Not For Profit/For Prophecy



two poems by Lisa Marie Basile

saint of homeless shelters

imagine a whole room of us, braiding one another’s hair. imagine our hair, blackthick, imagine how it was braided together, by strand and by time. three girls brushing my hair at a wide dirty window, while six strangers smoke cigarettes in the garden below. at least half of them will not live. imagine us girls in the window looking down. how half of us will become our mothers. we eat a communal dinner, speak a communal prayer, sorrow spilling tang and blood water, catastrophe hands ripping wet bread and steeple prayers. dio, we say, are you here now? a church bell tolls, the summer light burns silent, doors shut, bodies writhe, and we think we are saved. imagine a whole house of women battered and bad, bodies crushed by ill and their children. waiting on god. count until forever and that is the sound I remember.

Continue reading “two poems by Lisa Marie Basile”

I discover color: 1965, by Matthew Goulish

– 1 –

I make this approach examining fundamentals. Consider a fundamental an element present in every instance. In the practice of performance, the fact of the floor constitutes a fundamental. By this definition, every instance of performance involves a floor, a ground. Can we imagine a performance without a floor? Even the aerial performers hang on the trapeze bar, a suspended ground that swings in arcs. They may stand on it. The astronaut in zero gravity encounters a floor in the space capsule’s every surface. Out in the void … I will get to that. For now, in this demonstration, I lift the largest airplane, the P-25, to display for the camera. A moment ago it rested on the now-empty space of the blue square: each square a color; each color a floor – foundations becoming grounds of different climates and degrees.

Continue reading “I discover color: 1965, by Matthew Goulish”

Exile is a Fire No One Can Put Out by Annie Q. Syed


Where I come from, they still bury girls alive. Yet my father went and gave methai, sweet fat-fattening nourishment, to everyone he knew when he found out his first born was a girl. Then came the reality of teaching his girl how to make it as a female in a culture where older men, sometimes even in one’s own family, grab-a-feel of a prepubescent girl if they so choose. The easiest remedy was to turn me into a boy. I can’t recall if my wearing shorts, no make-up, very short hair came from a desire to be like one of the boys or to survive. I learned to curse very young and I trusted no one for a very long time. I learned to be the sun that can rot you from my father; I learned to be a woman who knows the man in the moon from my mother.
Continue reading “Exile is a Fire No One Can Put Out by Annie Q. Syed”

Three poems by Mark Goodwin

February 29th 1933

The saddest thing for the English to bear, is not what they have lost, but instead
what they know has not yet been found, but is nevertheless enduring in the shadows.
– Derrick Adderage

The house has slid here
to this wide street-middle; it floats
like a dark ship on smooth wet tarmac; it splits
the road that seems to flow slowly

either side of it.

The houses lining the street shrink
as this one house inflates
with where it came from.

And him. Continue reading “Three poems by Mark Goodwin”

Three poems by Mingji Liu


Peel open and peek:

inside the flapping, lolling mouth
of our mother’s photo album.

laminated with a sticky-wash skin
in grainy, colour-locked glamours.

encircled as we are, backlit and gypsy-like,
upon the retina of her old kodak.

Leaf through and look:

at our mother’s postgrad bungalow,
and the cats she found and raised alone.

and here, in burnout red, our ex-brothers,
with their lucid, low alley guitars.

and these polaroids of nameless children,
in some backyard mummery we long forgot.

Browse, then burrow:

deep into this picture house novel,

framed by weddings. birthdays. sleepovers.
reunions. divorces. second-hand toyotas.
painted kitchens. political borders. the first dog we ever got.

Then her final photo. Book ends.
Snap shut.
The film roll clicks.
And our lives rewind again.

Continue reading “Three poems by Mingji Liu”

The Green, Green Grass of Ceredigion by Laurence Mitchell

The final nine miles into Aberystwyth were a soothing amble through dappled green light – the disused railway track partially shaded by the overhanging branches of limes and oaks, the gravelly river close enough to be an audible murmur through the trees. Continue reading “The Green, Green Grass of Ceredigion by Laurence Mitchell”

The farm will have us always by Richard Winters



The air at 4:30 is cool and lightless, the Moon is waning gibbous, low in the south in Capricornus, and in the southwest, Jupiter is descending in Ophiuchus. And Mother came to see the tiger lilies yesterday, they are blooming beside the pond, marking the farm’s July. Continue reading “The farm will have us always by Richard Winters”

Berceuses by Petero Kalulé



       come to mind cloud

come to cloud mind – Marie Ponsot


& every now

& then,

i sit by her feet, on her porch

never ever talking.


& together,

we watch the soughing

heavens  mutter, str-

etching their



in lulls  & retorts


nearly went  & nearly wait

– crossed & crossed all over.

Continue reading “Berceuses by Petero Kalulé”

L.A. Lust by Yanina Spizzirri

This city, this big sprawling dream of a city, mighty and misunderstood Los Angeles, is often defined in terms of tired cliches and sweeping generalizations. Soul-less and a-historical L.A., they say. A city where nobody walks, they lie. A far-reaching enigma going on for miles and miles, they all nod and agree, baffled. Continue reading “L.A. Lust by Yanina Spizzirri”

Fernando Sdrigotti: In Conversation with C.C. O’Hanlon

“…I miss the possibility of Buenos Aires. And by missing its possibility I can miss my own hometown without the uncomfortable bits, without all the impossibilities, the proximities, the complexities and familiarities. The parts that can hurt.”

Fernando Sdrigotti is a writer, editor and occasional translator. Born in Rosario, Argentina, in 1977, he was expelled by the economic crash of 2001. He lived in Dublin and Paris before settling in London in the early noughties. Continue reading “Fernando Sdrigotti: In Conversation with C.C. O’Hanlon”

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