while it boils
I open my notebook
on the kitchen table
by a window
with green curtains
and lo and behold I find a candle
meant for emergency
but at 23 who waits for that
you see a candle
you light it
I write September 1978 on the first page

No, hold on, it’s not a notebook
it’s a school scribbler
dime store type, Hilroy, map of Canada on the cover
timetable on the back
and bottom left:
30 days hath September
April June and November
I write what comes to me
how people in the past wrote it snowed all day
baked so many loaves of bread
as if it needs to be said
“Saw five elk on the way here”
and leave the unpacking
for tomorrow

but when tomorrow comes
I don’t unpack
too busy
sitting
in the sounds of silence
a woodpecker tapping
in a nearby tree
maybe I imagined that
but I know this much is true: I set my Smith Corona
on that kitchen table
by the window, the green curtains
and I tap too
all day long
tap tap
tap tap

into the next night
and all the days
and nights
after that
Who knows where those words are now
they’re long gone
but not the sound they made
landing on the page
not the smell of firewood
by the cabin door
the leaves gathering on the window ledge
the candle going out
I probably slowed
the Valiant down
when I saw the elk
I’m willing to bet I did
you never know if they are going to stay
or if they will wander

. . .

Working from the small mountain town of Nelson, BC, Canada, Kelly Rebar has written for theatre, film, and television. After a long hiatus, she recently returned to playwriting and created two one-woman shows, both written in verse and scored with music. She also works with photographic images, old and new, and writes short poems.

Kerala Notes by Kim Dorman

Photos by Kim Dorman

Through a grimy window
open fields
small houses by tracks
people standing
or sitting
in doorways
watching the train

. . .

6.30 p.m. muezzin’s call to prayer

. . .

The battered, rusted pans the workmen use
are as beautiful as things in a museum.

. . .

names of butterflies
Sahyadri Birdwing
Sahyadri Grass Yellow
Sahyadri Rosy Oak Blue
Malabar Banded Swallowtail

. . .

Nightfall.
A lamp,
its shadows

All morning, rain.
Thousands of cicadas sing at once.
I sit by the window and sip coffee,
watching rain pour from the eaves.
I’ve lost touch with old friends.
Lizard droppings lie scattered on the window sill.

. . .

I’m not useful like a carpenter or plumber. I sit alone
on veranda steps, gaze at the evening sky.
Neighbors are quiet; the road to the village is empty.
The moon set an hour ago.

. . .

Shadows blur on whitewashed walls.
Serrated, spinning: leaf midair.
Sensitive cells know day from night.
Chitin, bone, shell.

A street barber squats on the pavement.
Mirror, comb, scissors,
razor, soap
neatly arranged
on a threadbare blanket.
Coins fall like stars.

. . .

moth shadow,
web
let the mind
rest

. . .

I’m a stranger, outcaste passing through

. . .

A dog limps past,
vagabond.
Whisper of river grass.

Drums reverberate.
An oil lamp gleams.
Heat. Sweat.
Gods and heroes
dance through the night.

. . .

The rain doesn’t end.
Fungus eats our nails, books grow white mold.
Pillows and sheets smell of mildew.
The whitewashed walls turn green.
A huntsman spider clings to a corner of the ceiling all day.
There’s no daylight.
The rain doesn’t end.

. . .

Fog at dawn. The smell of cook fires,
feces, wet earth.
The sky stays dark.
My heart:
a withered seed.

. . .

Last night I dreamed I was walking by the sea
and came upon a group of thatched huts.
I asked an old man, “What place is this?”
“Nelcynda” he said.

. . .

I light a citronella stick.
Bullfrogs roar in the flooded paddy field.
Already the road is quiet.
My lamp flickers
and then goes out.

. . .


Kim Dorman was born in Little Rock, Arkansas, and raised in Oklahoma and Texas. He has worked and traveled in North America, from Mexico to Alaska, and spent time in France, India, and Sri Lanka. His books of poetry include Owner (Longhouse, 2016) and Kerala Journal (Corbel Stone, 2021). He currently resides with his wife in Kerala, India.

Imprint Of Weeping Angels by Jenni Fagan

Photo by Jenni Fagan

. . .

