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BURNING HOUSE PRESS

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Non-Fiction

Notes From The Drift by C.C. O’Hanlon

“Those who do not move, do not notice their chains.” – Rosa Luxemburg

 

My wife and I left Berlin as winter set in.

Our residence visas had expired. We were broke. Bailiffs were at the door. We had just enough money to make a run for it. I gave notice to the utility companies and our health insurer, forwarded our mail to a cancelled mailbox, and closed our bank account.
Continue reading “Notes From The Drift by C.C. O’Hanlon”

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at seven o’clock in the evening by Jessica Sequeira

.  .  .  at seven o’clock in the evening, the light begins to fade and anguish begins. The light marks the frontier of something new, a border more dangerous than that of noon. This is the time of day when it becomes clear who is happy with life, and who can’t settle into it. At hotels and restaurants the waiters’ shift changes. For photographers it’s the magic hour when one can capture the most beautiful glow. Rohmer watched the green ray appear. Tanizaki set about penning his treatise in praise of shadow. This is the time it Continue reading “at seven o’clock in the evening by Jessica Sequeira”

Galen’s Heart by Tomoé Hill

Καρδιά. Kardiá. The heart. We think of it ruling emotion, when it was the ancient physician Galen who thought the liver was where passions lay. Maybe this is truer than we think—I go back again and again to the idea of drinking to countermand heartbreak, drowning one’s sorrows. Diana Vreeland telling the story of how Clark Gable locked himself in a room with a case of whisky after the death of Carole Lombard, Jean Rhys’ protagonists—the grimy, hard-learned wisdom of the café and those endless fines, pretending to be light-hearted when all the while you feel it throbbing, on fire in your throat; the Sisyphean act of swallowing beats as you drink your memories…

Continue reading “Galen’s Heart by Tomoé Hill”

Womannotated – No More Names

August 30th, 2019

No More Names

If you would follow, after dark, him and

his friends into the park — a boy who likes

to call you names, then make lewd demands,

midnight games. Mother said, “He’s so polite,”

his slick blonde hair, and Dad’s old spice, shirt tucked Continue reading “Womannotated – No More Names”

Border Works — Julia Beach, Janice Leagra, and Heather Derr-Smith. A Poetry, Mixed-Media and Video Collaboration with Additional Images by Robert Frede Kenter

woman in pink dress and wolf
Janice Leagra

sudden the homecoming

coyotes have learned to build traps
made of endings from the center of the earth

dressed as wolves they give them
to their loves who live in houses

with pink curtains and weather
warped floorboards

dictionaries and streaming services

Continue reading “Border Works — Julia Beach, Janice Leagra, and Heather Derr-Smith. A Poetry, Mixed-Media and Video Collaboration with Additional Images by Robert Frede Kenter”

Water Witching – Jamie Hood

Water Witching

I.

Lend me your ears; I am telling you stories. My cave is empty. I have nothing else to give. There is a mountain in Norway called the Storebalak, where, in March of ’86, an avalanche ate 16 soldiers. This is known as the Vassdalen Incident. Consider the number 16. Consider the numbered dead. This was of 31 of them. Consider the avalanche merciful. Consider I am telling you facts now. Let it be known this is a history. Who Continue reading “Water Witching – Jamie Hood”

Quiet Wife – Erin Vance

Quiet Wife

It is winter, suddenly, and Agnete is stuck inside her cottage. She is running out of preserves. She is bored. Sometimes Agnete wishes her husband would return, but alas, he is locked away. He may even be dead. Most of the time she is glad to be rid of him and his sharp teeth and breath like rotted wood. The snowfall came as a surprise. It is only the third week of September, after all. The white blanket has obscured her captor, and Agnete does not know the protocol of escaping a fairy ring one cannot see. Continue reading “Quiet Wife – Erin Vance”

Rings – Jessica Sequeira

Rings

We hadn’t wanted to go out, had even considered changing our minds with a lateness sure to offend, in order to enjoy the cool inside of the house with its scent of fresh cedar, its hardworking fan. But we mustered the resources we had, slipped on our sandals and passed over the threshold. The invitation had been extended to us with such excitement that there was no choice but to attend, despite our prejudices against classical art and the theatre, here found in the same work. Continue reading “Rings – Jessica Sequeira”

Ash and Stardust xii: The Leap

Ash and Stardust was a monthly column by energy worker and artist/writer DHIYANAH HASSAN exploring the intersections of tarot with healing and creativity. You can read the full series here.

