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On Nathalie Léger’s Suite for Barbara Loden

Barbara Loden is Wanda, as they say in the movies. Her inspiration for the screenplay was a newspaper story she had read about a woman convicted of robbing a bank; her accomplice was dead and she appeared in court alone. Sentenced to twenty years in prison, she thanked the judge. Interviewed when the film came out, after it had been awarded the International Critics Award at the 1970 Venice Film Festival, Barbara would say how deeply affected she had been by the story of this woman—what pain, what hopelessness could make a person desire to be put away? How could imprisonment be relief?

–Nathalie Léger, Suite for Barbara Loden

 

From an early age, I knew I wouldn’t make it in this world. So I connected with women who, in my mind, shared that feeling. Plath and Woolf with their suicides speaking of a deep pain. Barbara Loden and her film Wanda in which the title character wanders alone and unloved.

 

Wanda is poor and she is voiceless and she is invisible. I understand the not-thereness of her.

 

Nathalie Léger felt a connection to Wanda as well. Tasked with writing an encyclopedia entry about actress Barbara Loden, she quickly became obsessed and expanded her inquiry, writing Suite For Barbara Loden, a gorgeous and dizzying investigation and excavation. Léger delves into Loden’s life, at times embellishing and inventing, and analyzes every layer of Loden’s only film, Wanda.  The book is fact and fiction and memoir and film criticism; it is a love letter to Loden and the singular film she created.

 

Continue reading “On Nathalie Léger’s Suite for Barbara Loden

‘The Summer Vacation Spent Indoors’ by Sarah Murphy

What a fine weather today! Can’t think whether to drink tea or hang myself.’ – A.P. Chekhov 

Three weeks after I left school for good, twenty-five Facebook messages exchanged in a group chat and eight texts doled out in the absence of Wifi later, a road trip had been planned for myself and a group of female friends. It was to symbolise the Last Summer: our final farewell to school, with the charm of gin and an Angel Olsen soundtrack which was lacking in the leaver’s dinner, in posing for umpteen photos in a lurid eBayed dress, thinking how much less gorgeous than everyone else I looked, and burying my pride in a disappointing chocolate mousse.

“It’s been a decade,” Jaya said as she arrived with Martha and Tess and the others in the road trip cohort that evening, standing in sundresses pulled over swimsuits, the car-park with the huge marina billboard and dilapidated blow-up cinema beside it looking suitably macabre for a adulthood send-off. “It’s been forever.”

“Since you’ve driven?” I asked.

“Since I’ve seen you guys.”

This was not accurate; it had been four days since our last reunion. But ever since school ended, this was how it was: impossible not to quantify everything in terms of forever. Two dollars for a bus ticket to the ends of the earth, please.

Continue reading “‘The Summer Vacation Spent Indoors’ by Sarah Murphy”

‘Walking Towards Death’ – 5 Essays on Mortality by Arathi Devandran

Part 1: ‘Watching My Father Age’

For as long as I’ve known him, my father has been the strong one in the family. He was indefatigable; during my teenage years, he worked several jobs, survived on three hours of sleep daily, and still had enough patience to deal with an ailing wife and a mildly hormonal teenager.

My father never fell ill. While most of my early memories of my mother are linked to hospitals and needles and antiseptic cream, my early memories of my father are of tireless hard work, and the absence of any kind of disease.

When I was younger, my father would carry me when I was sleepy. I was tall, even as a child, but that never stopped him from swinging me onto his back, hoisting as gracefully as one could a gangly, all-arms-and-legs kid, and striding to wherever it was that we had to go. He would never utter a complaint, he would never say I was heavy, and he would never turn me away.

Continue reading “‘Walking Towards Death’ – 5 Essays on Mortality by Arathi Devandran”

‘Living With Cancer’ – an essay in five parts by Arathi Devandran

Part 5: ‘The Everyday’

I am heading home after a long day at work, and I receive a frantic text from S, a dear friend. She has received upsetting news – the father of a good friend of hers has been diagnosed with cancer.

“I feel so helpless,” S writes. “There’s not much I can do for her, except remain available for her, and provide her support.”

I pause before replying.

I had been in her friend’s position before, of being told things that had made my world come crashing down around me. Of facing the insurmountable task of needing to be strong, even though all I had wanted to do was to crawl into a hole, to hide myself from everyone, from myself.

It had taken me several years to come to terms with my mother’s diagnosis, even after she was given a clean bill of health.

Continue reading “‘Living With Cancer’ – an essay in five parts by Arathi Devandran”

‘Living With Cancer’ – an essay in five parts by Arathi Devandran

Part 4: ‘On Hope’

I could not go with my mother to the doctor’s that day. Something urgent had cropped up at work, and I could not excuse myself in time for her appointment.

The feeling of guilt was familiar, but I had gotten used to it over the years. I had begun to understand that, as a caretaker, as part of a support system for someone with a long-term illness, I had to determine the limits of my capabilities as well. A caretaker was useless if she needed caretaking herself.

And the years of hospital visits and doctors’ appointments had almost desensitized my mother. Almost, because one can never be completely nonchalant about ill-health. But she had gotten used to it, and she had gotten used to dealing with most of it alone.

She rang me in the middle of the day while I was busy with work.

She was silent on the phone for a long time.

“The oncologist has officially declared that I’m in remission.”

Joy is a strange thing.

It hits you unexpectedly, from all directions, overwhelming, all-encompassing, until it settles so deeply inside you that you feel it radiating, throbbing, filling you.