Dr Jenni Fagan is an award-winning, critically acclaimed novelist, poet and artist. Published in global translations the author of four fiction novels, one non-fiction memoir, eight poetry collections, exhibitions, adaptations and with another two new fiction novels due out next year. She has won The Gordon Burn Prize 2025, was a Granta Best of British Novelist (a once in a decade accolade), Scottish Author of the Year and has been on lists from The Women’s Prize, BBC International Short Story Prize, The Sunday Times, Encore and more. Fagan has worked extensively with vulnerable groups including those  in prison, and the care system where she herself grew up. Described as The Patron Saint of Literary Street Urchins, Fagan’s work responds to the centre always from the margins and without compromise.

https://www.jennifagan.com/

NOVEMBER 2025 Guest Editor Is C.C. O’HANLON!!! THEME/S: JOURNEYS

Burning House Press are excited to welcome C.C. O’HANLON as the fifth BHP guest editor of our return series of special editions! As of today C.C. will take over editorship of Burning House Press online for the month of November.

Submissions are open from today 1st November – and will remain open until 25TH November.

C.C.’s theme for the month is as follows

—JOURNEYS

~~~

JOURNEYS: Physical, Psychological, and Imaginary, embracing words and images, in all forms, as well as complexity, resisting the superficial, algorithmic narratives of social media.