When I started this column in January 2018, I was still calling myself a tarot noob. I confess I didn’t thoroughly believed it but lacked the confidence to openly claim myself as a card reader without having gone through some kind of an initiation period.

Who I am now is so far traveled from the person I was at the beginning of 2018. This was my Saturn Return year and it was so full of magic – this was my first happy year, ever! Connecting to the healing tools that I accepted as available to me really went a long way in teaching me what my happiness could look like. And I took it, ran with it, and trusted in everything I am that is strong and soft and beautiful.

During the span of this year, I received confirmation after confirmation at each level of release and growth I experienced once I committed – not just mentally but also physically, emotionally, and spiritually – to my chosen intentions to heal, to love, to have fun. I know now that writing Ash and Stardust as a monthly column was a sort of initiation I designed for myself to activate within me what I thought I was running low on – the ability to trust myself.

I’m writing this now, already at home in my new wilderness, on the eve of the new year cycle. I’m writing this as the last post of Ash and Stardust on Burning House Press.

Continue reading “Ash and Stardust xii: The Leap”

Christina Tudor-Sideri: PASSING THROUGH THE HOME OF THE DYING

Screen Shot 2018-12-28 at 1.00.18 PM

Tachypsychia. The word we use for defining the neurological condition which alters our perception of time. Time lengthening, time moving slower, time contracting. A blurred vision of time as response to a traumatic event. Time as a collection of unrelated passages. Time as red lines on the temptation to exist. Time as well-captured intentions, the same throughout all journeys. Every inked reflection, a paradise lost. Continue reading “Christina Tudor-Sideri: PASSING THROUGH THE HOME OF THE DYING”

Ash and Stardust xi: Agents of Change

Ash and Stardust, a monthly column by energy worker and artist/writer DHIYANAH HASSAN explores the intersections of tarot with healing and creativity. You can read the rest of the series here.

When you look at a card like The Tower, where do you see yourself in it? Pull it out now and observe the illustration of the card in front of you, do you recognize yourself in the tower falling apart, the figures raining down towards the ground, the air ignited by lightning, or anything else that’s happening in there?

Tarot encourages us to consider situating ourselves in scenarios we may not be able to acknowledge or recognize without some support. In this way, the cards open us to investigation, exploration, and possibility. With cards like The Fool, The Lovers, or Six of Wands, they encourage us to see ourselves as deserving more goodness from ourselves or from the world around us. And cards like The Tower, Five of Cups, and Ten of Wands – these difficult cards? They’re just as much avenues for liberation as the more obviously affirming, softer cards.

Our imagination, under social conditionings that are oppressive and oppressing, limits us. Our imagination, integrated with our soul’s truth, frees us.

Continue reading “Ash and Stardust xi: Agents of Change”

Nick-e Melville: apisodes 2 in insurance

apisodes_2_in insurance_nicky melville 1

Continue reading “Nick-e Melville: apisodes 2 in insurance”

Pete Treglown: untitled future objects & the garden of technological progress

untitled future objects

untitled future objects

the garden of technological progress

the garden of technological progress

Dorset-based artist Pete Treglown has developed a multi-faceted approach to making art works. His work is essentially a form of audio and visual assemblage, collecting images and ideas from varied sources and combining them into re-contextualised narratives that have a socio-political content. Website address  www.prtreglown.com

Maddison Stoff: Android Court Transcription

Official – Subject To Final Review

P R O C E E D I N G S

(9 :45 a.m.)

