October 10th, 2020
We will race, her sisters, there, past gargoyles
down a swiveled silver stair. One who rides
its rail, body of snake, chiseled coil
to marble tongue will take the lead then chide
the rest — a mob with matches in pockets
Continue reading “Womannotated – Little Witches”
August 16th, 2020
(Content warning: horror, death, suicide, some discussion of Midsommar with what could be considered general, mild spoilers)
A scent in twilight past breaths of the beast
who stalks the edges of forests on the
phalanges of feet, quickening heartbeats
of little lost girls, panting in pine trees
near the end of the world. Pale hirsute ear
you peer where the needles are bare. Eyes straight
ahead, mutter pieces of prayers. Fear
After Morticia Addams describing Wednesday’s
role model (“Wednesday’s great-aunt Calpurnia.
She was burned as a witch in 1706. They said she danced
naked in the town square and enslaved a minster ..
but don’t worry. We’ve told Wednesday: college first.”)
Young girls require a patron saint — aunt’s
abysmal ashes antiquate entwined,
Massachusetts grave, with God’s servant
whom she enslaved. Impious mind
in clerical cravat a town square dance
(performed in only raven plaits) bewitched Continue reading “Womannotated – Calpurnia”
During my tenure as BHP’s Guest Editor in March 2018, I was lucky enough to publish many gifted writers. One of these was Kate Dlugosz, whose mythic poetry stayed with me long after my editorship was over. Earlier this month I invited her back onto Burning House Press for a gothic Halloween special. She agreed. Take note, this interview is merely masquerading as an interview. What follows is a gorgeous helping of dark prose poetry for those of us who have October in our bones. Enjoy! —Amee Nassrene Broumand
In your poem “Springtime,” you write: “If nothing else, I know owls come from flowers.” Tell us some more origin stories. Where do bats come from?
Bats come from song, as the shape of music from the cords formed of autumn constellations played by the wind upon the harp of the waning crescent moon. It is from the stars and the moon that the bat took flight from the night sky, the space between the stars where they learned to see by shape. And released by moonlight, through the darkened canopies of wine-red treetops they fly as hordes of poppy seeds, scattering over the moon as grey clouds, and the world below them becomes strange and wild and unknown in the dark. The bats echolocate the moths and the beetles in the night, and in the blindness of their own vision seeing with clarity the worlds of ghosts and spirits that pass over our own. You feel the first chill of autumn is the hiss of the bat as it grazes your neck. At times the bats hang down from the banisters of old barns, the wooden planks slicing the moon to shreds like a white moth between their fangs. And sometimes they sleep hanging from the limbs of oak trees by their claws before taking flight into purple dusk in search of blood, the moths and monsters prowling under moonlight. Bats suck the red from apples and rosehips and would consume the sun if they could sink their teeth into flame. Should you stare into the vast night sky on a clear autumn night, you are stargazing through the blackness of their wings. Continue reading “The Wolves Ripen: A Gothic Halloween Interview with Poet Kate Dlugosz”
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