~~~

Photo by Given Rozell.

~~~

A self-described ‘vagabond, diarist, and wreck’, C.C. O’Hanlon’s fragmentary memoirs have been published in various anthologies, including Best Australian Essays 2005 and Best Australian Stories 2004 (both published by Black Inc, Australia), A Revealed Life: Australian Writers And Their Journeys In Memoir (ABC Books, Australia), The Odysseum: Strange Journeys That Obliterated Convention (John Murray, U.K.), Zahir: Desire & Eclipse (Zeno Press, U.K.), and Dark Ocean (Dark Mountain Project, U.K.). A founding features editor of Harper’ Bazaar Australia in the late ’80s, his mainstream journalism and images have appeared in The New York TimesThe Sydney Morning HeraldVarietyTravel & Leisure, the Australian editions of Vogue and Harper’s Bazaar and scores of other newspapers and magazines.

He now lives a nomadic life with his American wife of 38 years aboard a small, sea-worn old sailboat named Wrack in the southern Mediterranean. They have three adult children.

_______

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: JOURNEYS/POETRY

Poetry and Fiction

For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Virtual Reality/ 3D Artworks

For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open until 25th November – and will reopen again on 1st DECEMBER 2025/for new theme/new editor/s.

BHP online is now in the capable hands of the amazing C.C. – friends, arsonistas, send our NOVEMBER 2025 guest editor your magic!

Motion Picture by Donna Enticknap

15 minute pinhole exposure, handprinted fibre-based silver print

Donna Enticknap works with alternative photographic processes
to create portraits of place and self, exploring ideas of connection to time
and landscape, and the fallibility of human memory.
Bluesky: @auuop.bsky.social Website: https://www.donnaenticknap.com/

Entangled #4 by Damian Ward

Damian Ward’s work explores the subtle interplay between nature, memory,
& the enduring presence of the past. Through a monochromatic lens,
he seeks to distill the landscape to its essential forms.
Bluesky @damianward.bsky.social
www.damianwardphotography.co.uk

Subterraneans ii by Paul Hearn

Part-time collagist and amateur bricoleur, Paul has always been infatuated
with pop music and comics. Bluesky @paulxhearn.bsky.social

Entangled #20 by Damian Ward



Damian Ward’s work explores the subtle interplay between nature, memory,
& the enduring presence of the past. Through a monochromatic lens,
he seeks to distill the landscape to its essential forms.
Bluesky @damianward.bsky.social
www.damianwardphotography.co.uk

SEPTEMBER 2025 Guest Editor Is Alexander Booth!!! THEME/S: LANDSCAPE // LABYRINTH

Burning House Press are excited to welcome Alexander Booth as the fourth BHP guest editor of our return series of special editions! As of today Alexander will take over editorship of Burning House Press online for the month of September.

Submissions are open from today 1st September – and will remain open until 25TH SEPTEMBER.

Alexander’s theme/s for the month are as follows

—LANDSCAPE

LABYRINTH—

Black Square and Red Square by Kazmir Malevich

_____

LANDSCAPE // LABYRINTH

*

When the painter’s friends, however, looked around for the painter, they saw that he was gone—that he was in the picture. There, he followed the little path that led to the door, paused before it quite still, turned, smiled, and disappeared through the narrow opening. 

–        Walter Benjamin, Berlin Childhood around 1900 (trans. Howard Eiland)

*

Each one of us, then, should speak of his roads, his crossroads, his roadside benches; each one of us should make a surveyor’s map of his lost fields and meadows. 

           Gaston Bachelard (trans. Maria Jolas)

*

“Though Minos blocks escape by land or water,”

Daedalus said, “surely the sky is open,

And that’s the way we’ll go. Minos’ dominion

Does not include the air.”

–        Ovid, Metamorphosis (trans. Rolfe Humphries)

_____

Alexander Booth is a poet, translator, collage artist and printmaker who lives in Berlin. Recent translations include books by Friederike Mayröcker, Alexander Kluge, Gerhard Rühm, and a new translation of Ludwig Wittgenstein’s Tractatus Logico-Philosophicus. His collection of poems Triptych was published in 2021 and Kantor in 2023.

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Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: LANDSCAPE/POETRY Or LABYRINTH/FICTION

Poetry and Fiction

For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Virtual Reality/ 3D Artworks

For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open until 25th SEPTEMBER – and will reopen again on 1st OCTOBER 2025/for new theme/new editor/s.

BHP online is now in the capable hands of the amazing Alexander Booth – friends, arsonistas, send our SEPTEMBER 2025 guest editor your magic!

AUGUST 2025 Guest Editor Is stephanie roberts!!! THEME: Better Than It Looks

Burning House Press are excited to welcome stephanie roberts as the third BHP guest editor of our return series of special editions! As of today stephanie will take over editorship of Burning House Press online for the month of AUGUST.

Submissions are open from today 1st August – and will remain open until 25TH AUGUST.

stephanie’s theme for the month is as follows

—BETTER THAN IT LOOKS—

________

stephanie roberts is the prize-winning, Canadian author of the poetry collection UNMET (Biblioasis Books, April 2025). The poet Lisa Russ Spaar, writing for the Adroit Review, said, “One emerges from the agile linguistic theatrics of this book [UNMET] feeling requited, met, seen, and inspired—a sensation that moves from writer to reader. From daring to darling.” Her debut collection rushes from the river disappointment (McGill-Queen’s University Press, May 2020) was an A.M. Klein Poetry Prize finalist. Widely featured in periodicals and anthologies in the U.S., Canada, and Europe such as Poetry Magazine, Atlanta Review, Event Magazine, New York Quarterly Books, Verse Daily, Crannóg (Ireland), and The Stockholm Review of Literature, she is the winner of The Sixty-Four: Best Poets of 2018 (Black Mountain Press). www.oceansandfire.com

stephanie roberts lives in Beauharnois Québec. The author of UNMET (Biblioasis Books, April 2025) and rushes from the river disappointment (MQUP, 2020) an A.M. Klein Poetry Prize finalist, she is a 2025 Canada Council for the Arts grant recipient and the winner of The Sixty-Four: Best Poets of 2018 (Black Mountain Press). www.oceansandfire.com

stephanie

linktr.ee/ringtales

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Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: BETTER THAN IT LOOKS/POETRY

Poetry and Fiction

For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Virtual Reality/ 3D Artworks

For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open until 25th AUGUST – and will reopen again on 1st SEPTEMBER 2025/for new theme/new editor/s.