CHIEF JUSTICE GIBSON: We’ll hear argument f this morning in Case 84-2532, Android Rights Coalition verses The People’s Republic of America.

TX-38

ORAL ARGUMENT OF TX-38 Continue reading “Maddison Stoff: Android Court Transcription”

Cai Draper: The New Discount Chain, Fuck & Systems

Cai Draper BHP submissionCai Draper BHP submission 2Cai Draper BHP submission 3

Cai Draper is a poet from south London. He recently completed an MA in Creative Writing (Poetry) at the University of East Anglia. Systems was previously published in the UEA MA Poetry Anthology (Egg Box Publishing 2018)

featured image: Cai Draper

Eve Black: Black Scratch 1-3

Black Scratch 1

Continue reading “Eve Black: Black Scratch 1-3”

Lizzy Turner: Home Practice 1 & 2

Home Practice #1

Home Practice #1 Continue reading “Lizzy Turner: Home Practice 1 & 2”

Cas Stockford: Pre-Apocalyptic Poetics

Pre-apocalyptic poetics

Yellow flowers suddenly appearing,
ghost ships and curse birds,
the petty-profound re-occuring
nature of nature – fall, autumn,
fall, autumn, O! Spring! (the month
of May featured heavily)
– they used to write poetry about this!
And wrote about love/luv/lv – a word
as vague as ‘They’.* Back then, when
the world/welt/veld/gwlâd/welât
was made of moving parts (see: production).

Now we (the three of us) invent alphabets
each day, with bone-point pens in the
generous plastic-dust. For old Times™’ sake.

Help us. We can’t help it.

*’They’ – indefinite descriptor for all political
and commercial enemies of the people

Cas tweets here (work). Her work website is here

featured image from Cas is taken from a 17th century book of tantric drawings of Maharastra, no copyright.

Theodoros Chiotis: Prayer & Lemon Rinds

Chiotis- BurningHouse_submission (dragged)Chiotis- BurningHouse_submission (dragged) 2

 

Chiotis- BurningHouse_submission (dragged) 3Chiotis- BurningHouse_submission (dragged) 4

Theodoros Chiotis is the editor and translator of the anthology Futures: Poetry of the Greek Crisis (Penned in the Margins, 2015). Other publications include Screen (in collaboration with photographer Nikolas Ventourakis; Paper Tigers Books, 2017) and limit.less: towards an assembly of the sick (Litmus, 2017). His work has appeared in Catechism, Litmus, Datableed, Forward Book of Poetry 2017, Adventures in Form, Austerity Measures, Shearsman, aglimpseof, Visual Verse, lyrikline, Otoliths, amongst others. He has translated contemporary British and American poets into Greek and Aristophanes into English. He is a member of the editorial board of the Greek literary magazine [φρμκ] and contributing editor  for Hotel magazine. His project Mutualised Archives, an ongoing performative interdisciplinary work, received the Dot Award by the Institute for the Future of Book and Bournemouth University; he has also been awarded a High Commendation from the Forward Prizes for Poetry in 2017. He tweets @selfcoding

featured image: Bob Modem

Alice Willitts: {n; a(t, u) {ral = [w]under

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Alice Willitts graduated with Distinction from the Creative Writing Poetry MA at UEA in 2018 and was shortlisted with her creative partner for the Ivan Juritz Prize for their poetic essay in experimental fractal poetics ‘p0_EM Stein1’. Her poetry is concerned with personal and ecological losses and the limits of human intelli- gence as our species faces its own end. She is also writing for the Speculative Futures Collective (UEA), creating the ‘speculative nature writing of 2080’, due to be published in summer 2019 by Boilerhouse Press.

Twitter: @WillittsAlice @cwpoetics
Personal website: anotherkindofhappiness.wordpress.com
Collaboration website: cathenkawillitts.wixsite.com/cwpoetics

Blog at WordPress.com.

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