Continue reading “‘Living With Cancer’ – an essay in five parts by Arathi Devandran”

On Chantal Akerman’s South

 

How does the southern silence become so heavy and so menacing so suddenly? How do the trees and the whole natural environment evoke so intensely death, blood, and the weight of history? How does the present call up the past? And how does this past, with a mere gesture or a simple regard, haunt and torment you as you wander along an empty cotton field, or a dusty country road?

Chantal Akerman

In his seminal book, Between the World and Me, Ta-Nehisi Coates writes that “In America, it is traditional to destroy the black body–it is heritage.” The 1998 murder of James Byrd Jr. confirms Coates’s words. Byrd was attacked by three white supremacists in Jasper, Texas. They beat him, urinated on him, and then tied his body to the back of their truck and dragged him several miles down an isolated road. Over the course of the drive, Byrd’s body was literally torn apart; pieces of flesh and body parts, including Byrd’s head and arm, were strewn along the road. The three men finally dumped what was left of Byrd’s body at a black church. The murder sparked national outrage and condemnation. All three killers were convicted. Two of the perpetrators remain alive, while one was executed in 2011.

Around the time of the murder, Chantal Akerman planned to make a documentary about the American South. She admired the work of William Faulkner and wanted to explore the region. However, when Byrd was murdered, her attention immediately shifted and she chose to focus on his death. The subsequent documentary she made was called Sud (South).

Continue reading “On Chantal Akerman’s South

‘Living With Cancer’ – an essay in five parts by Arathi Devandran

Part 3: ‘The Scare’ 

 

Dearest,

You know what the worst thing about cancer is? Once you’re touched by the disease, there is no turning back.

It has been four years since Mum was diagnosed with breast cancer. Four years since she went through her treatment. Four years of living with cancer, where in one way or another, we are reminded of its viciousness every day.

There is no respite. There is no end. Because from the moment the doctors tell you that you have the disease, it affects every moment of your life thereafter. It becomes a part of you. It is the shadow you can never quite get rid of, the awful feeling in the pit of your stomach that never goes away, the thing that wakes you in the darkest hours of the night, drenching you in cold sweat.

You might think this is only the case for the patient–the person who has been branded with this dreaded disease–but what few people know is that, when cancer touches one life, it touches everyone related to its first victim.

Those things that I wrote above? I go through them too. Cancer has become an indelible part of my life, and I’m not even the one suffering through it. The haunting may be different, but it is no less difficult, no less torturous, to deal with.

A week ago, Mum had a spate of dizzy spells. We didn’t think too much of it. These things happen, and then they go away. But, in her case, the dizzy spells didn’t go away. The alarm bells began ringing, fast and furious.

They did all the tests they could. Dad and I stood by helplessly, watching as she was poked and prodded by needles, wheeled to the X-ray room and then to the MRI scanning theatre.

Hours later, the doctors came and told us they’d found a tumor in her brain. Possibly malignant. Brain cancer.

And then they left us to deal with it. While our world came crashing down, the world outside of that little ward continued at its steady pace.

I think back to that moment – me leaning against a table because my legs had suddenly lost strength, mind racing, trying to figure out how the family was going to get through this again; my father, sitting next to my mother, holding her hand while she cried; and the sound of my mother’s crying, a low keening wail that was coming from a place that seemed so broken, so devoid of hope.

Thinking back on that day, I cannot remember many things. I cannot remember what we talked about after the doctors gave us the news. I cannot remember what we wore, what we ate for lunch – nothing.

But I can remember that single scene, like a tableau etched in a dark corner of my mind, and the sound of my mother’s cry.

***

They came back into the room again, hours later. Only to tell us that they had looked at her older records from years ago, and that they had spotted this tumor then too. It wasn’t new. It wasn’t a metastasis. It wasn’t cancerous.

 

Continue reading “‘Living With Cancer’ – an essay in five parts by Arathi Devandran”

‘What’s My Name?’ – an essay exploring identity and adoption by Anneghem Wall

What’s My Name?

 

Our names: our school pegs, our register entries, an ID badge, a passport, a bank account, a driving licence, how we introduce ourselves. Of course, all of our names are given to us, some a gift, others a curse, some that don’t quite sit right with the face in front of us, or for the body that the person inhabits, but it’s something we all have. Continue reading “‘What’s My Name?’ – an essay exploring identity and adoption by Anneghem Wall”

‘Living With Cancer’ – an essay in five parts by Arathi Devandran

Part 2: ‘The Treatment’

 

 

Note: This interview was written from a series of conversations between the author and her mother over several years. It has been put together to present this part of the series.

Me: Do you remember the day of your diagnosis?

My Mother: Yes. It is a day I will never forget. I remember the doctor telling me that I had a good chance of survival, that the lump they had discovered was small, that there was a fighting chance. The doctor spoke a language of hope. But all I could hear was death, disease, disaster. You know that saying about the world crashing down on you? Yes, that is what happened to me. The world as I knew it came crashing down on me. Continue reading “‘Living With Cancer’ – an essay in five parts by Arathi Devandran”

‘Living With Cancer’ – an essay in five parts by Arathi Devandran

Part 1: ‘When We Found Out’

 

Dear diary,

It seems silly that I am writing in my diary at this age, and yet –

Mother called earlier today. The biopsy results are in:

A malignant tumor. Breast Cancer. Continue reading “‘Living With Cancer’ – an essay in five parts by Arathi Devandran”

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