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I make this approach examining fundamentals. Consider a fundamental an element present in every instance. In the practice of performance, the fact of the floor constitutes a fundamental. By this definition, every instance of performance involves a floor, a ground. Can we imagine a performance without a floor? Even the aerial performers hang on the trapeze bar, a suspended ground that swings in arcs. They may stand on it. The astronaut in zero gravity encounters a floor in the space capsule’s every surface. Out in the void … I will get to that. For now, in this demonstration, I lift the largest airplane, the P-25, to display for the camera. A moment ago it rested on the now-empty space of the blue square: each square a color; each color a floor – foundations becoming grounds of different climates and degrees.

Continue reading “I discover color: 1965, by Matthew Goulish”