BHP online is now in the capable hands of the amazing stephanie roberts– friends, arsonistas, send our AUGUST 2025 guest editor your magic!

JULY 2025 Guest Editor Is M. Forajter!!! THEME: ART & ANNIHILATION: contemporary gothic writing in the Anthropocene

Burning House Press are excited to welcome M. FORAJTER as the second BHP guest editor of our return series of special editions! As of today M. will take over editorship of Burning House Press online for the month of JULY.

Submissions are open from today – and will remain open until 25TH JULY.

M.’s theme for the month is as follows

—ART & ANNIHILATION: contemporary gothic writing in the Anthropocene—

ART & ANNIHILATION: contemporary gothic writing in the Anthropocene

“The energy of the poem penetrates and re-penetrates the rotting native land with ghosts, junk, corpses, skin, denigrating terms, and denigrated materials in order to engender a counternativity, an occult rebirth as ghostly reanimation. In this way the poet incestually forces his own rebirth, not as a liberated man but as a kind of infernal, spectral double, a production of the text: “And behold here I am!” -Joyelle McSweeney, The Necropastoral: Poetry, Media, Occults

BRAND NEW CHERRY FLAVOR! + microplastics + dandelion +  flawed pearl + fruit punch + The Relic + baroque + “when does a meadow stop being a meadow” + jackalope + bowl of teeth + i am sad, so sad + a ceaseless keening + still skeptical + lilac + Lizzie Borden took an axe + Joan of Arc : : Gilles De Rais + “search at the dump concluded today with” + tiger pelts + je me lance + the biologist + dense + decadent + nonpotable + “ob-scene[…] their filthy beauty” + disposable + “the pastoral, like the occult, has always been a fraud” + heavy water + contamination readouts + bonsai tree + shotgun +  “no conclusive evidence of substantial impact on wildlife” +  wild boar + many wolves + pine + “life finds a way!” + slight asymmetric measurements + “don’t drink milk or eat tomatoes” + MELODY,   GLOUCESTER + sunflower  remediation +  fortitude + end of the world + gross body + ecological anxiety +  HUMANS,         HUMANS,         HUMANS.

Contemporary ecological concerns are often countered with talk about environmental justice.  What does justice mean to a corpse? I’ve read too many books where hapless environmentalist do-gooders try to sell me the silver lining in mass extinction and planetary collapse. Some people are very excited about the possibilities in fungus. Some people are vegetarians. Some people make art. Autoerotic asphyxiation takes many forms.

Send me decadent poetry peddling vegetal, venial filth; fiction that is more sensation than sense; writing with mutated romantic hearts; visual art both florid and tortured. Send me your most purple perfume reviews & pimple pops, your psycho killer love letters, your apocalypse day planner. Tell me what credit cards you ate for lunch yesterday; your most recent sperm count. I want a lush gothic novel written by a half-imploded billionaire at the bottom of the sea; I want Melancholia & Flannery O’Connor & Lara Glenum & Only Lovers Left Alive.

Good luck.

____________

M. Forajter is the author of Interrogating the Eye (Schism Neurotics, 2022), a poetry-essay on the poetics of looking/the gaze and the ecstasy of art making. Her work focuses on experimental poetics, the gothic, and the effects of the Anthropocene on non-human ecology. She really likes Nirvana, werewolves, and medieval art.

__________

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: ART & ANNIHILATION/POETRY

Poetry and Fiction

For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Virtual Reality/ 3D Artworks

For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open until 25th JULY – and will reopen again on 1st AUGUST 2025/for new theme/new editor/s.

BHP online is now in the capable hands of the amazing M. FORAJTER– friends, arsonistas, send our JULY 2025 guest editor your magic!

JUNE 2025 Guest Editor Is JOHN TREFRY!!! THEME: INANIMISM

Burning House Press are excited to welcome JOHN TREFRY as the first BHP guest editor of our return series of special editions! As of today JOHN will take over editorship of Burning House Press online for the month of JUNE.

Submissions are open from today – and will remain open until 25TH JUNE.

JOHN’S theme for the month is as follows

—INANIMISM—

Submission Guidelines

All submissions should be sent as attachments to guesteditorbhp@gmail.com

Please state the theme and form of your submission in the subject of the email. For example: INANIMISM/POETRY

Poetry and Fiction

For poetry submissions, submit no more than three of your best poems. Short stories should be limited to 1,500 words or (preferably) less. We encourage flash fiction submissions, no more than three at a time. Send these in as a .doc or .docx file, along with a short third-person bio, and (optional) photograph of yourself.

Art
Submit hi-res images of your works (drawings, paintings, illustrations, collages, photography, etc) with descriptions of the work (Title, Year, Medium, etc) in the body of the email. Files should be in .JPEG unless they are GIFs or videos, and should not exceed 2MB in size for each work. File names should correspond with the work titles. Video submissions can be uploaded onto Youtube or Vimeo for feature on our website. Send these submissions along with a short third-person bio, and (optional) photograph of yourself.

Virtual Reality/ 3D Artworks

For VR Submissions, please submit no more than three (3) individual artworks. For Tilt Brush works, please upload your artwork to Google Poly (https://poly.google.com/), and mark it as ‘public’ (‘remixable’ is at your own preference). A VR/3D artwork can also be submitted as a video export navigating through the artwork. If you prefer this method, please upload your finished video file to YouTube or Vimeo and provide a URL. With either format, please provide a 150 word artist’s statement.

Non-fiction
Non-fiction submissions (essays, reviews, commentary, interviews, etc) should be no more than 1, 500 words and sent as a .doc or .docx file along with your third-person bio/and optional photograph.

Submissions are open until 25th JUNE – and will reopen again on 1st JULY2025/for new theme/new editor/s.

BHP online is now in the capable hands of the amazing JOHN TREFRY – friends, arsonistas, send our JUNE 2025 guest editor your magic!

Womannotated – The Dirty Truth About Butterflies

November 29th, 2020

The Dirty Truth About Butterflies

It’s easy for a religiously bred

(misled) girl to make an Eden of

a garden, angels of winged soon dead,

repopulating in three weeks. But love’s

amino acids butterflies won’t find

in agapanthus nectar, waterfalls —

Continue reading “Womannotated – The Dirty Truth About Butterflies”

Porthscape by Andrew Fentham

Fentham BHP 1
‘Porthscape 1’ by Andrew Fentham

Continue reading “Porthscape by Andrew Fentham”

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